查询词典 stares

The young busker stares at some faraway point as she strums the one chord she knows and sings out of tune.

当这个年幼的卖艺女孩开始演唱的时候，她的眼看着远方，用右手的一个指头拨弄着一根琴弦，很明显她还不会弹奏和弦，这真是让人伤感。

The coir raincoat in the rain stares at the breath rising from its master, sighs like a fog and faintly thinks: doesn't my master have wish for happiness and enterprise of changing fate?

雨中的蓑衣凝望着主人口鼻间升腾的气息，如雾般的慨叹着，幽幽地怀想着，难道主人真的没有幸福的愿望，没有丝毫改变命运的企图？

Yancey stares at them, his face contorted in anger and pain.

燕西盯着它们，愤怒和痛苦扭曲了他的脸。

I'm 47 now, and the stares have not diminished as I've grown older.

现在我已经47岁了，随着年龄的增长，别人注视我的眼光丝毫没有减少。

Abruzzi still stares at the corner of his cell where a faintly discernable image continues to captivate his attention.

Abruzzi 仍在凝视他牢房的那个角落，一个依稀可辨的图像持续吸引他的注意。

When he gets back to his quarters, he stares in disconcertment at his purchases before shoving things in the refrigerator and stacking them in cabinets.

当他回到住所，他手足无措地看着账单，把东西推进冰箱和橱柜。

When a guy stares at you, he wishes you would care about him and wonders if you do.

当他用双眼凝视你的时候，他在希望和想知道你是否很在意他。

Osborne's Alison gets on with the ironing in Jimmy Porter's bedsit; Pinter's Ben stares into space from a bare mattress; Beckett's Estragon empties his boot of a stone; and Chekhov's Yepikhodov endlessly strums his guitar.

奥斯本创作的艾莉森在吉米á特的卧室熨衣服；品特创作的本凝视着一张空床；贝克特创作的艾斯崔高清除着鞋子里的石头；而契诃夫创作的叶皮豪多夫无休止地弹奏着吉他。

"His face shows, as he stares at the fire, a blend of fastidiousness and intransigence"

"他盯着火焰，脸上显出爱挑剔和不妥协的混合表情。"

His face shows,as he stares at the fire,a blend of fastidiousness and intransigenceSee Synonyms at mixture

他盯着火焰，脸上显出爱挑剔和不妥协的混合表情。参见

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。