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Girl in white clothes, make a vow tree in whom her plant personally , stand dully.

白衣服的女孩，在她亲手栽种的许愿树下，呆呆地站着。

I just can't stand thrashing through these weeds to get to the clothesline.

到凉衣绳那儿还要从乱草中走来走去，那么费事，简直让人受不了。

Luxury fitment, culture atmosphere, comfortable mattress, desk, clothespress and clothes rack, tea table, seat or sofa, bed stand, lamp, reading lamp, floor lamp, mirror, luggage and other higher-quality furniture.

c。 装修豪华，具有文化氛围，有舒适的床垫、写字台、衣橱及衣架、茶几、座椅或沙发、床头柜、床头灯、台灯、落地灯、全身镜、行李架等高级配套家具。

Heavily upon layer of mountains where they stand, cloud-capped, they are so many, one next to one, strange things: Some, like skyscrapers, and some, like castles, others like a sword, and some, like carrying her basket The girls in San Hua ------ they have listed in front of you, to you, nod, to smile at you.

重重叠叠的山峰拔地而起，耸入云霄，它们是那么多，一座挨着一座，千姿百态：有的像摩天大楼、有的像城堡、有的像利剑、还有的像提着篮子的少女在散花------它们纷纷列在你的前面，向你点头、向你微笑。

I think of your shattered life Of your struggle, of your strife While ladies dance in the moonlit night Champagne parties on chartered cruises I see your wasted form, your ghostly sight I feel your festering wounds, your battered bruises Ryan White, symbol of agony and pain Of ignorant fear gone insane In a hysterical society With free-floating anxiety And feigned piety I miss you, Ryan White You showed us how to stand and fight In the rain you were a cloudburst of joy The sparkle of hope in every girl and boy In the depths of your anguished sorrow Was the dream of another tomorrow.

我想起你破碎的一生你的奋斗和争执当女仕在月夜起舞香槟酒会在包租的海上游艇举行我看到你耗损的形骸，我看到你耗损的形骸，你鬼魅的眼神我能感觉你溃烂的伤口，我能感觉你溃烂的伤口，被殴的淤青阮怀特，愤恨与苦痛的象征怀特，无知的恐惧的象征，无知的恐惧的象征，变得疯狂在这歇斯底里的社会充满着随意漂流的焦躁和作伪的虔善我想你，我想你，阮怀特你让我们看到该如何忍受及战斗在雨中，在雨中，你是一场喜悦的骤雨在每个女孩与男孩心目中的希望之光在你身心伤痛的深处是对另一个明日的美梦译注： WHITE 美国印第安那州人，十岁时因血友病输血感染爱滋病，，美国印第安那州人译注：阮怀特美国印第安那州人，十岁时因血友病输血感染爱滋病，十怀特，四岁去世。

Old carry or stand bags used to be clunky and heavy, but not any more.

旧袋用来携带或立场予以clunky沉重，但是没有了。

I told you I can't stand clutter.

我告诉过你我不能忍受一团乱我警告过你

Stand at the base of a coast redwood and even the huckleberry bushes tower over you. Watch bronze Roosevelt elk grazing in the prairies. Observe the tail of a female Chinook salmon heave skyward as she makes a nest for her eggs.

这里红木树林绵延不断，黑果树高高耸立，青铜似的罗斯福麋鹿在草原上吃草，雌切努克鲑鱼为产卵而造巢时尾巴翘上天空。

I rotate my body shell very often when painting; this is why I prefer using coat hanger as my stand.

喷涂的时候要经常转动车身，这就是为什么我更喜欢用衣架台的原因。

Please hang your coat on the coat stand of the hall.

请把你的大衣挂到大厅的衣帽架上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。