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The result showed that the content of soil carbon indices on slope cropland were lower and increased dramatically in linear pattern after the cropland were abandoned for some time. 50 years after abandonment, OC, AOC and NAOC would increase by 169%, 144% and 210% respectively, compared to the slope cropland and would be 35 %, 39 % and 33 % respectively, of t he natural Chinese arborvitae stand. The carbon pool index and carbon pool management index would sharply increased by 169% and 117%, comapared to the slope cropland would increase by 35% and 42% respectively, compared to natural Chinese arborvitae stand.

结果表明：侵蚀环境的坡耕地土壤碳库各组分含量较低，土壤碳库处于高速低效率运转；撂荒后可以显著增加土壤碳库各组分含量，并随恢复年限呈显著线性关系，50 a时，TOC、LOC和NLOC分别较坡耕地增加169%、144%和201%，为侧柏林的35%、39%和33%；碳库指数和碳库管理指数较坡耕地明显增加，增幅分别达到169%和117%，仅为侧柏林的35%和42%。

The furthest distance in the world,is not between life and death,but when I stand in front of you yet you don't know that I love you;the furthest distance in the world ,is not when I stand in front of you yet you can't see my love ,but when undoubtedly knowing the love from both yet can not be together; the furthest distance in the world,is not being apart while being in love but when plainly I can not resest the yearning,yet pretending you have never been in my heart; the furthest distance in the world,is not you have never been in my heart ,but using one's indifferent heart,to dig an insur mountable river for the one who love you!

世界上最遥远的距离，不是生与死，而是我就站在你面前，你却不知道我爱你；世界上最遥远的距离，不是我就站在你面前你却不知道我爱你，而是明明知道彼此相爱，却不能在一起；世界上最遥远的距离，不是明明知道彼此相爱却不能在一起，而是明明无法抵挡这股想念，却还得故意装作你不曾在我心上；世界上最遥远的距离，不是你不曾在我心上，而是用冷漠的心，掘了一道无法逾越的鸿沟，对爱你的人！

The thousands of person such as associate of the colleague before king Zhan Shengsheng, good friend, business circles early or late slowgoing stand in silent tribute of the stand as a mark of respect before give birth to remains, bow, make send off finally, express to express sympathy and solicitude for to the family member.

王湛生生前的同事、好友、商界伙伴等数千人先后缓步来到王湛生遗体前肃立默哀、鞠躬，作最后送别，并向家属表示慰问。

The CVD is an important index to indicate tree diameterdifferentiating.On basis of dynamic change and tendency of CVDamong trees in stand,three models of square CVD are proposed.i.e.,basic model,stand factor model,and thinning effects model.All threemodels are of mechanism,asymptotic characteristic,and invariance forprojection length.Futhermore,there are compatiability and extremevalues in thinning effects model for thinned and unthinned stands.

直径变动系数是描述林木直径分化的重要指标，根据林木直径变动系数的动态变化和趋势，本文提出了直径变动系数平方动态变化的三个模型：基本模型，与林分因子相关的模型，考虑间伐效应的模型，上述三个模型均具有一定的机理性、渐近性和步长不变性，特别是考虑间伐效应的模型为间伐林分和未间伐林分的相容性模型，它还具有相容性和极值性。

Computation of mean height and diameter for thinning tree and stand thinned and ⅠⅡⅢ class tree changing unthinning and thinned were solved by thinning intensity and stand before thinning. Problem of thinning revision wore resolved.

解决了如何由间伐强度和伐前林分状态，准确推算间伐木的平均高、平均胸径和间伐后林分的平均高、平均胸径及Ⅰ、Ⅱ、Ⅲ级木伐前、伐后的变化，解决了如何进行间伐修正。

Cross-referencing the sculptures and the architecture is interesting and informative only up to a point, however, for Meier's sculptures stand apart and stand on their own.

对比建筑和雕塑是非常有趣的事情，启发了我们的思维，然而，这对于我们认识迈耶的雕塑毫无疑义，建筑和雕塑仅仅是他远离自我和回归自我的过程。

The stillness of the morning is impressive. The floor creaks under our feet as we move toward the window to look abroad through some clear space over the fields. We see the roofs stand under their snow burden. From the eaves and fences hang stalactites of snow, and in the yard stand stalagmites covering some concealed core. The tree and shrubs rear white arms to the sky on every side; and where were walls and fences, we see fantastic forms stretching in frolic gambols across the dusky landscape, as if Nature had strewn her fresh designs over the fields by night as models for man's art.

安静的早上总是令人难忘，我们踏着吱呀作响的地板走到窗前，站在一块无雪的地方来观望广阔的田野，我们看到屋顶都覆盖着皑皑白雪，屋檐和篱笆上挂满了冰棱，院子里的东西也被白雪覆盖了，像石笋一般，无从知晓里边究竟是什么，大树小树向四方伸展着它们洁白的枝丫；而在昏暗的大地上，院墙和篱笆以不可思议的形式向各处伸延，像是在愉快的跳跃，仿佛一夜的功夫，大自然就重新设计了一幅美景，供人类来临摹。

We see the roofs stand under their snow burden. From the eaves and fences hang stalactites of snow, and in the yard stand stalagmites covering some concealed core. The trees and shrubs rear white arms to the sky on every side; and where were walls and fences, we see fantastic forms stretching in folic gambols across the dusky landscape, as if Nature had strewn her fresh designs over the fields by the night as models for man's art.

我们的视线穿过空旷的地带向田野眺望：一幢幢房屋全是白雪盖顶；屋檐下，篱笆上挂满了钟乳石般的冰柱；院子里立着石笋似的雪桩，里面藏着什么，我们不得而知；大树小树向四面八方伸出白色的手臂，指向天空；墙壁和篱笆在黎明的景色中呈现出欢蹦乱跳的奇异形态，仿佛大自然一夜之间重新设计了田野风景，好让人间的画师临摹。

Larches of different ages have different net photosynthetic rate: the photosynthetic capacity of the young ones are bigger than that of the old ones; the stand density do not affect the net photosynthetic rate obviously; as far as the different stand classes are concerned, the diurnal changes of net photosynthetic rate is closely related to the photosynthetic active radiation. For the different layers of the crowns, there are greater ecological factors (illumination intensity, temperature, humidity etc.) on the upper layers than on the lower layers: the CO2 concentration of the lower layers is greater than that of the upper layers, which is indeed an exception; the net photosynthetic rate on the upper layers of the crown is generally greater than that of the lower layers. It showed that the CO2 concentration is not a main factor in the natural changing range of the CO2 concentration. Different directions of the crown have different photosynthetic active radiation, which is generally like exposed to the sun﹥North﹥in the shade of crown. However, the changes of net photosynthetic rate are not quite the same, which is North﹥exposed to the sun﹥in the shade of crown.

不同年龄的兴安落叶松净光合速率不同，年龄小的个体光合能力高于年龄大的个体；群团密度与净光合速率没有显著的相关关系；而对不同分级木，净光合速率日进程变化规律与光合有效辐射有着密切的联系；林内树冠不同层次各生态因子有上层大于下层的趋势，而CO2浓度在下层的含量高于上层，净光合速率上层普遍大于下层，说明在林内自然CO2浓度变幅内，CO2浓度不是主要因子；兴安落叶松树冠不同方向的光合有效辐射不同，一般向阳﹥北向﹥背阴，而净光合速率变化有北向﹥向阳﹥背阴的趋势。

The Bush family have a reputation for stubborn loyalty to advisors and subalterns; their attitude seems to be "You stand by us and we'll stand by you."

布什家族素有对幕僚和下属极力保护的名声，他们的态度似乎是：&你站在我们这一边，我们也站在你这边。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。