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Their customers are usually desperate to dig out from under 44 abysmal losses.

他们的客户一般都想从无底的亏损中解放出来。

The sale of that book was so abysmally small,it was so unsuccessful,that the question of its influence you can go back to the publisher,you'll see it was one of the most unsuccessful books he ever put out.

那本书的销量非常有限，很不成功。

It is time I went out of the abyss and freed myself.

是时候我该走出深渊、解放自己了。

Culturing of clinical medical special academic rank graduates has carried out for almost 10 years but only several years in military medical university.

医学专业生的培养在我国已经开展了近10年，而军队医学院校则刚刚起步。

The culturing of clinical medical special academic rank graduates has carried out for almost 10 years but only several years in military medical university.

医学专业研究生的培养在我国已经开展了近10年，而军队医学院校则刚刚起步。

Education of the speech after the article still discussed a student to enter a college is short of basically miss an appearance, put forward university English speech to receive education into academic rank this one link nots allow to ignore, should fill to differ; and point out it is good to do for student fill a vacancy the key that receives education into academic rank depends on university English teacher wanting to have the concept that values speech education.

文章还讨论了学生进入高校后语音教学基本缺失现象，提出大学英语语音入学衔接教学这一环节不容忽视，要为学生补缺补差；并指出做好入学衔接教学的关键在于大学英语教师要有重视语音教学的理念。

Seventeen percent of foreign students, or one out of six, studied engineering during the last academic year.

17%，或者说1/6的外国学生在最后的一学年学习工程学。

This paper gives a brief introduction to anthropological studies of Japanese scholars in the period (1895-1945)of Taiwan as a colony of Japan, reviews the foundation and change of main academicals institutions, scholars and its fieldwork , and main scholarship achievement and it is pointed out that Japanese scholars' anthropological knowledge acquired in Taiwan belongs to colonialism.

本文从研究机构的设立和变化、主要学者及其田野工作和著述，以及主要学术成就等几个方面，对日据时期(1895-1945年)日本殖民政府和学院派学者在台湾的人类学活动作一般性概述。同时结合台湾具体的历史情境，对这个时期日本学者的人类学知识的性质作出判断，指出这个时期日本学者在台湾生产的人类学知识在形态上是属于殖民主义的。

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事实上，当我们想认真的讨论"现代性"时，就会发现这一问题在中国有着极其尴尬的处境，且不谈社会学角度，从视觉艺术这个很小的角度切入，将西方艺术带入中国本土的老一代艺术家们带来的其实是西方学院派的艺术，是西方古典艺术的尾巴或被革命现实主义化了的西方古典艺术，而被带入中国本土后却被称为"现代艺术"，直至今日当代艺术在西方的学理支撑到了中国本土变成了被断章取义的只言片语，这其间"错位"一直存在着，或许这是一种有创造性的误读，但误读的主体是否具有独立消化能力的系统值得商榷。

The female sculptor, yu gao, seems to stand out among her contemporaries in raising the folklore and traditional vision into a kind of academism language.

将民间性和传统的视觉主题上升为一种学院派式形式语言做得比较出色的也许是女雕塑家喻高。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。