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sonatas相关的网络例句

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Alberti's best known pieces are his keyboard sonatas, although even they are very rarely performed.

阿尔贝蒂最著名的作品是他的键盘奏鸣曲,但连他们也很少执行。

It is probable that Mozart 's first violin sonatas , written at the age of seven, were modeled on Alberti's work, although Mozart's examples are generally considered superior.

这很可能莫扎特'第一部小提琴奏鸣曲,在7岁的书面,经阿尔贝蒂的作品为蓝本,虽然莫扎特的例子,通常被认为是卓越的。

On the basis of the analysis of the scores, the author makes conclusions about the characteristics of Schubert"s last three piano sonatas as followings: 1 The device of universal development in the movements composed in sonata form and rondo-sonata form is the most distinctive feature in the last three sonatas, which is also decisive in the trend of the whole movement and makes the developments relatively "still". 2 In the device of themes, the method of irregularity is preferred. However, By using extension, abbreviation, repetition and further repetition of periods, Schubert brings those themes to ingenious balance in both architectonics and aesthetics. 3 Chain method is applied in the connection of themes, in which the previous material is taken as basis and then modified together with the variations of new materials. By this way, the theme is continuously developed. 4 The principle of the dominant-subordinate is followed in Schubert"s three-key exposition, and the process of each key is extended.

本文在详尽分析乐谱的基础上,对最后三首奏鸣曲的主要创作特点进行了以下总结: 1、奏鸣曲式和奏鸣回旋曲式乐章中展开的普遍化是最后三首奏鸣曲最为显著的特点,它决定了整个乐章的走向,并使展开部具有相对"静止"的特点; 2、舒伯特的主题写作中更喜欢运用非方整性写法,并通过自身材料的延长、缩减和重复或者更高一级的段落重复使其达到了结构上和审美上的巧妙平衡; 3、舒伯特喜欢用链式的主题贯穿方式,音乐以之前的材料为依据,经过变化后再加入新的材料,用这种方式不间断地发展; 4、舒伯特的三调呈示部遵循从主到属的总体原则,并扩展了调性历程。

There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性,有时再加入一个新主题,最后在呈示部结束之前到达属调; 5、较多地运用整小节的休止,使其不仅具有深刻的表情意义,而且在结构乐曲中起到了不可或缺的作用; 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落,使同一个旋律在不同的和声色彩里闪现,既避免了单调的重复,又保持了旋律的抒情性和完整性; 7、展开的段落中习惯运用半音化的发展手法,半音阶式的深层线条成为某些展开段落的显著特点; 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机,三首奏鸣曲中运用了大量叹息的音调,并倾向于~#c小调的运用; 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

Based on Mozart's opera genius, this paper used the methods of researching on "19 Mozart Piano Sonatas", as well as the three major Mozart opera scores:"The Marriage of Figaro","Don Juan" and "The Magic Flute" and DVDS. Through a comparative analysis between his opera and piano sonatas I can find a large number of elements of his opera, such as aria, recitativ, quartet, chorus, decorative colorature and strong conflicts of paragraphs from the summary Mozart's Piano Sonatas in a dramatic factor.

基于莫扎特的歌剧天才,本文立足于对《19首莫扎特钢琴奏鸣曲》的乐谱研究,以及对莫扎特三部重要歌剧:《费加罗的婚礼》、《唐璜》、《魔笛》的总谱及音响资料的剖析,对这种体裁进行比较分析,可以从他的钢琴奏鸣曲中找出大量具有歌剧咏叹调、宣叙调、重唱、合唱、花腔装饰以及强烈戏剧冲突性段落,从中总结出莫扎特钢琴奏鸣曲中所具有戏剧性的因素。

The cello sonata was especially so plagued, as it grew out of sonatas for continuo; as late as the beginning of the nineteenth century it was still common for the cello in cello sonatas to double the left hand of the piano part, with the piano right hand playing obbligato figurations and melodies.

这个大提琴奏鸣曲的情况如此严重,以致完全成了钢琴的低音伴奏;一直到19世纪初以大提琴去重复钢琴的左手部分的做法依然非常普遍,但以钢琴右手去弹作修饰的伴奏和主调。

D958, D959 and D960, which are the last three piano sonatas composed by Franz Schubert, are investigated in this thesis. Firstly, a survey of Schuberts piano sonatas is made in this paper.

本文的主要研究对象是舒伯特的最后三首钢琴奏鸣曲,即《c小调钢琴奏鸣曲》(D958)、《A大调钢琴奏鸣曲》(D959)和《~bB大调钢琴奏鸣曲》(D960)。

In 2005 he performed and gave masterclasses in Guangzhou, China. In 2007 he also gave recitals and masterclasses in Tokyo, Osaka and Seoul.Wolfgang Watzinger player together with the violinist Bruce Bergs cycles of the entire sonatas for piano and violin by Brahms and Beethoven. In 2006 he played all 18 piano sonatas by W.A.

长期以来沃尔夫冈-瓦辛格经常在奥地利、德国等欧洲许多国家以及美国,南非,日本,韩国,台湾、香港等地举办钢琴独奏音乐会。2005年,他在中国广州星海音乐厅演出并在星海音乐学院举办大师班;2007年他分别在东京,大阪及首尔举行独奏会和开办大师班。

Then there are several keyboard sonatas that were later turned into violin sonatas.

然后有较多钢琴奏鸣曲,它们后来被改编为小提琴奏鸣曲。

His large chamber-music output included four string quartets, two string sextets, two string quintets, three piano quartets, three piano trios, three violin sonatas, two cello sonatas, and two clarinet sonatas.

他的大型室内乐作品有四首弦乐四重奏、两首弦乐六重奏、两首弦乐五重奏、三首钢琴四重奏、三首钢琴协奏曲、三首小提琴奏鸣曲、两首大提琴奏鸣曲以及两首单簧管奏鸣曲。

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