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sonata相关的网络例句

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General sonata, the first movement is all used to beginning from the sonata form of the allegro, but Beethoven is here destroys this kind of convention completely on one, begin from the adagio movement directly, after second movement in the allegretto , advance by leaps and bounds get urgent finale of board.

一般的奏鸣曲,第一乐章都习惯从快板的奏鸣曲式开始,但是贝多芬在此曲上彻底破坏了这种惯例,直接从慢板乐章开始,经过稍快板的第二乐章后,突进到急板的终曲。

On the basis of the analysis of the scores, the author makes conclusions about the characteristics of Schubert"s last three piano sonatas as followings: 1 The device of universal development in the movements composed in sonata form and rondo-sonata form is the most distinctive feature in the last three sonatas, which is also decisive in the trend of the whole movement and makes the developments relatively "still". 2 In the device of themes, the method of irregularity is preferred. However, By using extension, abbreviation, repetition and further repetition of periods, Schubert brings those themes to ingenious balance in both architectonics and aesthetics. 3 Chain method is applied in the connection of themes, in which the previous material is taken as basis and then modified together with the variations of new materials. By this way, the theme is continuously developed. 4 The principle of the dominant-subordinate is followed in Schubert"s three-key exposition, and the process of each key is extended.

本文在详尽分析乐谱的基础上,对最后三首奏鸣曲的主要创作特点进行了以下总结: 1、奏鸣曲式和奏鸣回旋曲式乐章中展开的普遍化是最后三首奏鸣曲最为显著的特点,它决定了整个乐章的走向,并使展开部具有相对"静止"的特点; 2、舒伯特的主题写作中更喜欢运用非方整性写法,并通过自身材料的延长、缩减和重复或者更高一级的段落重复使其达到了结构上和审美上的巧妙平衡; 3、舒伯特喜欢用链式的主题贯穿方式,音乐以之前的材料为依据,经过变化后再加入新的材料,用这种方式不间断地发展; 4、舒伯特的三调呈示部遵循从主到属的总体原则,并扩展了调性历程。

The only known published instrumental chamber music by him, two collections of twelve trio sonatas modelled on Corelli were published in 1693 and 1699 as Opus 1 Sonata da chiesa and Opus 2 Sonata da camera .

唯一已知的发表他器乐室内乐,两名12三人在科雷利蓝本奏鸣曲集发表在1693年和1699年的作品1奏鸣曲基耶萨和 Opus 2奏鸣曲相机。

Come the main body of a book to be analysed the body drawing support from Beethoven sonata fair amount of confidence face material and document material such as music aesthetics , the science of history , philosophy , complying with music and study Beethoven sonata dramaticism characteristic cause of formation and concrete technique of expression.

本文借助贝多芬奏鸣曲的谱面材料以及相关文献材料,着重从音乐的本体来分析和研究贝多芬奏鸣曲的戏剧性特征的成因以及具体的表现手法。

In the subject of "Musical interpretation", this Flute Sonata is influenced by Neoclassicism, so the performer should play in an objective and rational fashion. It is important that the performer should control the change of style of speed, dynamic and atmosphere. Because of the compact connection of motive material, it requires the flutist and pianist to have the privity of cooperation. All these issues make "Hindemith's Flute sonata" play an important role in the flute works of twenty century.

在「乐曲诠释」方面,受到新古典主义的影响,要以客观、理性的态度来演奏,其中以风格转换时的速度、力度及气氛的掌握最为重要,而主题素材在紧密的衔接之下,考验著长笛与钢琴相互配合的默契,这些特点使亨德密特《长笛奏鸣曲》在二十世纪的长笛作品中占有一席之地。

Sonata for Piano and Violin no.9 in A major, op.47 "Kreutzer Sonata"

A大调第九钢琴与小提琴奏鸣曲,作品47号"克莱采奏鸣曲"

By the way, the second movement of this sonata is in strict sonata form, which is actually abided by, by and large, in every Scriabin sonata.

顺便说一句,这个作品的第二乐章是严格的奏鸣曲式,斯克利亚宾的所有钢琴奏鸣曲,都能见到奏鸣曲式的影子。

This piano sonata is remarkable and worthy of attention as a summary of his early works, for it was his last multi-movement sonata two in all, with the first, to a great extent, receding into an introduction, and it was also his last sonata that ends with definite tonality (on the tonic chord of F-sharp major).

作为早期作品的总结,这首作品异常精彩的,是非常值得注意的。

The first part elucidates the origin of the term sonata and the relationship between the early sonata and other contemporary instrumental music genres, pointing out the fact that the intertwining and mixing among sonata, canzona, sinfonia and concerto was caused by the obscure defining and distinguishing of different music genres. Since they overlapped in many aspects such as composition and performance, they were often confused with each other in actual practices.

第一部分阐述了奏鸣曲这一术语的起源以及早期奏鸣曲与同时代其它器乐体裁之间的关系,指出奏鸣曲与坎佐纳、交响曲、协奏曲之间的交错与混合在于体裁本身及体裁之间尚未形成明确的界定,它们在创作手法、演奏形式等方面存在着重合,因而在实际运用中经常被混同。

He often made xmas and new year cards for his friend all by himself, making each of the cards a unique and special present to treasure. Hindemith could write music anywhere anytime. The renowned viola piece Sonata op.25 No.1 was composed by him in a restaurant car from Frankfurt to Cologne.

这位天才的音乐家可以随时随地作曲,著名的中提琴曲目 Sonata op.25 No.1 的第一乐章和第五乐章就是他在餐馆的轿车上从法兰克福到克隆途中上完成的。

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