查询词典 solo organ

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Compared with the prior art, the invention has the advantages that the method first identifies the expression of a facial image in video image data, and then drives the organ in a corresponding three-dimensional facial model according to the preset organ driving rule, thereby achieving more vivid animation effect; and the method avoids animation effect deviation caused by the movement detection errors of a single organ characteristic point when the prior art adopts single organ driving.

与现有技术相比，本发明的优点在于：本发明先识别视频图像数据中人脸图像的表情，然后依据预设的器官驱动规则，再来驱动相应的三维人脸模型中的器官，可以达到更加逼真的动画效果；避免现有技术采用单个器官驱动时，由于单个器官特征点的运动检测误差而导致的动画效果偏差。

Wind performance appraisal test gave students great encourage, tight next, after more than two months of training, they played 《Beautiful Flowers in the Open》、《the Same Song》、《the Team Song of Chinese Young Pioneers》systemic and completely. On June 1,2006, the wind played performance reporting, some students played solo. Unisons such as clarinet unison 《Colorful Cloud Chase Month》、flute unison 《Wool Clip》、French horn unison《hope》,solos such as saxophone solo 《 My Heart Will Go on》、《Countryside paths》 and baritone solo 《MaYiLa》Etc.

考级考试对孩子的鼓励很大，紧接下来，经过两个多月的训练，我们系统完整的吹奏了《美丽鲜花在开放》，《同一首歌》，《中国少年先锋队队歌》，"六一"儿童节我们管乐团在学校进行了汇报演出，还有孩子进行单技表演，像黑管齐奏《彩云追月》，长笛齐奏《羊毛剪子》，圆号齐奏《希望》，萨克斯独奏《我心永恒》《乡间的小路》以及次中音号独奏《玛依拉》等演出。

In 2003 she realized during one month different performances in the solo exhibition "26 days in OK"; in 2005 she connected performance and installation in the solo exhibition "Playing with 14 rooms"; in 2006 she created performances that communicated with the other exhibited works of the group exhibition "Excellent" that dialogued with other artists; in 2007 she researched media performance and painting in the solo exhibition "Performance-Painting," where she interprets performance pieces onto painted canvasses.

2003年，在&OKS的26 天&的现场行为艺术个展中，她每天进行不同方案的现场行为艺术表演。2005年的&在14间房子里游戏&个展中，她进行了行为和行为装置艺术之间关系的研究。 2006年底，在&杰出&的群展中，她以行为艺术的方式，和其他19位通过不同媒体创作的艺术家进行对话。2007年初，在德国&和33位行为艺术家作品的油画对话&的个展中，她以油画的方式用自己的解释来和33为行为艺术家的行为艺术作品进行对话。

Wind performance appraisal test gave students great encourage, tight next, after more than two months of training, they played 《Beautiful Flowers in the Open》、《the Same Song》、《the Team Song of Chinese Young Pioneers》systemic and completely. On June 1,2006, the wind played performance reporting, some students played solo. Unisons such as clarinet unison 《Colorful Cloud Chase Month》、flute unison 《Wool Clip》、French horn unison《hope》,solos such as saxophone solo 《 My Heart Will Go on》、《Countryside paths》 and baritone solo 《MaYiLa》Etc.

考级考试对孩子的鼓励很大，紧接下来，经过两个多月的训练，我们系统完整的吹奏了《美丽鲜花在开放》，《同一首歌》，《中国少年先锋队队歌》，&六一&儿童节我们管乐团在学校进行了汇报演出，还有孩子进行单技表演，像黑管齐奏《彩云追月》，长笛齐奏《羊毛剪子》，圆号齐奏《希望》，萨克斯独奏《我心永恒》《乡间的小路》以及次中音号独奏《玛依拉》等演出。

This paper studies the works of Vivaldi, Op.3 Lestro armonico.By the way musical form analysis of musical analytics, tries to analyze the structure, musical form, harmony, key relationship, stylistic evolvement of the works . It reveals the status of the works and the impact to the autumn period solo-concerto Four Seasons in the course from grand concerto to solo concerto . Vivaldi contributes the foundation of the solo concerto and his works get a further reference to learners.

本文以维瓦尔第的作品Op.3《和谐的灵感》为研究对象，运用音乐分析学中曲式分析的方法，试图通过对作品的结构形式、曲式、和声、调关系、风格演变等方面的分析，揭示出在从大协奏曲到独奏协奏曲的演变过程中，这套作品有着怎样的地位，对成熟时期的独奏协奏曲有着怎样的影响以及作曲家在独奏协奏曲的最终确立方面都有哪些探索，做出了怎样的贡献，对人们进一步了解维瓦尔第的其它优秀作品提出一些参考。

Britten was the famous composer of Britain in twentieth century, his music's personality is very vivid, and the types of literature is very variety, include: opera, ballet, orchestral music, concerto, chorus works, vocal solo and band, vocal solo and piano, chamber music, piano works, pipe organ works, movie music, broadcast incidental music etc.

布里顿是二十世纪英国著名的作曲家，其音乐具有鲜明的个性，并且作品体裁多样、题材广泛，包括歌剧、教堂寓言剧、芭蕾舞剧、管弦乐、协奏曲、铜管乐、合唱、独唱与乐队、独唱与钢琴、室内乐、钢琴曲、管风琴曲、电影戏剧和广播配乐等多种形式。

Article 49 If the Company or any of its directors, supervisors, senior executives, shareholders, de facto controller or purchaser is subject to the investigation by the competent organ, the compulsory measure given by the justice and discipline department, the transfer to the justice organ, the criminal liability given by the justice organ, the audit by the CSRC, the administrative punishment, ban from the stock market, the confirmation as an improper person by the CSRC, the punishment by any other administrative department or the public denouncement by the stock exchange, the Company shall offer reasons and conclusions.

第四十九条公司及其董事、监事、高级管理人员、公司股东、实际控制人、收购人如在报告期内有受有权机关调查、司法纪检部门采取强制措施、被移送司法机关或追究刑事责任、中国证监会稽查、中国证监会行政处罚、证券市场禁入、认定为不适当人选被其他行政管理部门处罚及证券交易所公开谴责的情形，应当说明原因及结论。

Living organ transplantation ; Organ donation ; Dead organ ; Solidarity ; Familism

活体器官移植；器官捐献；尸体器官；团结互助；家庭主义

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。