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His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Wind performance appraisal test gave students great encourage, tight next, after more than two months of training, they played 《Beautiful Flowers in the Open》、《the Same Song》、《the Team Song of Chinese Young Pioneers》systemic and completely. On June 1,2006, the wind played performance reporting, some students played solo. Unisons such as clarinet unison 《Colorful Cloud Chase Month》、flute unison 《Wool Clip》、French horn unison《hope》,solos such as saxophone solo 《 My Heart Will Go on》、《Countryside paths》 and baritone solo 《MaYiLa》Etc.

考级考试对孩子的鼓励很大，紧接下来，经过两个多月的训练，我们系统完整的吹奏了《美丽鲜花在开放》，《同一首歌》，《中国少年先锋队队歌》，"六一"儿童节我们管乐团在学校进行了汇报演出，还有孩子进行单技表演，像黑管齐奏《彩云追月》，长笛齐奏《羊毛剪子》，圆号齐奏《希望》，萨克斯独奏《我心永恒》《乡间的小路》以及次中音号独奏《玛依拉》等演出。

In 2003 she realized during one month different performances in the solo exhibition "26 days in OK"; in 2005 she connected performance and installation in the solo exhibition "Playing with 14 rooms"; in 2006 she created performances that communicated with the other exhibited works of the group exhibition "Excellent" that dialogued with other artists; in 2007 she researched media performance and painting in the solo exhibition "Performance-Painting," where she interprets performance pieces onto painted canvasses.

2003年，在&OKS的26 天&的现场行为艺术个展中，她每天进行不同方案的现场行为艺术表演。2005年的&在14间房子里游戏&个展中，她进行了行为和行为装置艺术之间关系的研究。 2006年底，在&杰出&的群展中，她以行为艺术的方式，和其他19位通过不同媒体创作的艺术家进行对话。2007年初，在德国&和33位行为艺术家作品的油画对话&的个展中，她以油画的方式用自己的解释来和33为行为艺术家的行为艺术作品进行对话。

Wind performance appraisal test gave students great encourage, tight next, after more than two months of training, they played 《Beautiful Flowers in the Open》、《the Same Song》、《the Team Song of Chinese Young Pioneers》systemic and completely. On June 1,2006, the wind played performance reporting, some students played solo. Unisons such as clarinet unison 《Colorful Cloud Chase Month》、flute unison 《Wool Clip》、French horn unison《hope》,solos such as saxophone solo 《 My Heart Will Go on》、《Countryside paths》 and baritone solo 《MaYiLa》Etc.

考级考试对孩子的鼓励很大，紧接下来，经过两个多月的训练，我们系统完整的吹奏了《美丽鲜花在开放》，《同一首歌》，《中国少年先锋队队歌》，&六一&儿童节我们管乐团在学校进行了汇报演出，还有孩子进行单技表演，像黑管齐奏《彩云追月》，长笛齐奏《羊毛剪子》，圆号齐奏《希望》，萨克斯独奏《我心永恒》《乡间的小路》以及次中音号独奏《玛依拉》等演出。

This paper studies the works of Vivaldi, Op.3 Lestro armonico.By the way musical form analysis of musical analytics, tries to analyze the structure, musical form, harmony, key relationship, stylistic evolvement of the works . It reveals the status of the works and the impact to the autumn period solo-concerto Four Seasons in the course from grand concerto to solo concerto . Vivaldi contributes the foundation of the solo concerto and his works get a further reference to learners.

本文以维瓦尔第的作品Op.3《和谐的灵感》为研究对象，运用音乐分析学中曲式分析的方法，试图通过对作品的结构形式、曲式、和声、调关系、风格演变等方面的分析，揭示出在从大协奏曲到独奏协奏曲的演变过程中，这套作品有着怎样的地位，对成熟时期的独奏协奏曲有着怎样的影响以及作曲家在独奏协奏曲的最终确立方面都有哪些探索，做出了怎样的贡献，对人们进一步了解维瓦尔第的其它优秀作品提出一些参考。

Mainly in solo jazz improvisation and the development of itself, with more and more attention, and increasing the performance of brass instruments and the solo in arranger exploration indicates the arrival of the era of swing.

以独奏为主的即兴演奏也随爵士乐本身的发展而受到越来越多的重视，日益增多的演奏铜管乐器的独奏者以及在编曲方面的探索预示了摇摆乐时代的到来。

Unlock the Solo rope clamp to extend the block and tackle system down to the victim,then re-lock the Solo rope clamp

开启夹绳器放松绳索，延长滑轮组的绳圈到受灾者的身上，再锁上夹绳器。3。

Total repertoire shall be a complete Concerto and a 25 minute solo program which includes at least one movement of a Sonata by Clementi, Haydn, Mozart, Beethoven, or Schubert; a virtuoso Etude, and other solo of the contestant's choice

全部的曲目为一首完整的协奏曲和25分钟的独奏，包括至少一首克莱门第、海顿、莫扎特、贝多芬或者舒伯特奏鸣曲的一个乐章；一首炫技练习曲，和一首自选的其他独奏曲目。

In this research, the SOLO (Structure of the Observed Learning Outcome) Taxonomy presented by Australian scholars Biggs and Collis (1982) was adopted, and students studying the fifth and sixth grades in Taipei area were chosen as research targets.This study was primarily implemented with a quantitative analysis and supported by a qualitative analysis. In order to carry out the research, a questionnaire had been designed with criteria suggested by Jones et al.(2000), including "describing data","organizing and reducing data","representing data" and "analyzing and interpreting data." This questionnaire consisted of open-ended questions, and after analyzed with qualitative methods, the responses were classified and scored based on standards set in SOLO Taxonomy. Then the quantitative method "Partial Credit Analysis" from Rasch model was adopted in examining the reliability, validity and consistency of outcomes from the qualitative analysis.

提出的统计思维架构－「描述资料」、「组织及简化资料」、「呈现资料」、「分析资料」作为评量试题的向度，题型为开放性问答题，在区分学童的答题表现方面，采用质的分析，参照SOLO（Structure of the Observed Learning Outcome）分类法的分类标准，将学童不同的答题反应进行分类，给予不同的分数，最后再采用Rasch model中的部份给分模式进行量化分析，以量化数据佐证质性分析的信度与效度，以及不同给分的吻合度。

She helped to hand round the dishes.

她帮忙把菜传给大家。

Lightweight and flexible balance crane, is an ideal lifting small items of lifting equipment, is widely used in factory floor of the machine loading and unloading, process, the automatic line, production line of the workpiece, lifting sand box, parts assembly, and stations, docks, warehouses and other occasions.

平衡起重机轻巧灵活，是一种理想的吊运小件物品的起重设备，被广泛用于工厂车间的机床上下料，工序间、自动线、生产线的工件、砂箱吊运、零部件装配，以及车站、码头、仓库等各种场合。