查询词典 social ethics

Ethics is an essential factor in literature aesthetic characteristics. Both literature and ethics are rooted in social life. Ethics embodied in literature is the need of both human beings and the society. Literature is the "emotionalization" of ethics, and ethics is the content of emotion.

认为道德关怀是文学审美品格中不可缺少的因素，文学与道德以社会生活为基础；文学表现道德是人类自身和社会的需要；文学描写生活离不开表现道德，文学是道德的"情化"，道德是情感的内容。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

To enhance the effectiveness of training of Party member ethics, must establish is new-style " rule of virtue " view, hold the basic content of socialism and communistic morality character and feature, in daily life paradigmatic ground abides by social morals, the sentiment; with him exalted education strengthens professional ethics training,; of action of type of van of sufficient on one's job post play holds to integration of theory with practice, knowing and doing is unified, in the education in practice good moral character; holds to close tie masses, develop democracy, accept people self-consciously supervise, improve moral quality of the Party member.

为增强党员道德修养的有效性，必须确立新型的"德治"观，把握社会主义和共产主义道德品质的基本内容和特征，在日常生活中模范地遵守社会公德，培养自己高尚的情操；加强职业道德修养，在本职岗位上充分发挥先锋模范作用；坚持理论联系实际，知行统一，在实践中培养良好的道德品质；坚持密切联系群众，发扬民主，自觉接受人民群众的监督，提高党员的道德素质。

The principles of the construction of Sports Ethics include the principle of just competition under the precondition of fair competition principle, with the requirement of "equality"; the principle of respecting human dignity, the results of their labor, with the requirement of treating a person as a person and making a man a man which is the essence of ethics; stressing the principle of people"s self-development and religion of the social and humanitarianisms; The principle of devotion which is based on patriotism and collectiveness under conditions of the socialist market economy. This requires the athletes must assume their responsibilities and obligations, and have the courage to abandon their own interests when the conflict of interest occurred among individual, collective and national interests; the environmental principle of focusing on the "unity of man and nature", and man"s responsibility for natural evolution in the course of the development of the sports industry.

体育伦理建构的原则主要有，在保证社会公益和公正尺度前提下的竞赛公平公正原则，要求&一视同仁&；尊重他人的人格、尊严、劳动成果的原则，要求以人的视角看人，并且使人成为人，这是伦理学的本质要求；强调人本身自我发展、实现的社会人道原则；在社会主义市场经济条件下一爱国主义和集体主义为基础的奉献原则，要求竞技体育主体一定要承担起自己的责任和义务，并在个人利益与集体、国家利益有冲突的时候勇于放弃自己的利益；注重&天人合一&，人对自然进化负责的环保原则，要求在体育事业的发展过程中，走绿色体育的道路，正确的处理好人与自然的关系。

Surveys show that there is cognition deficiency and stereotypic distortion of social workers and community correction center among clients; social workers provide plenty of pertinent services, which meet the needs of clients and have gained positive comments; social workers receive good evaluation in professional ethics in general, but have something to do in informed consent.

调查结果发现：服务对象对社区矫正社工及社团存在一定的认知不足和认知偏差；社工为服务对象提供了丰富且有针对性的服务，这些服务满足了服务对象的多种需要，获得了较高的满意度；从总体上来说，社工在专业伦理方面做得非常好，但在知情同意方面尚有待加强。

Systemized ethics is the necessary representation of social life in order that ethics adapts to the modernizd condition.

制度伦理是道德适应现代化条件下的社会生活的必然表现。

The ethics system which the three writers established has made a great contribution to Chinese ethics system, and it obviously has a positive influence on Muslins moral standards and social norms.

站在历史与现实交接的角度上审视，他们所构建的伦理思想体系不但极大地丰富了中国传统伦理思想的内容，而且对普通回族穆斯林的道德生活与行为规范产生了积极影响。

This article analyses the ethics of care's interpretations of social justice, and its implications of education. In Nel Noddings' theory of ethics of care, the central energy of the ethical action is the response of human feelings.

诺丁是将关怀伦理学由人性发展层面加以理论化的第一人，诺丁的关怀伦理学重在加强人性的关怀力量，使得护持正义社会的人性活水源头，得以长远保有而源源不断。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

So agricultural civilization has shaped the culture which mainly claims the good and regards ethics as its own department. And this culture has determined moral character like selfconsciousness of Chinese people. Ancient western civilization belongs to marine culture. On the one hand, it encourages human beings'fighting against the nature and then cultivates the scientific rational spirit of controlling the nature; on the other hand, the development of commerce destroys the leading role of blood relationship in the whole social life and as a result, ethics and morality no longer play the dominant role.

因此，农业文明塑造的是主善的伦理本位的文化，由此决定了中国人的德性式的自我意识类型；西方古代文明属于海洋型文化，它一方面鼓励人对大自然的抗争，从而培养了有效地把握自然的科学理性精神，另一方面则因商业的发达而打破了血缘关系在社会生活中的支配地位，从而使伦理道德不在占有支配地位。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。