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So i said to myself: the hometown should also be so-----although there was no progress, it was not so groomy as i felt

于是我自己解释说：故乡本也如此，——虽然没有进步，也未必有如我所感的悲凉。

II unscrew the blade being outside of the tool so that the blade bolts gently touch pad after so-and-so down bolts, turret (tool box or cameupto coilia gubernacular), opinins blade placed wooden sword.

拧松刀片露在刀座外的螺栓，使刀片轻轻接触垫板后再拧下螺栓，刀架升到原来位置，将刀片取下放在木制刀盒内。

You were my dream my world but i was blind you cheated on me from behind so on my own i feel so all alone though i know itz true Cascada im still in love with you i need a miracle i wanna be your gurl give me a chance to see that u are made for me i need a miracle please let me be your girl day and night im always by ur side cause i know for sure my love is real, my feelings pure so take a try no need to ask me why cause i know its true im still in love with you i need a miracle...

你是我的梦想，我的世界但我是盲人你欺骗了我从背后所以对我自己，所以我觉得所有单虽然我知道真正的itz cascada 即时通讯仍然在爱与你我需要一个奇迹我想成为您的gurl 给我一个机会看到即u是为我我需要一个奇迹请让我成为您的女孩一天一夜即时通讯总是由Ur方事业，我知道肯定我的爱是真实的，我的感受纯因此，采取一试没有必要问我为什么原因我知道其真实即时通讯仍然在爱与你我需要一个奇迹。。。

The results show that, for the first with no headwall, when there is no crosswind, it has small front face areas, so the aerodynamic resistance is the least. Since the second and the third have headwall, the front face areas are large, so they have bigger aerodynamic resistance. Under the condition of crosswind, as the third design option has the highest side beam, the area of positive pressure at the upwind is bigger, and the area of negative pressure is smaller when the bigger eddy area appears, so the side forces become larger. The first has the least side forces; the overturning moment of the first is the least.

研究结果表明：在无横风情况下，方案一中没有端墙，迎风面积较小，受到的气动阻力最小，方案二和三中平车有端墙，迎风面积较大，受到的气动阻力也较大；有横风情况下，方案三中平车侧梁较高，车体迎风面正压区较大，而背风侧产生较大的涡流区，在此区域内压力较小，故其横向力较大，方案一中平车侧梁没有加高，受到的横向力最小；方案一中平车倾覆力矩最小，稳定性最好。

Look at our government and people: honorless, shameless, no creditbility what so ever, no graitude what so ever, and no faith to our future what so ever!

Honorless，无耻，creditbility不什么如此，graitude不什么如此，和信任兑一我们将来的不什么如此！

The using instance of mould is complex, its always abated by abrasion, fatigue, or bad hot stability, and so on. To extend the longevity of mould, people try to use general heat treatment and other surface treatment, especially the gas nitriding, because of its inherent excellence, such as wearable、incohesive、co-fatigue、stand against permanence intensity and causticity under changeable load and so on, also the gas nitriding facility is cheapness, so the gas nitriding technics is abroad used.

为了提高模具的使用寿命，人们除了采用常规热处理外，各种表面强化技术也被广泛应用，特别是气体氮化工艺，因其能显著提高工件的耐磨性、抗擦伤性能、抗粘和性能、接触疲劳性能、冲击或交变载荷下的持久强度和耐腐蚀性能等，而且气体氮化工艺设备投资、生产成本低，更是被广泛关注。

Only at the night,look the lighting, face to yourself, we can understand we are so tired,so reluctance,so inculpable.

只有在晚上，当灯火阑珊，面对自己的时候，我们才会知道自己有多累，有多勉强，有多无奈。

And so of friends in a proportion This is certain, that a man that studieth revenge, keeps his own wounds green, which otherwise would heal, and do well Public revenges are for the most part fortunate; as that for the death of Caesar; for the death of Pertinax; for the death of Henry the Third of France; and many more But in private revenges, it is not so Nay rather, vindictive persons live the life of witches; who, as they are mischievous, so end they infortunate

报公仇多半会为复仇者带来幸运，如为消撒大帝之死而复仇，为佩尔蒂纳之死而复仇，以及为法王亨利三世之死而复仇等等。但报私仇却不会有这般幸运；与此相反，欲报私仇者过的是巫师一般的生活，他们活着时于人有害，死去则可叹可悲。鲍鹏山引用培根的《论复仇》：从对法律的破坏程度的角度来看，对犯罪的报复或者对犯罪的复仇要胜过犯罪本身。

He has theconsciousness of the death innerly, the childhood girlfriend's deathmade Humbert think the death uniquely;the death is unique to him, Lolita is the "time" for him. the death to him is not dread anymore and itchanges into metaphysical power;he heads for the death with the relationto Lolita, because in the relation he clearly feels that the being'sabsurd and brutal, he inevitably loses the past and the future ,so thedeath is not only the release but also the surpass for Humbert.To Lolita , she finally loses her meaning when trying to use thetime. The trip to the death is the certain result for her looking downon the rule of the time;she is most interested in the future;but herexperience with Humbert in fact have killed her who should be morevigorous, she just dies on the "now" time;and it also snatches herfuture, so Lolita is just from one nothingness-condition to another;Lolita can not grow in the right meaning and her life is not full enoughbecause she can not use the time rightly. Lolita costs too much for herlife just because she bantered the time and wanted to use the time toexceed all the control.So finally, the two people's fate is the death, with the time's pushing forward.

亨勃特的内心世界早已产生了深深的、终生受影响的&死亡&意识，童年女友的早夭使其过早地对&死亡&有了超越世俗想像的理解；&死亡&对于亨勃特是独特的；死亡对于亨勃特来讲不再恐惧，这种影响进而上升为一种强大的、形而上的力量；洛丽塔对他是种时间形式，在与洛丽塔的纠葛中他清醒地感受到了这种存在方式的荒诞与残酷，在灵魂与欲望的碰撞中亨勃特必然地失掉了&过去&和&现在&乃至&将来&，死亡对于亨勃特不仅是种解脱更是种超越，因此可以说在与洛丽塔的两性关系中亨勃特走向了时间之路的必然发展——死亡。

How infinite and inexpressible a Blessing it is, that the Knowledge of God, and of the Doctrine of Salvation by Christ Jesus, is so plainly laid down in the Word of God; so easy to be receiv'd and understood: That as the bare reading the Scripture made me capable of understanding enough of my Duty, to carry me directly on to the great Work of sincere Repentance for my Sins, and laying hold of a Saviour for Life and Salvation, to a stated Reformation in Practice, and Obedience to all God's Commands, and this without any Teacher or Instructer; I mean, humane; so the same plain Instruction sufficiently serv'd to the enlightning this Savage Creature, and bringing him to be such a Christian, as I have known few equal to him in my Life.

我觉得关于对上帝的认识和耶稣救人的道理，在《圣经》中写得这样明明白白，这样容易接受，容易理解，这对人类实在是一种无限的、难以言喻的幸福。因为，仅仅阅读《圣经》，就能使自己认识到自己的责任，并勇往直前地去担负起这样一个重大的任务：真诚地忏悔自己的罪行，依靠救主耶稣来拯救自己，在实践中改造自己，服从上帝的一切指示；而所有这些认识，都是在没有别人的帮助和教导下获得的（这儿的&别人&，我是指自己的同类--人类），而只要自己阅读《圣经》就能无师自通。而且，这种浅显明白的教导，还能启发这个野人，使他成为我生平所少见的虔诚的基督徒。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。