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Your slightest look will easily unclose me.

你最不经心的注视，就能轻易的触动我。

Somewhere I have never traveled, gladly beyond. any experience, your eyes have their silence:in your most frail gesture are things which enclose me,or which I cannot touch because they are too near your slightest look easily will unclose me.though I have closed myself as fingers,you open always petal by petal myself as Spring opens.touching skillfully, mysteriously her first rose or if your wish be to close me, I and my life will shut very beautifully, suddenly,as when the heart of this flower imagines the snow carefully everywhere descending;nothing which we are to perceive in this world equals,the powder of your intense frailty: whose texture.compels me with the colour of its countries,rendering death and forever with each breathing.i do not know what it is about you that closes,and opens; only something in me understands.the voice of your eyes is deeper than all roses,nobody, not even the rain, has such small hands

这样的地方我从来没有走过，愉快地超越任何经验，你的眼睛保持沉默：在您最脆弱的姿态，有些事是附上我，或我不能触摸因为他们太靠近你丝毫看我轻松地将揭开虽然我已经关闭自己的手指，始终打开花瓣的花瓣为自己打开春天触摸熟练，她的第一个神秘的玫瑰或者如果你的愿望是要结束我，我和我的生命将关闭很漂亮，突然，因为当这花心想象各地认真的雪降；什么是我们要在这个世界感知等于您的激烈脆弱粉：其质地迫使在其国家的颜色我，渲染死亡和永远与每个呼吸我不知道它是什么对你是关闭并打开，在我只有理解的东西你眼睛的声音的深度超过所有玫瑰没有人，甚至没有下雨，有这样的小手

Somewhere i have never travelled, gladly beyond / any experience, your eyes have their silence:/ in your most frail gesture are things which enclose me,/ or which i cannot touch because they are too near / your slightest look easily will unclose me / though i have closed myself as fingers,/ you open always petal by petal myself as Spring opens / touching skillfully, mysteriously / her first rose / or if your wish be to close me, i and / my life will shut very beautifully, suddenly,/ as when the heart of this flower imagines / the snow carefully everywhere descending

后来才发现原来一直喜欢的那个曲子是出自男孩自杀的情节処虽然到最后女孩也没能唤醒男孩但他们一起去了色盲岛雨过天晴后看见了美丽的彩虹生命里总是会有很多一厢情愿男孩一厢情愿的爱与未来女孩一厢情愿的陪伴就像诗里说的那样人总是在不经意间便轻易地影响到他人而且这种影响是永恒的不可逆的

This morning, for some unaccountable reason, we were talking about balloons, and we were as merry as possible; but the conversation drifted into family matters, during which Carrie, without the slightest reason, referred in the most uncomplimentary manner to my poor father's pecuniary trouble.

今天早晨，不知是什么引起的话题，谈论起气球，我们在交谈中尽可能的使自己开心，但是还是扯到家庭的事情上。卡丽毫无原因地提起我可怜父亲的经济困难，语气中满是贬损之意。

But as implying mere symbolical anticipation of heaven and a meaningless manipulation of unconsecrated bread and wine the eschatological interpretation is diametrically opposed to the text and finds not the slightest support in the life and character of Christ.

但由于暗示仅仅具有象征意义，预计到天堂和毫无意义的操纵unconsecrated面包和葡萄酒eschatological解释是截然相反的，以文字稿和认定，没有丝毫的支持，在生活和性格的喊声。

Hurstwood, for one, had not the slightest idea of what she would do under certain circumstances.

每当听着朋友们的恭维话时，他的虚荣心就得到了极大的满足。

Hung by ropes from a pole it undulated in the slightest breeze.

由于用杆子上的绳子悬挂起来，它在轻微的微风中也摇摆不定。

His mother, his sisters, an aunt, and two or three others watched his most casual dates in the way in which a group of unexercised dogs concentrates on the slightest movements of a human being who may possibly take them for a walk.

他的母亲、姐姐、姑妈，以及另外两三个女人看着他约会时都是漫不经心的样子，那样子就像一群未经训练的狗聚精会神地看着一个可能带它们出去溜达的人的一举一动一般。

His mother, his sisters, an aunt, and who or three others watched his most casual dates in the way in which a group of unexercised dogs concentrates on the slightest movements of a human being who may possibly take them for a walk.

他的母亲、姐姐、姑妈，以及另外两三个女人看着他约会时都是漫不经心的样子，那样子就像一群未经训练的狗聚精会神地看着一个可能带它们出去溜达的人的一举一动一般。

But, the person lain is still the slightest uninfluenced, still can rise or descend along with the voodoo.

但是，躺着的人还是丝毫不受影响，仍然可以随着咒语上升或下降。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。