查询词典 sisters

With these words the fairy joined her sisters and the seven fairies disappeared in a rainbow-colored mist.

话毕，仙女和她的姐妹们一起消失在彩虹般的雾里。

He said it like it was no big deal. He took my sisters arm and turned to head back for the reception hall.

他说得很轻松，然后挽着妹妹的手臂向婚礼现场走去。

Haze of 07 edition the Qin Dynasty also is given priority to with wave curl in drama, but too long bang lets her appear more docile, personality is not quite distinct, distinguish very hard on modelling especially green duckweed and violet water chestnut, this two sisters still resemble really.

07版秦岚在剧中也以波浪卷发为主，但过长的刘海让她显得更温顺，个性不够鲜明，尤其在造型上很难区分绿萍和紫菱，这两姐妹还真像。95版由&言情小生&林瑞阳扮演，服装都以浅色系的休闲装为主，发型也是那个年代流行的分头，露出额头，年轻活力意气风发，观众很轻易把他和费云帆的形象区分开。07版楚濂，尽管服装也以浅色休闲装为主，但发型显得过于老气，加上演员本人脸部线条不够清楚，略显老态，给人装嫩的感觉，感觉和&小费叔叔&年纪差未几。

He wrote passionately about this theory in his 150-page essay, The Art-Work of the Future , referring to dance, tone, and poetry as the "three prim sisters" without which no work of art is complete.

在他的150页的论文《未来的艺术作品》里，瓦格纳热情地阐述了他的理论：舞蹈、音律，与诗歌是&原始的三姐妹&，任何艺术作品缺了一个都不算完整。

The same was true of only thirty-seven percent of the brothers and sisters.

同样的只有37%的兄弟姐妹中有这样的问题。

The same was true of only thirty-seven percent of the brothers and sisters.

而他们的兄弟姐妹中只有37%有同样的问题。

The same was true of only thirty-seven percent of the brothers and sisters.

而他们的兄弟姐妹中只有37%存在同样的问题。

The same was true of only thirty-seven percent of the brothers and sisters.

而在他们的兄弟姐妹当中只有%37存在这样的问题。

The same was true of only thirty-seven percent of the brothers and sisters.

而他们的兄弟姐妹们只有37％的人存在这个问题。

The same was true of only thirty-seven percent of the brothers and sisters.

而在他们的兄弟姐妹中同样的问题只占37%。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。