查询词典 singing

In a great deal of outstanding singing in home outstandingly, sing the method in national vocal music represented by Peng Liyuan, have made outstanding contribution in term of drawing lessons from, inheriting and developing in singing the singing characteristic of technology and traditional singing style of Chinese nationality Westernly, been approved by experts and scholars and the broad masses, and this kind is different from tradition, have singing method of the characteristic of era to influence so far.

在诸多优秀的优秀歌唱家中，以彭丽媛为代表的民族声乐演唱方法，对西洋歌唱技术和中国民族传统唱法的演唱特征从借鉴、继承及发扬的角度均做出了突出的贡献，得到了专家学者和广大群众的认可，并且这种有别于传统、具有时代特点的演唱方法影响至今。

Therefore, reviewing theory base on nationality ideas of Kodaly Zoltan, Karl orff and Emile Jaques-Dalcroze these three music education systems as a cut-in point, firstly use psychology, sociology and philosophy as basic theory to process macrocosmic comparative argumentation to three system music education ideas, then process microcosmic theoretic logic discursion to a few basic fields which influence sight singing and ear training course teaching aim, teaching content, teaching implementation and teaching valuation to confirm most correlative and effective information sources of teaching practice based on nation musicality of sight singing and ear training; once more describe actuality of teaching practice based on nation musicality of sight singing and ear training in our country and demonstrate these basic subjects (psychology, sociology and philosophy) with sight singing and ear training teaching relations and actual meanings of music teaching to further propose development direction and actual problems faced with teaching practice based on nation musicality of sight singing and era training in our country.

由于音乐学科教育学研究与哲学、美学、社会学、心理学、教育学、物理学、历史学、民族学等多种学科有着密切的联系和交叉，因此，从考察柯达伊、奥尔夫、达尔克罗兹(Emile Jaques-Dalcroze)三个音乐教育体系民族性理念的理论基础作为切入点，首先从宏观上对三个体系的音乐教育理念进行以心理学、社会学和哲学为基础理论的比较论证；继而从微观上对影响以视唱练耳课民族性教学的目标、教学内容、教学实施、教学评价的一些基本领域进行理论上的逻辑推理，确定与视唱练耳民族音感教学实践最相关的和最有效的信息来源；再对我国视唱练耳民族音感教学实践现状进行描述，论证这些基础学科与视唱练耳教学的种种关系及对音乐教学的实际含义，进一步提出我国视唱练耳民族音感教学实践所面临的具体问题和发展方向。

This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.

本文共由三章正文和简短的绪论及结语构成：绪论粗略总结国内关于美声唱法、民族唱法及二者关系的研究已有的成果；第一章尝试通过历史回顾直观展现美声唱法、民族唱法之由来、特性及二者在当代中国对话融合之进程；第二章侧重从呼吸、发声、吐字、共鸣等技巧层面分析美声唱法、民族唱法各自的技巧特点并比较二者之间的异同；第三章除着重探讨美声唱法的民族化、民族唱法的美声化及两者融合共促于技术层面之可行性外，更试图说明此二种声乐艺术的融合发展在中国当前不仅是符合社会发展趋势和大众审美要求，更将对中国声乐艺术的教育和发展具有重要影响；结语则就多元文化融合创新之大趋势表达对未来中国声乐艺术的希望。

One song overlord don't , singing exhausted human life to leave sorrow don't hate;A the song peacock southeast fly, singing the feeling language of the exhausted human life;A song covers with to dance in the wind of the beam wish, singing exhausted human life of exceedingly sentimental.

一曲霸王别姬，唱尽人间的离愁别恨；一曲孔雀东南飞，唱尽人间的痴情怨语；一曲漫天飞舞的梁祝，唱尽人间的缠绵悱恻。

Boyindelger′s Singing Style embodies the root of Mongolian"Wurdindu"folk songs with a very natural combination of the singing mentality and the"bioplast"singing style.

宝音德力格尔的歌唱风格，体现着蒙古族乌日汀哆民歌之根本，即独具草原文化特色的歌唱心理与"原生态"歌唱风格的浑然天成。

The door into the canteen, choke back hunger, we would like to stop, a neat row of the team, sang Song, resonant voice, singing as waves for a while than for a while, better than consecutive day, all morale, singing singing, it never send me, can not help but like to play a simple melody songs , in love with the language of the barracks in particular.

洪亮的声音，如海浪唱了一段比一段时间，连续多天的好，所有的士气，唱唱歌，它永远不会给我，不能不喜欢玩一个简单的旋律歌曲，在爱，在军营，特别是语言。

In particular by the Shanxi and Hebei Road Bangzi Bangzi impact, draws further plate change Bangzi opera singing and Banhu, sanxian musical accompaniment, etc., and gradually create a unique set of system board concert cavity, with the exception of head and, second, and third, the guide plate, referral board, roll white and coloratura singing, but also created a folk system "training transfer" singing.

特别是受到山西北路梆子及河北梆子的影响后，又进一步吸取了梆子腔板式变化的唱腔及板胡、三弦等伴奏乐器，逐步创造出独具特色的成套的板腔式演唱体系，除有头性、二性、三性、导板、介板、滚白及花腔唱法外，还创造了属民歌体系的"训调"唱腔。

Shen Chongsui'theory of Kunqu ,which is mainly embodied in two works he wrote named Handbook for Qu-singing and Correcting mispronunciation in singing of Xiansuo-Qu, focus on the pronunciation in singing Kunqu.

沈宠绥的曲学理论侧重研究曲唱的字音方面的问题，集中体现在《度曲须知》和《弦索辨讹》两部著作中。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

First, he is good at creating exquisite circumstances with beautiful imaqe(for example: the moon, the water, the singing girl) and dim artistic effect(for example: the dreamland).when read his word people unrestrainedly enters in his art settings, or paces back and forth under the gently beautiful moonlight, or ripples in the river which slowly passes like the year, or wonders among the singing girls, attractive singing posture.

其次李煜词注重真感情的自然流露，使他的词作既纯洁又感人，特别是他亡国后的词作，字字滴血，句句含泪。他用细腻的笔法将他内心深处那种纯真的、悲伤的、感人的情感描述了出来，倾诉了他的亡国之音、亡国之痛、亡国之思。

Article 144 The Government of the Hong Kong Special Administrative Region shall maintain the policy previously practised in Hong Kong in respect of subventions for non-governmental organizations in fields such as education, medicine and health, culture, art, recreation, sports, social welfare and social

第一百四十四条香港特别行政区政府保持原在香港实行的对教育、医疗卫生、文化、艺术、康乐、体育、社会福利、社会工作等方面的民间团体机构的资助政策。原在香港各资助机构任职的人员均可根据原有制度继续受聘。

Small wonder, then, that the Chinese spend more in the shop than any other group of foreign visitors do .

这样的小惊喜，使中国顾客比任何国家的人消费得更多。