查询词典 signifies

The paper focuses on the theme of nature and childhood as well as its social significance in the 19 th century British Romantic literature.The theme signifies that in a modern society dominated by mechanical civilization,humanity seems inevitably to be metamorphosed materialistically,utilitarianistically,and pragmatistically,and separated altogether from the world of freedom,kind-heartedness,grand imagination,pure curiosity and emotional intensity.

本文着重论述了英国 19世纪浪漫主义文学的自然与童心主题及其深刻的社会历史意义，认为在大机器文明主宰下的现代社会里，人性不可避免地趋向物化、实用主义和功利主义化，丧失了原本在自然状态下充分拥有的自由和善良的意志、崇高的想象力、纯真的好奇心和强烈的情感世界，使人变得封闭、迟钝和缺乏创造力，而这将导致整个人类文明的匮乏与衰退。

Latin, related to Nebula, nephele, properly vapour, cloud, in art and archaeology signifies a shining light implying great dignity.

拉丁语，与星云，涅斐勒，妥善水汽，云），在艺术和考古学标志着一个光辉轻暗示伟大的尊严。

Our name signifies our commitment to, and engagement in, the peripheral vascular, neurovascular and cardiovascular markets and the physician specialties that serve them.

我们的名称，标志我们的承诺，并积极参与，周围血管，神经血管及心血管市场的发育和专科医师为他们服务。

Antoine answers noddingly, with that quiet, almost reverent serenity on his face that signifies to us that we are all crazy, that all ove is crazy, Crazy and divine.

安托万安静地点头回答说，是的，脸上恭敬的平静向我们预示我们全部是疯子，所有的爱都是疯狂的。

Conjuring thus signifies the way that contemporary authors have translated their nonliterary cultural and artistic heritage into written form.

这样，咒术意指的是当代作家将其非文化艺术遗产以书面形式转写的方式。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

In questions regarding war, for example, the 1st house signifies the querent's own country, since they identify with the concerns of their country when the question is expressed.

比方说，如果问题是关于一场战争，那第一宫就表示的是问卦者自己的国家，因为当他们提出这个问题的时候，是把他们的国家当作是他们自己来关注的。

""Shemu'el," or "Samuel," thus signifies "son of God.

& Shemu'el &或&塞缪尔&，从而标志著&上帝之子&。

The thesis,accordingly,attempts to explicate the viewpoint fi'om the theory and practice that the Marxist labor theory of value signifies no one - sidedness,neither does it mean fallacy.

本文试图从理论与实践的结合上阐明，马克思劳动价值论没有片面性，也没有什么不妥，而是不可置疑的科学真理。

The posture we take when we meditate signifies that we are linking absolute and relative, sky and ground, heaven and earth, like two wings of a bird, integrating the skylike deathless nature of mind and the ground of our transient, mortal nature.

我们禅坐的姿势，象征着绝对／相对、天空／大地、天堂／世俗的融合，如鸟的两翼结合了天空般永恒的心性和虚幻有限的凡夫心地。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。