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00 At night, I went to the radio. Because almost no one was on duty at night, and i was familiar with it, i entered the director room easily. A man was busy dialing, with a piece of paper before him, which was fully written with phone numbers and answers. He dialed one by one and ordered the same fake customers as me on the other end of the phone the answers they should say later. My arriving alerted him a little, looking back at me doubtingly. I pointed the host in the live broadcasting room the other side of the glass partition, and waved. After the host responded with a smiling face, he left me alone, and continued to dial. I pulled a stool and sat beside him, watching him busy about. From time to time, he would scold, because several calls put through but the other side was unwilling.

晚上8点我到了电台，因为晚上也没有什么人值班，再说对我也还熟悉，我很轻松的到了导播间，一个男子正在忙碌的打电话，面前放着一张纸，上面写满了电话号码和答案，他一个一个的拨打和交代电话那端"象我一样的托"，等下要说的答案，我的到来让他略显警觉，回头疑问的看着我，我指了指玻璃隔断那边直播间里的主持人，挥了下手，里面的主持人回了个笑脸后，男子即不再理我，而继续拨打着电话，我拉了张凳子坐在他的旁边，看着和他忙碌，间断里他会骂骂咧咧，因为个别电话拨通了，对方不愿意。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Combined with (1)"The Five Competitive Forces analysis" proposed by Michel E, Porter (2)"Strategic matrix analysis" proposed by Dah-Hsian Seetoo,(3)"Strategic Management of Health Care Organizations" proposed by Ginter, Swayne and Duncan (1998), and (4)"The Nature of the Strategy" proposed by Se-Hwa Wu. This paper tries to combine these theoretical perspectives and highlights a normative model and it's details for industrial competitive analysis and strategy formulation. One side of academic aspect, we expect this model could generalize to apply to other industry as well as to health care industry. On the other side of practical aspect, we expect to offer CEO of hospital a more complete and fruitful framework for strategic and competitive analysis.

本文以国内外学者所提出不同观点的策略学说，应用於医疗产业分析，以往竞争策略架构的分析模式多引用Porter的五力分析，本文另从司徒达贤提出的策略矩阵分析法中之产业及策略分析构面来加以考量，加上Ginter，Swayne and Duncan(1998)之医疗管理分析模型及吴思华所提出的策略九说，使得在实务分析上更为完整，以期藉由此分析方式，提供医疗产业更丰富多元的思考模式。

The crushed rock in the side abutment weakens the side restriction while the side wall and the apron strengthen the side restriction. The analysis showed a new stress distribution with automatic modification and less stress concentration when the side restriction is weakened by using crushed rock in the abutment.

结合某碾压混凝土拱坝的拱座，在减弱和加强侧约束时，即在坝体部分高程的破碎软弱岩石减弱坝体侧约束以及坝体下游边墙和护坦增强坝体侧约束的情况下，研究侧约束对于坝体应力和位移的影响。

Based on the comparison between several present schemes controlling DC motor with PWM, a design scheme for drive circuit fit to EPS is presented, in which both low side and high side are N-MOS and high side is either in fully-off or fully-on state while low side is controlled by logic circuit.

在分析电动助力转向系统电机驱动电路性能和可靠性要求的基础上，对比常用的PWM控制直流电机的优缺点，提出了电动助力转向系统驱动电路的设计方案：上、下管均采用N沟道MOS管，上管常通或常闭，下管由PWM逻辑电平控制。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Viewing from top of the Castle, well plotted landscape and green forest extended by east side of the harbor, tens of hundreds of white-colored boats and yachts sitting quietly by dock in the middle, a group of light-brown, firm-look structures with unique European style nicely standing along by west side of the waterfront.

站在城堡顶端向南俯视，收入眼底的是：港湾的东面延伸着一片平整的土地和深绿色的森林；中间是成千上百只白色的游船静静地靠着码头；沿着海滨西侧的是一组浅褐色，结构坚固，具有独特欧式风格的购物中心。

Labeling process is in line with the COTS and squeege formed the COTS guaranteed cutan, when the charts after gelatinize cots and when you turn the subject box of the front end to scroll in the form of stick out a label; with a label of panels continue to campaign,张合 by 揭标-揭标 e-?·|-clamping of the label side margin was off, when the then standard barrel go to one side of the bearing bottle turntable with Mark intracavernous when the aluminum foil on the bottle labels; at the same time the label of the bottle with the cap bottles go taiqian line also with the pallet for the 90-degree rotation, across the brushlelss label group label is brushlelss; the last high school marching to starred on the head part of applanation.

贴标过程是胶辊和刮板配合使胶辊上形成一定厚度的胶膜，当标板经过胶辊时涂胶并在转过标盒前端时以滚动形式粘取出一张标签；带着标签的标板继续运动，由揭标筒的张合揭标指夹住标签侧缘而被揭下来，当接标筒转到承瓶转台一侧时通过压标海绵将铝箔标贴到瓶口上身标同时贴上）；贴了标签的瓶子随承瓶转台前行的同时还会随托盘作90度旋转，穿过刷标组时标签被刷平；最后行进到压标星轮上将盖顶部分压平。

FINDING - The main side effects of inserting the IUD are abnormal menstruation, the IUD move down, abnormal leukorrhea, abdominal ache and pregnancy with IUD in situ, etc, which account for 20.9%;The sufferer caused by removal of IUD take up 15%;89.2% had heard IUD before, the risk to have more than three side effects is 67.8% analysed from the data;The knowledge about the side effect is mainly come from newspaper, magazine, TV, radio, doctors and brochures of the family planning service,Conduct follow-up regularly occupy 68.9% and 71.5% were satisfied with the propagation and education about IUD and contraception.

结果 放置宫内节育器的主要不良反应为月经异常、环下移、白带增多、腰腹疼痛、带器妊娠等，各种不良反应的总发生率为20.9%；因症取出率为15%；89.2%的人听说过宫内节育器不良反应，但了解3种以上不良反应的只有67.8%，宫内节育器不良反应知识来源主要是计划生育部门的宣传、报纸、杂志、电视、广播、宣传资料及向医生咨询；按规定参加术后随访的为68.9%，对当前宫内节育器及避孕知识的宣传教育满意率为71.5%。

FINDING - The main side effects of inserting the IUD are abnormal menstruation, the IUD move down, abnormal leukorrhea, abdominal ache and pregnancy with IUD in situ, etc, which account for 20.9%;The sufferer caused by removal of IUD take up 15%;89.2% had heard IUD before, the risk to have more than three side effects is 67.8% analysed from the data;The knowledge about the side effect is mainly come from news paper , magazine, TV, radio, doctors and brochures of the family planning service,Conduct follow-up regularly occupy 68.9% and 71.5% were satisfied with the propagation and education about IUD and contraception.

结果 放置宫内节育器的主要不良反应为月经异常、环下移、白带增多、腰腹疼痛、带器妊娠等，各种不良反应的总发生率为20.9%；因症取出率为15%；89.2%的人听说过宫内节育器不良反应，但了解3种以上不良反应的只有67.8%，宫内节育器不良反应知识来源主要是计划生育部门的宣传、报纸、杂志、电视、广播、宣传资料及向医生咨询；按规定参加术后随访的为68.9%，对当前宫内节育器及避孕知识的宣传教育满意率为71.5%。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。