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According to legend, the third in the Tibetan Year of the Dragon around the regression tree (chun xi eleven Southern Song Dynasty in 1184,jia chen ) before and after the pull-Jiu Ma Chung in Xiahe County, teacher and student activities in this area, in the river valley in the summer of self-cultivation, Chuan law, about the beginning of the year-long wooden, pull-Jiu Zhong Ma and her followers you have had the opportunity to carry forward in the future the interests of law and the clear wish of the people, so a lot of savings by the membership, objects, etc. Latin America Ma Jiu Tuo Chung great disciples more than the sound producedjie sang ge "Terton" of Aquarius, small disciples Tuo Zhou Yin Sangguo hao closure cap Aquarius, Germany and Russia Dayton writing grid-wang show the "Terton" scriptures, and finally by Ma Zhong-jiu la personally sealed.

相传，在藏历第三绕迥木龙年（1184年南宋淳熙十一年，甲辰）前后，玛玖拉仲师徒活动于今夏河县一带地区，在大夏河旁的山谷中修行、传法，大约在木龙年初，玛玖拉仲和她的诸位弟子产生了在未来的时机弘扬大法和利益众生的清净心愿，于是积蓄了许多经籍、法器等，玛玖拉仲的大弟子陀音多杰桑格制作了"伏藏"的宝瓶，小弟子陀音桑周以套子封裹好宝瓶，顿德俄格旺秀书写了"伏藏"经文，最后由玛玖拉仲亲自加封。

Lasting Chanel, Chanel has already become the most well-known brand of world;Double the classic LOGO of the C will inherit a vogue forever popular, never be absent.The Chanel madam is born in 1883 and passes away in 1971, the COCO is her childhood name, although she lees us for a long time, the style of its classic always that time still the founder of boundary.She most shows affection for to be with black and white carry on beautifully changing magically and carry out a kind of absolute pleasant impression and perfect harmony.She lee many become the direct mind tutor who guides to spread this ages to popular viewpoints, she think what the United States point is inside outside all beautiful, although spread to continuously put forth new ideas, the style can never be eliminate.In the meantime her believe deeply is the be"simple" st way which lets the fine texture present and her classic design for lee include:NO.5 perfume, be the inclined line soft, double color shoe, black and small dress etc., the accessories of classic is the leather that the assertion lets woman's hands vacate to wear the handbag that the chain take, she show affection for of the mountain camellia also still blooms in the dinner of silk ans stain the pack the ectype pattern.Chanel although from clothing house, as early as 1925 she starts entrust to produce a little amount rouge, lipstick and skin care products and provide oneself and the guest use, display just in the Chanel dress boutique, these merchandises he already beat up the CHANEL name, the perfume of the No.5 appears on market in 1921, beginning go toward perfume, cosmetics development, perfume and cosmetics he become Chanel performance very outstanding item now, separate to release a kind of new perfume for a while each time, in the aspects of leading cosmetics fad, Chanel also takes a lot of trouble, the quarterly releases a new merchandise each time, and lead the quarter don't sell!

永远的香奈儿，香奈儿已经成为全球最知名的品牌；双C的经典LOGO将永远袭卷时尚流行、永不缺席香奈儿夫人出生于1883年、逝世于1971年，COCO是她的小名，虽然她离开我们很久，但是其经典的风格一直是时尚界的鼻祖她最钟爱用黑色与白色进行美丽的幻化，实现一种绝对的美感以及完美的和谐她留下许多对流行的看法，成为引导这个时代流行的直接心灵导师，她认为美指的是内外皆美，虽然流行不断推陈出新，但是风格永远不会被淘汰香奈儿虽然由服装起家，但早在1925年她就开始委托生产少量腮红、口红和保养品，供自己和客人使用，仅在香奈儿服饰精品店陈列，但这些商品已打上CHANEL名号，1921年五号香水上市，开始往香水、化妆品开发，现在香水与化妆品已成为香奈儿表现相当出色的项目，每隔一阵子就推出一种新香水，在领导化妆品流行方面，香奈儿也煞费苦心，每一季推出一项新商品，而且过季不售！

This research was conducted in degraded rangeland at the southwestern edge of the Mu Us sandland, Yanchi county, Ningxia, the soil seedbank features and its relation to vegetation was analyzed using similarity analysis and ordination method, the results show that seeds within soil distribute mainly in 0~5 cm soil layer, less seeds in 6~15 cm soil layer in exclosed and non-exclosed rangeland, for seeds in exclosed soil, species richness and diversity index H are higher, while D is lower, exclosure measure, generally speaking, can increase plant species and amount of vegetation and seeds in soil, some annual plants, mesophytes and halophytes appears in the soil or surface.

以毛乌素沙地西南缘宁夏盐池县的退化草场为研究对象，采用相似性分析和排序方法对封育和未封育草场土壤种子库的特征及其与地上植被间关系进行了研究，结果表明无论封育区还是未封育区，土壤种子库中的种子主要分布于0~5cm的土层，6~15cm土层的种子数很少；封育区土壤种子库的物种丰富度大于未封育区，物种多样性则表现为H 值较大，而D值较小，总体上看封育措施可以提高地上植被和土壤中种子的种类和数量，一些一年生植物、中生植物和盐生植物开始出现在地面或土壤种子库中。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

The rain is knockin at my heart and I can't see the sun no more I can't live without you my sun if I'm ever gonna get back picture this You got a kid in a room his hands sweatin and shakin while he's lacin his shoes the excitement's buildin up for what's comin up soon To get there and do what he was born to do He's listenin to the beats He's trying to get in the zone He's gotta take control and make every moment his own just a little bit tired he is a little bit scared but he's so focused he won't show it when he's finally there Cuz now he's out on the floor And he's catchin the pass slashin to the glass, movin so fast, right to the hole, they don't know how to stop him and he keeps on droppin 2's and 3's by the second and the crowd is rockin so they knock him knock him down to the ground before he's crowned as the best He takes a deep breath before he gets up and looks around Everything's in slow motion The crowd is an ocean Only one minute left The rain is knockin at my heart and I can't see the sun no more I can't live without you me sun if I'm ever gonna get back, get back, get back The rain is knockin at my heart and I can't see the sun no more Ican't lice without you my sunif I'm ever gonna get back Imagine A little girl in the stands the kid's her older brother and she's his number one fan He's always lookin out for her and she looks up to him and she wants nothin more than for her brother to win But the truth is that there's someone on the other team Someone who stole her heart Someone who holds her dreams They kiss for the 1st time just the other evening Her brother's 23 but her lover's number 16 The drama is set the whole scene is intense she doesn't know which one to cheer for and she's gettin upset 23 on the chase cuz they're at each other's necks and what happens next Her boyfriend steals the ball and checks the kid in the chest 16 on the break Brother goes in the air with brother up in his face They come crashing to the dirt Tears about to burst When the game is over who she gonna run to first, yo The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back, get back, get back The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back 有时感觉阻碍太多但我还是为了我的梦想而奋斗 Nothin's gonna stop me Ey yo this game of life is one big struggle We gotta hustle just to make it everyday to fight the fears we facin and grab those dreams we chasin cuz there ain't no competition when we rise to the occasion c'mon The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back, get back, get back The rain is knockin at my door and I can't see the sun no more I'ma hafta fight my way if I'm ever gonna get back 注:IN可以看作是ING如FACIN可以看作facing

雨是敲入我的心我看不到太阳不再我不能没有你我的太阳如果我曾经去买回来此图片你有一个孩子在一个房间里他的手sweatin和沙金，而他的拉欣他的鞋兴奋的buildin了什么的，很快就要来要到那里做什么，他出生做他listenin的节拍他试图在该地区获得他得采取控制和利用自己的每一刻只是有点累了他有点害怕但他是如此专注，他将不显示它的时候，他终于有现在的Cuz他在地上他的捉通行证 slashin的玻璃，居无定得那么快，有权向孔，他们不知道如何阻止他他不断droppin 2的和3的由第二摇滚和人群所以他们会把他会把他撞倒在地之前，他的加冕为最佳他深吸了一口气，才起身环顾四周一切都在慢动作人群是一个海洋仅1分钟雨是敲入我的心我看不到太阳不再我不能没有你我的太阳如果我曾经去买回来，回来，回来雨是敲入我的心我看不到太阳不再没有你我的sunif Ican't虱子我曾经去买回来想像看台上的一个小女孩这个孩子是她的哥哥，她是他的头号球迷他总是在找谁了她和她抬起头来他和她想没什么比她的哥哥更赢得但是，事实是，对其他团队的人有人谁偷了她的心有人谁拥有她的梦想他们只是亲吻对方的第一时间为晚上她的弟弟，但她的爱人23的16号该剧设置整个场面激烈她不知道哪一个加油，她的gettin不高兴 23大通他们的Cuz在对方的脖子和接下来会发生什么她的男朋友抢断球，并检查孩子的胸部 16个突破哥哥和弟弟去他的脸在空中他们来到崩溃的污垢即将爆裂泪当比赛结束谁，她要去跑第一，溜溜雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来，回来，回来雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来有时感觉阻碍太多但我还是为了我的梦想而奋斗没办法，拢不惊安永哟这样的生活游戏是一个大斗争我们得喧嚣这只是为了日常战斗的恐惧，我们都会面临的两个并抓住那些梦想，我们查辛没有的Cuz没有竞争当我们挺身而出来吧雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来，回来，回来雨是敲着我的门我看不到太阳不再我是打我的方式hafta 如果我曾经去买回来

In our thesis, contents are organized as following In Chapter 1 we present our topic's internal and overseas research situations, theoretical and practical significance, and introduce the research object and contents, and the main contributions of this dissertation. Chapter 2 reviews the development of the stability results for nonlinear systems and some relevant recent results, which include Lyapunov and LaSalle-Yoshizawa theorems for nonlinear systems, and stochastic edition for stochastic nonlinear systems. Sontag's formula for systems affine in control is presented in the frame of CLF. The concepts of disturbance attenuation and the inverse optimality are also explained in this Chapter. In chapter 3 we present the solvable theorem of inverse optimal gain assignment problem, design the inverse optimal controller and the inverse optimal tracking controller for strict-feedback nonlinear continuous systems with unknown time-varing bounded disturbances and constant unknown parameters using an adaptive backstepping algorithm, which are nonlinear, continuous and are easier to realize. These designs are fully systematic and the algorithm can be directly coded in symbolic software. The results of simulation show the effectiveness of the control algorithms.

论文的结构如下：在第1章中，给出了本文研究课题的研究现状、理论意义和实际应用，并介绍了本文的研究对象、研究内容以及主要贡献；在第2章中，针对确定性非线性系统和随机非线性系统，分别介绍了Lyapunov定理、LaSalle-Yoshizawa定理及其随机版本；对仿射系统，在控制Lyapunov函数框架下，给出了Sontag公式；同时给出了非线性系统扰动抑制和逆最优控制问题的基本概念；在第3章中，针对具有未知时变有界扰动和未知定常参数的一类不确定非线性系统，给出并证明了逆最优增益配置可解定理，使用自适应Backstepping算法和均值定理，系统地设计了自适应逆最优控制器和逆最优跟踪器，这种设计方法可同时获得逆最优控制策略和自适应律，简单明了，仿真结果表明该控制算法的有效性，并给出了性能估计。

Tectonic subsidence play dominant role in their geometric shapes, basin fillings, sequence evolution and sediment distribution in the Wushi Sag. Outline of the sequences are in shape of box-wedge or sheet-wedge and boundaries of sequences are varied from bilateral fault to monoclinal fault overlap, so that the sequences show distinct semigrabens which overlay in different ways. Seven sequences were formed in different stage of tectonic evolution. The sequence of SQ1 formed in initial rift stage and deposited alluvial sequence. Sequences SQ2-SQ4 developed in intense rift stage and sediment lacustrine sequence. Sequences SQ5-SQ7 formed in late period of rift before thermal subsidence and deposit mere and delta sediment. The place adjacent to the synsedimentary fault is the subsidence center and depocenter; meanwhile, controlling fracture migrates in horizontal made subsidence and sedimentary center of the sag changed.

构造沉降是控制层序几何形态，充填叠置方式、演化及沉积体系分布的最重要因素：凹陷由多个半地堑在不同层序发育时期以不同方式叠置联结而成；受断层控制，层序外部形态有箱状-楔形、楔形-席状披覆型，边界终止方式有双断终止型、单断终止超覆型；不同构造演化阶段层序内部充填的沉积体系各具特征，初始断陷阶段的SQ1沉积冲积层序，强烈断陷阶段的SQ2-SQ4充填湖相层序，晚期断陷阶段SQ5-SQ7内部充填浅湖和河流三角洲沉积；同沉积断层陡坡带沉降迅速、可容纳空间快速增长，是凹陷的沉积和沉降中心，断陷期主控断裂活动时间和空间的变化导致了凹陷沉积和沉降中心的迁移。

Her full name is Alizée Jacotey, born in Corsica Island in southern Fance. She has learnt dancing, drawing, singing and acting since she was a child, which shows her inborn talent for performance extremely. When she was 11 years old, she won a cup for drawing contest. Her work was even used to paint as a design on the plane, which named Alizée. In 2000, she appeared on the TV talent show "Graine de Star"(isn't it in 1999?). She immediately caught up the eyes of French fisrt singer Mylène Farmer and her producer Laurent Boutonnat. They made a contract and release single "Moi... Lolita", sold over 1,500,000 in France, on the top song of Italy, Spain and Poland and also UK top 9. In her first album Gourmandises, she protrayed a teenager with sweetness and melancholy. Soon after its release in 3 weeks, it broke the record of French Platium and she blew all over the world with 4,000,000 sold out.

全名Alizee Jacotey的艾莉婕，出生於法国南部的柯西嘉岛，自幼学习舞蹈、绘画、唱歌以及演戏，发挥与生俱来的表演细胞。11岁赢得绘画比赛奖杯，她的作品更成为飞机机身主图，并且命名为「Alizee」。2000年参加新秀选拔赛，吸引在场法国首席女歌手Mylene Farmer及其制作人Laurent Boutonnat的目光，顺势签下一纸合约后推出单曲"Moi Lolita"，法国冲出150万张销量，夺下义大利、西班牙、波兰等国冠军，英国金榜Top9，首张专辑《Gourmandises》细腻描述花样少女的甜蜜与哀愁，发行三周即破法国白金唱片纪录，全球捷报频传的总累积四百万张佳绩。

This thesis is divided into six parts. The first chapter is preface, the current status of research in the inverse problems for parabolic partial differential equations is reported; the second chapter is "regularization methods for numerical differentiation and their applications ", in this chapter we investigate many regularization methods from a viewpoint of regularization theory and algorithm, some applications in the inverse problems for parabolic partial differential equations are given; the third chapter is "spectral regularization methods". Based on Fourier analysis, within the framework of regularization theory, we apply the spectral methods to some ill-posed problems. Many numerical experiments are done in order to show the validity of the methods; the fourth chapter is devoted to wavelet dual least squares method and a revised wavelet method; in the fifth chapter,we combine finite difference method with method of lines and apply it to the backward heat conduction problem in time; in the sixth chapter "identification problems for unknown source ", the essence and the degree of two problems related to source identification are pointed out, at the same time, some numerical methods are reported.

本文分为六个部分，第一章前言简要分析了国内外抛物型偏微分方程反问题的研究现状；第二章数值微分的正则化及其应用从正则化理论和算法的角度出发，考察了许多正则化方法，还给出了数值微分在抛物型偏微分方程反问题的一些应用；第三章谱正则化方法是在Fourier分析的基础上，在一般正则化理论的框架下，给出了这种方法在各种不适定问题中的应用，数值实验表明谱方法是有效的；第四章研究了小波对偶最小二乘方法和改进的小波方法；第五章主要研究了有限差分方法结合线方法在时间反向热传导问题中的应用；第六章是未知源识别问题，主要指出了两类未知源问题的不适定程度和不适定本质，同时报告了一些数值方法。

In this research project, we have got a series conclusions:(1) there is no excess argon in the high-pressure white micas being in the orthogneiss;(2) The distribution of excess argon in eclogite is positive correlative with the ratio of Mg/, but negative with the ratio of Na/;(3) The in-situ analyses by using the method of laser probe 39Ar-40Ar show that the age radius from central to margin in a single grain of high-pressure white mica in eclogite;(4) There is no any evidence to prove that the excess argon in eclogite comes from fluid;(5) The excess argon in eclogite inherited from primitive rock during high-ultra high pressure metamorphism;(6) There is no excess argon in the eclogite when its surrounding rock is carbonate.

本项目用综合手段，研究了高压白云母中过剩氩的来源、赋存、分布与岩性、产状、矿物元素和矿物显微结构之间的相关关系，以确定过剩氩在高压白云母中赋存的主要控制因素。初步得出了以下结果：1、高压变质的正片麻岩中的白云母中不含过剩氩；2、高压白云母中过剩氩的赋存和Mg/有着正相关关系，而和Na/呈负相关；3、激光微区氩-氩分析表明，榴辉岩中的单颗粒多硅白云母存在年龄梯度；4、初步否定了高压白云母中过剩氩来自于流体的说法；5、初步认定，榴辉岩中多硅白云母中过剩氩主要是在高压-超高压变质过程中由内部继承的；6、在阿尔金及柴北缘等地围岩为碳酸岩的榴辉岩中的高压白云母不含过剩氩。上述研究结果将推动过剩氩成因研究走向深入。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。