查询词典 sheet music

In the long process of migration , influenced by the music culture of other nationalities , and absorbing the merits of their folk music , the Salar enriched its own music culture and produced colorful folk music .

青海撒拉族在长期迁徙的历史发展中，受诸民族音乐文化的影响，并吸收了诸民族民间音乐的因素，从而更加丰富了本民族民间音乐的音乐文化，创造了丰富多彩的撒拉族民间音乐。

Before Asian music was launched, Gymboree music had already included a variety of musical styles, such as African, European-Polka, Caribbean, Latin-American, Pacific Islands and etc. This time, Chinese music has won the pole position, not only Greater China has become the most rapid growth region of Gymboree centers and top one country in centers opened number (record breaking! 92 centers opened in 33 provinces in 5 years at present), but also the country has the largest ECD booming market which attracts Gymboree US home office's attention. More importantly, the oriental charm emerged behind the music is definitely one of the reasons too. Urheen, Dulcime, Lute, these unique Chinese traditional instruments can produce beautiful and melodious tunes, and the five thousand years' culture and history underneath are incomparable to other nations. At the pre-launch stage, Gymboree spent two years to send ECD researchers to China for information collection and analysis, consistently collecting feedback from Chinese teachers and parents. As a result, the Programme is finally out now.

我们的课程一直在同步更新之前金宝贝的音乐风格涵盖了非洲、欧洲、加勒比海、拉丁美洲、太平洋诸岛等各地的音乐风格这次新推出的亚洲音乐，中国音乐占了绝对的主导地位，这不仅是因为金宝贝中国地区已经在短短5年的时间里成为全球金宝贝早教中心最多的地区（截止目前开业中心已经达91家，覆盖33个省），中国的早教市场的蓬勃发展引起了金宝贝美国总部的关注和高度重视，更重要的是中国音乐所代表的独特东方魅力，也成了吸引人的绝对理由二胡、扬琴、琵琶都是世界上独一无二的乐器，而蕴含在中国古老优美音乐里的深厚的文化和历史更是世界上其他国家都无法所比拟的金宝贝国际早教机构花了长达两年的时间派课程研发团队多次到中国收集资料信息、做调查，不断听取中国老师和家长的反馈，然后才推出了这套课程金宝贝一直相信音乐无界限，只要是优秀的音乐，就应该推荐给更多的人

In the tune "the old city" represents Beijing, the music take the Peking opera as the source material, will divide the slow movement and the musical beat two parts, the slow movement sub-system will be persuasive the exquisite Peking opera melody to further process, causes it music, has displayed the urheen timbre delightful gentle performance special skill, will listen both to express feelings, the Beijing style to be full exquisitely, and will not lose the sonorous powerful place, music mood fluctuation repeat swings, the change will be careful, musical beat partial melodies sprightly smooth, by the urheen continuously the fast figure and the clear bright timbre, will entrust with this section of musics fresh and the active characteristic, but long will draw out a syllable appearance, also will then cause it alone lyricism, this music from differentThe angle expresses thinks of the ancient exquisite feeling, takes to the people infinite province to think with recalls.

曲中&古城&意指北京城，乐曲以京剧为素材，分慢板与流水板两部分，慢板部分系将婉转优美的京剧唱腔进一步加工，使之更加音乐化，发挥了二胡音色甜美柔和的演奏特长，听来既抒情优美、京味十足，又不失铿锵有力之处，音乐情绪起伏迭荡，变化细致，流水板部分旋律明快流畅，以二胡的连续快速音型和清脆明亮的音色，赋予本段音乐清新而活跃的特色，而长拖腔的出现，则又使之独具抒情性，本乐曲从不同角度抒发思古幽情，带给人们无限的省思与回忆。

Nowadays, to students who are confronted all kinds of music works in their music practice, learning traditional music in Solfege class is far from enough to meet their need in understanding the complicated music phenomena.

在今天，对于在音乐实践过程中要接触各种各样音乐作品的学生来说，在视唱练耳课上仅接触传统音乐并不能满足他们认识和理解纷繁复杂的音乐现象及其内涵的需求。

My hobby are sport and music, sports and physical health on the one hand, on the other hand, will allow their more slender and more beautiful; music can mold my character, my fun is not fun at the time, I enjoy music accompanied me, music can bring happiness to me.

我的爱好是运动和音乐，运动一方面可以强身健体，另一方面可以让自己更苗条，更漂亮；音乐能够陶冶我的情操，在我开心不开心的时候，我都喜欢让音乐伴着我，音乐能够给我带来快乐。

The recovery of Chinese Buddhist music research began in 1980s, during this period more and more music scholars began to concern with the Buddhist music activities in the country and made fieldwork, record, notated and transcribed the music.

如胡耀的《佛教与音乐艺术》（1992），韩军的《五台山佛教音乐》（1993），尼树仁的《中州佛教音乐研究》（1994），田青的《中国宗教音乐》（1997），袁静芳的《中国佛教京音乐研究》（1997）、《中国汉传佛教音乐》（2004），王昆吾、何剑平的《汉文佛经中的音乐史料》（2002），杨民康的《贝叶礼赞》（2003），等等。

Four peripheries of aesthetics of music are as follows:(1) the cultural background of the time under which musical beauty exists;(2) the traditions about aesthetics of music, namely diachronic experiences in clinique of music;(3) aesthetic experiences jointly owned or shared by human beings; and (4) the effective association of aesthetics of music with the value system of the society as a whole.

内容提要：音乐美学研究的中心是对现代音乐美存在与之所以存在的积极接受，它的第一道边界是音乐美存在的当下文化背景，第二道边界是音乐美学传统即历时的临响经验，第三道边界是人类共同的审美经验，第四道边界是音乐美学与整个社会价值系统的有效关联。

Four peripheries of aesthetics of music are as follows:(1) the cultural background of the time under which musical beauty exists;(2) the traditions about aesthetics of music, namely diachronic experiences in clinique of music;(3) aesthetic experiences jointly owned or shared by human beings; and (4) the effective association of aesthetics of music with the value system of the society as a whole.

杨赛内容提要：音乐美学研究的中心是对现代音乐美存在与之所以存在的积极接受，它的第一道边界是音乐美存在的当下文化背景，第二道边界是音乐美学传统即历时的临响经验，第三道边界是人类共同的审美经验，第四道边界是音乐美学与整个社会价值系统的有效关联。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始，对它的这种艺术形式中的说与唱分别做了介绍；第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍，探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化；第三章是对唱词体裁的分析和它的变化类型；第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型；第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类；第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点；第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

The new year concerts of Vienna have been rebroadcasted for almost twenty years. The music of Johann Strauss family has widely been well known by the professional musicians and the music amateurs. Although there are some simply introductive and short articles about the operetta "Die Fledermaus" at present, the music analysis of Adele in the operetta "Die Fledermaus" and the research of role image building of her are scarce. The present paper try to not only deepen the understanding of the image of the classical character of Adele, but also help the recreation of the image, through the research and exploration about the music image building of Adele.

在中国，现场转播维也纳新年音乐会也已近20年，约翰·斯特劳斯家族的音乐已为音乐界内外的许多人们熟知，对于《蝙蝠》这部轻歌剧，目前国内已经有一些简单、介绍性的、篇幅短小的文章，而令人遗憾的是，《蝙蝠》中经典角色阿黛莉的音乐分析和角色形象塑造的研究则尚未见到，本文试图通过对阿黛莉这个角色的音乐形象塑造问题的研究探索，使我们对这个经典人物形象的认识更加深入，同时也有益于该形象的再创作。

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。