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The high stern castle was a riot of craved gods, demons, knights, kings, warriors, mermaids, cherubs; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imaginations of the superstitious sailors of the day.

高耸的船楼上雕刻着令人眼花缭乱的神仙，妖魔，骑士，国王，武士，美人鱼，小天使。还有用红色，金色，蓝色绘制的兽型图案光彩夺目，象征着勇敢，正义和残暴，以激起当时崇尚迷信的水手的想象

The high stern castle was a riot of carved gods,demons,knights,kings,warriors,mermains,cherubs:and zoomorphic animal shapes ablazes with red and gold and blue,sysbols of courage,power,cruelty,were portrayed to stir the imagination of the superstitious sailors of the day.

高耸的船楼上雕刻了令人眼花缭乱的神仙、妖魔、骑士、国王、武士、美人鱼和小天使，还有用红色、金黄色、蓝色绘制的光彩夺目的兽形图案，象征着勇敢、力量和残暴，以激起汉时崇尚迷信的水手们的想像。

The high stern castle was a riot of carved gods, demons, knights , kings, warriors , mermaids , cherubs ; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty , were portrayed to stir the imaginations of the superstitious sailors of the day.

高高的船尾雕刻有上帝，魔鬼，骑士，国王，战士，美人鱼，小天师，以及闪动着红、金、蓝色的动物形象。代表着勇气，力量，与残忍。

So-called flower porcelain refers to porcelain with black glaze with milk white or milk white showing acerose blue specks, and main shapes as jar and waistdrum, etc.

唐代&花瓷&的出现是陶瓷工艺的又一新创举，所谓花瓷是指一种黑釉带乳白色，或乳白中呈现针状蓝色斑的瓷器，器形主要有罐、拍鼓等。

The well-known Italian designer Graffiti always advocates the spirit of limitless change of time and space. Graffiti acryl series lamps express the abstractness concept by modern shapes, arouse your desire of seeking for spatial change and bring you unprecedented elegance and fashion.

意大利首席设计师格岚斐蒂充分扬显空间与时间无限变幻的精神意念，秉承大师风格，格岚斐蒂亚克力灯饰作品以极具现代感的造型表达抽象主义概念，引领时尚生活，触动了人们渴望空间变化的敏感神经，以张扬而优雅的艺术气息带给你前所未有的雅致与前卫。

The great thing about this design is how you can get so many different ways to hold a magazine or book using only two simple adjoined shapes.

这个发明的伟大之处在于，你可以只用两块链接板来获得很多支撑书或者杂志的方式。

The great thing about this design is how you can get so many different ways to hold a magazine or book using only two simple adjoined shapes.

最值得称道的就是这个设计让你只要使用两个简单连接的钢板就可让你得到多种存放杂志或书籍的方法。

Some conventions exist for what each shape represents in aflow diagram, but Axure RP does not restrict the use of the shapes.

在流程图中有不同形状用于不同展示的约定。但是Axure RP并不限制形状的使用方法。

Such subjects, then, will have many of the agential capacities cited in connection with Evans' ship. There is no reason to suppose that they are limited to describing the various kinds of shapes and motions they detect.

这样的主体，在Evans'船中有许多agential能力能够引用，没有理由假设会限于各类的形状、运动的描述。

Amorphous amoebic shapes alternate with sharply drawn lines, spots, and curlicues, all positioned on the canvas with seeming nonchalance.

毫无组织的变形虫图样随著拉长的线条，圆点以及花体而变化，在画布上排列出看似冷静的图案。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。