查询词典 seventh

The dominant seventh chord, in the key of C, is built on G. The chord notes would then be G- B - D - F. The sub dominant chord, in the key of C, is built on the fourth note of the scale, or F.

C调的属七和弦，它的根音就是G，构成这个和弦的音是G-B-D-F.C调的下属和弦，它的根音是F，是音阶上的第四个音。

Blazing trumpets sound a herald as the hero rides off into the adventure to the sound of a dominant seventh chord.

燃烧吹小号声音使者当英雄乘坐入冒险对统治第七弦的声音。

The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.

随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究，并着重第一乐章，从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析，归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处，从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。

I don't know. But I will be be in seventh heaven if I pass.

不知道。但要是能过了考试的话，我就开心死了。

I'm in the seventh heaven.

我真是高兴坏了！

I don't know,but I will be in seventh heaven if i pass.

但要是能过了考试的话，我就开心死了。

I am so happy. I am in seventh heaven now.

他是个吹毛求疵过度的人。

I don't know, but I will be in seventh heaven if I pass.

一不知道。但要是能过了考试的话，我就开心死了。

He said:'We are in seventh heaven but we suffered too much during the game.

他说：我们身处天堂，但是我们在比赛里遇到了不小的麻烦。

Back in 1960 if you gave me a quarter, oh, man, I was in seventh heaven.

在1960年的时候如果你给我一枚25分的硬币，天哪，我就到极乐世界了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。