查询词典 seventh chord
- 与 seventh chord 相关的网络例句 [注:此内容来源于网络,仅供参考]
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However, its constant use of the dominant seventh chord and its emphasis on polychoral techniques certainly put it out of the range of "prima pratica".
然而,它经常使用的主要第七和弦和polychoral技术,其重点当然把它超出了"初步pratica"范围。
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The dominant seventh chord, in the key of C, is built on G. The chord notes would then be G- B - D - F. The sub dominant chord, in the key of C, is built on the fourth note of the scale, or F.
C调的属七和弦,它的根音就是G,构成这个和弦的音是G-B-D-F.C调的下属和弦,它的根音是F,是音阶上的第四个音。
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Blazing trumpets sound a herald as the hero rides off into the adventure to the sound of a dominant seventh chord.
燃烧吹小号声音使者当英雄乘坐入冒险对统治第七弦的声音。
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Two analytical approaches are proposed: to view a seventh chord as a combination of a triad with its transformation when the bass line descents by step, and to view the seventh chord as an entity when the motions of the bass line in the circle of fifths.
文中发明两种分析论点:一是在低音级进下行时,把上声部的七和弦视为三和弦与它的转换的总合,使两种独立的体系以横向交替或并置的形式结合;二是低音做五度循环运动时,把七和弦视为一个整体,使两种独立的体系以纵向重叠的形式结合。
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The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.
随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究,并着重第一乐章,从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析,归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处,从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。
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A chord consisting of a root with its third, seventh, and ninth.
九和弦由第三、第七和第九三个基础音组成的和弦
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These tunings allow a guitarist to play an open seventh, ninth, eleventh or thirteenth chord.
这些调弦可以让吉他手弹出开放七,九,十一,或十三和弦。
- 推荐网络例句
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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.
索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。
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The relationship between communicative competence and grammar teaching should be that of the ends and the means.
交际能力和语法的关系应该是目标与途径的关系。
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This is not paper type of business,it's people business,with such huge money involved.
这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。