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Schotts Technica Curiosa contains so many references to Jesuits that one can easily get the impression that in the seventeenth century the whole Societas Jesu was infected by the perpetual virus.

Schotts Technica的Curiosa含有如此多的提及耶稣，人们可以很容易得到的印象是，在17世纪整个学会耶稣是感染了永久的病毒。

In Schott's 1664 magnum opus Technica Curiosa we find not only descriptions of the sensational experiments performed by Otto von Guericke, but also numerous images and descriptions of the most recent perpetua mobilia of mid-seventeenth century.

在肖特的1664年大作品Technica的Curiosa我们发现不仅说明了耸人听闻的实验所完成的奥托冯格瑞克，而且还大量的图片和说明最近佩尔佩mobilia中17世纪。

But in Christian society it did not become a notable factor till the middle of the seventeenth century, when it asserted itself chiefly in the form of Deism.

但是在基督教社会，它不成为一个显著的因素，直到中的17世纪，当它断言本身，主要是在形式上的自然神论。

Some have suggested that it appeared in the seventeenth century in England to take the place of such words as "deism" and "deistic" when referring to belief in God.

一些人认为它似乎是在17世纪在英国，以取代听到这样的话为"自然神论"和" deistic "当谈到信仰上帝。

As for the seventeenth-century Dutch elements, there were cross-laced corseted backs and cartridge-paper scrolls standing out on hips, and, as things progressed, tulip prints and blue-and-white Delftware embroideries peeking from the underskirts.

至于其中的17世纪荷兰元素，有束带的胸衣、臀部突出的卷轴造型，还有郁金香印花图案和从裙边露出的蓝白相间的Delfware陶器图案的刺绣镶边。

The theological distinction between the church visible and invisible, made by Wycliffe and Hus and elaborated by the Protestant Reformers, underlies the practice and defense of denominationalism that emerged among seventeenth century English Puritans, who agreed on most things but not on the crucial issue of how the church should be organized.

神学之间的区别，教会有形及无形的，所作出的wycliffe和溶血尿毒综合症，并阐述了由新教改革者，突显实践和防御的denominationalism这当中涌现出17世纪英语清教徒，他们同意对最事，但没有对关键的问题是，如何教会应该组织起来。

Once, I was beholding a diaphanous carving on a European table of the seventeenth century for 30 minutes in the Met; I appreciated every particular; the patterns still remain in my mind clearly now.

我曾经端详着大都会博物馆中一张欧洲17世纪桌架上的雕花长达30分钟之久，我沉醉于其间的每一个细节，直到今天那些雕刻图样还能清晰地呈现眼底。

The Discalced Carmelite nuns of the Spanish congregation found their way to the states of South America as early as the beginning of the seventeenth century; several of their convents are still in existence, and others have lately been erected in Argentina, Bolivia, Brazil, Chile, Columbia, Ecuador, and Peru.

该discalced carmelite尼姑西班牙众发现自己的方式向南美洲各国早在年初的17世纪；它们的若干修道院仍然存在，和其他人最近还竖立在阿根廷，玻利维亚，巴西，智利，哥伦比亚，厄瓜多尔和秘鲁。

John Donne (1572—1631) was the representative of metaphysical poetry in the seventeenth century in Britian.

约翰·多恩(1572—1631)是英国十七世纪玄学派诗歌的代表人物。

This taste reflected the collections typically found in the fifteenth-century Italian Ducal courts or the princely German Kunstkammer and Schatzkammer of the sixteenth and seventeenth centuries.

这反映了收藏品的味道通常出现在15世纪意大利公爵法院或王公德国Kunstkammer和16和17世纪Schatzkammer。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。