查询词典 seventeenth

A tradeswoman's house Throughout the sixteenth and seventeenth centuries towns were growing.

甲女商人的房子在整个 16 和 17 世纪城镇增长。

Parts of seventeenth-century Chinese pleasure gardens were not necessarily intended to look cheerful; they were designed expressly to evoke the agreeable melancholy resulting from a sense of the transitoriness of natural beauty and human glory.

汉语直译：十七世纪令人愉快的花园的一部分不一定导致看起来让人愉快；它们被设计专门是用来激发起来自于感叹大自然美丽和人类光荣的转瞬即逝的令人愉悦的忧伤。

Parts of seventeenth-century Chinese pleasure gardens were not necessarily intended to look cheerful ; they were designed expressly to evoke the agreeable melancholy resulting from a sense of the transitoriness of natural beauty and human glory.

一些17世纪的中国乐园不是一定要看起来让人快乐，它们显然是设计来激起一种令人愉悦的忧伤，这种忧伤源于这样一种意识，就是我们意识到大自然的美和人类的荣光短暂易逝。

The first Star Ushak appears in a painting of 1534 and representations continue into the seventeenth century.

第一件星形乌沙克地毯出现于1534年的一幅油画中，之后又不断地出现在美术作品中，一直到十七世纪。

The beheading of Charles was the most sensational symbol of the seventeenth-century Parliamentary revolution in England.

斩首的查尔斯是最耸人听闻的象征， 17世纪在英国议会革命。

As for the seventeenth-century Dutch elements, there were cross-laced corseted backs and cartridge-paper scrolls standing out on hips, and, as things progressed, tulip prints and blue-and-white Delftware embroideries peeking from the underskirts.

接下来，还有十七世纪荷兰风格的元素：十字交叉绑带，臀部装饰的硬纸卷，以及——到最后——郁金香图案，和衬裙内露出的、代尔夫特陶器般的青白花纹。

Distilleries began to appear in Europe in the middle of the seventeenth century.

欧洲最早的烧酒作坊出现于十七世纪中叶。

In the seventeenth century people wore mirrors at their girdles, in their hats, or set like jewels in there rings.

在17世纪，人们把镜子戴在腰带上、礼帽上，或者像宝石似地嵌在戒指上。

Motives may range from the desire for personal aggrandizement to a wholly "disinterested desire to know" without necessarily impugning the demonstrable fact that the thematics of science in seventeenth century England were in large part determined by the social structure of the time.

动机既可能来自于个人增强的愿望，也可能来自于整个的'对于认识的无私的热望'而没有必要责难这样一种事实，即17世纪英国的科学主干很大程度上是由时代的社会结构所决定的。

The most rudimentary data are those for the seventeenth century, which are derived from random notes left by two contemporary local scholars.

最根本的数据是这些17世纪的数据——其来自于同时期当地两位学者的散乱笔记。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。