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Amyraldianism is the system of Reformed theology propounded by the French theologian Moise Amyraut and associates at the Saumur Academy in the seventeenth century.

Amyraldianism是制度的改革所提出的神学法国神学莫伊兹Amyraut和同夥在索米尔学院在17世纪。

This paper is to explore how Shakespeare's Otello be represented after three centuries in the music context of the nineteenth century, Early in the seventeenth century in a work Mr.

本文旨在探讨莎士比亚(William Shakespeare， 1564-1616)的原著《奥泰罗》在历经近三百年后如例再度重现於十九世纪音乐时空里。

N Abercrombie, The Origins of Jansenism; RA Knox, Enthusiasm; E Romanes, The Story of Port Royal; A Sedgwick, Jansenism in Seventeenth Century France.

比的起源詹森主义；类风湿性关节炎诺克斯，热情；电子邮件罗曼纳，故事皇家港；阿塞奇威克，詹森主义在十七世纪的法国。

N Abercrombie, The Origins of Jansenism; RA Knox, Enthusiasm; E Romanes, The Story of Port Royal; A Sedgwick, Jansenism in Seventeenth Century France.

n阿伯克，起源詹森主义；类风湿性关节炎诺克斯，热情电子商务罗曼纳，故事港口皇家；塞奇威克，詹森主义在第十七世纪的法国。

Savonnerie rugs were first made in France and graced the grand estates of nobility in the seventeenth and eighteenth centuries.

Savonnerie地毯首次在法国和增色不少贵族在17和18世纪大屋。

The savonnerie rug factory was established in the early seventeenth century in an old soap factory, thus the name, which means "soap factory" in French.

在savonnerie地毯厂成立于17世纪初的旧肥皂厂，因此名称，意思是&在法国的肥皂厂&。

Twelfth hole, 200 yards; The equal to the more famed seventeenth hole, this one shotter plays from dune top to dune top and was a favorite of Hackett's.

第十二洞，200码，在平等的更著名的17洞，这一个 shotter 次从沙丘顶部沙丘顶部，是一个最喜欢的哈克特的。

Jean-Franois Heim''', Paris, sold Hercules and the Stymphalian birds by Gustave Moreau (1826-1898) to an American collector, while '''John Mitchell Fine Paintings''' of London was very pleased to sell The Conversion of Saint Paul by Sebastien Bourdon, one of the most complex and enigmatic French painters of the seventeenth century.

巴黎的 '''Jean-Franois Heim'''艺术馆则将一幅古斯塔夫莫罗（Gustave Moreau，1826－1898）的《赫拉克勒斯与斯廷法罗斯湖的怪鸟（Hercules and the Stymphalian Birds）》卖给了一位美国收藏家。伦敦的'''John Mitchell 精美画馆'''则售出了一幅塞巴斯蒂安布尔东的画作《圣保罗的转变》。

Jean-Franois Heim , Paris, sold Hercules and the Stymphalian birds by Gustave Moreau (1826-1898) to an American collector, while John Mitchell Fine Paintings of London was very pleased to sell The Conversion of Saint Paul by Sebastien Bourdon, one of the most complex and enigmatic French painters of the seventeenth century.

巴黎的&Jean-Franois Heim&艺术馆则将古斯塔夫·莫罗（Gustave Moreau，1826－1898）的一幅《赫拉克勒斯与斯廷法罗斯湖的怪鸟》卖给了一位美国收藏家。伦敦的&John Mitchell Fine Paintings&画馆则非常高兴地售出了一幅塞巴斯蒂安·布尔东的画作《圣保罗的转变》。

The whole principle of emanation, with its idea of evil inherent in matter as the dross is found there (see Von Harless, lcp 20), and the entire theurgic Cabala is in all its detail developed there; even the spirit-rapping and table-turning done in the seventeenth century by German cabalists by means of "shemot" magic incantations; for the literature see Von Harless, lc pp.

整个原则的气，其邪恶思想中固有的问题作为糟粕是发现（见冯Harless ， LCP的20岁），以及整个theurgic Cabala是在其所有发达国家有详细说明；甚至精神说唱，表，把工作在十七世纪由德国cabalists的方式& shemot &（神奇的咒语；的文学见冯Harless ，液相色谱页。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。