查询词典 seventeen-hundreds

But life is brighter for the women weavers today than it was seventeen years ago.

但生活是美好的妇女织布今天比17年前了。

But life is brighter for the women weavers today than it was seventeen years ago.

但是现在这些做编织品的女人们的生活比十七年前要好了。

But life is brighter for the women weavers today than it was seventeen years ago.

但现在女编织工的生活相比于 17 年前要好过多了。

But life is brighter for the women weavers today than it was seventeen years ago.

现在编织女的生活与17年前相比好很多了。

Ca:One small beer,one German sausage,one rolls,apple pie with cheese and coffee.Seventeen hundred yen,sir.

一瓶啤酒，一根德国香肠，一个小面包，乳酪苹果馅饼和咖啡，一共1700元日元，先生。

This match is important so we can have seventeen points on Saturday evening and put some space between us and those below us", said Doll before the battle with the Hessen club."

赢得这场比赛很重要，我们能在周六晚上得到17分并同在我们后面的队伍拉开差距&，Doll在对Frankfurt战前说。&

The frequency of the cleaning of silk carpet depends on the traffic. One of our customers came to clean his silk carpet for the first time after using it for seventeen years.

需要注意的是，手工丝毯的清洗频率没有绝对的规定，根据使用状况而定，我们曾有客人，丝毯使用了十七年才拿来第一次清洗。

Rylov' creative work had a rather early start: when still seventeen, the young conductor was at the head of Yusupov Palace Opera Studio.

弗拉基米尔·雷洛夫于1947年生于一个音乐世家，毕业于俄罗斯最古老的教育机构——彼得斯堡宫廷歌曲唱诗班合唱队学校，并在公立音乐学校学习合唱和交响乐指挥。

On some hay on the ground, with a cushion thrown under his head, lay a handsome peasant boy--a boy of not more than seventeen at the most .

一个英俊的农村少年躺在地上的干草里，头下枕着一个扔在地上的垫子。他最多只有十七岁。

On some hay on the ground, with a cushion thrown under his head, lay a handsome peasant boy - a boy of not more than seventeen at the most.

地上的干草上，躺着一个英俊的农家男孩--不过16岁的样子，头下面枕着一个垫子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。