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The following factors, among others, could cause actual results and future events to differ materially from those set forth or contemplated in the forward-looking statements: defaults on or non-renewal of leases by tenants or renewal at lower-than-expected rent or failure to lease at all or on favorable terms, decreases in real estate values and impairment losses, increased interest rates and operating costs or greater-than-expected capital expenditures, our failure to obtain, renew or extend necessary financing, re-financing risks, risks related to our obligations in the event of certain defaults under co-investment ventures and other debt, risks related to debt and equity security financings, difficulties in identifying properties to acquire and in effecting acquisitions, our failure to successfully integrate acquired properties and operations, our failure to divest properties we have contracted to sell or to timely reinvest proceeds from any divestitures, our failure to contribute properties to our co-investment ventures, risks and uncertainties affecting property development, value-added conversions, redevelopment and construction (including construction delays, cost overruns, our inability to obtain necessary permits and public opposition to these activities), our failure to qualify and maintain our status as a real estate investment trust, risks related to our tax structuring, failure to maintain our current credit agency ratings or to comply with our debt covenants, environmental uncertainties, risks related to natural disasters, financial market fluctuations, changes in general economic conditions, global trade or in the real estate sector, inflation risks, changes in real estate and zoning laws, a continued or prolonged downturn in the U.S., California or global economy, risks related to doing business internationally and global expansion, risks of opening offices globally, risks of changing personnel and roles, losses in excess of our insurance coverage, unknown liabilities acquired in connection with acquired properties or otherwise and increases in real property tax rates.
以下因素可能会导致实际结果和未来事件与前瞻性陈述产生重大出入:承租人拖欠租金或者不续租;利率以及经营成本的提高;我们未能获得必要的外部融资;再融资的风险;与合资项目和其它债务发生特定违约时我方承担的义务有关的风险;与债务和股权融资有关的风险;确定拟收购的物业以及完成收购过程中遇到的困难;我们未能成功整合收购的物业和业务;我们未能剥离已经签约出售的物业或未能及时将剥离带来的收益再投资;影响物业开发和建设的风险和不确定性(包括建设延期、费用超支、我们无法获得项目建设所需的必要批准以及公众对项目开发建设的反对等);我们无法获得或者维持作为房地产投资信托公司的资质;与我们的税收策划有关的风险;无法保持我们目前的信用评级;环保方面的不确定性;与自然灾害有关的风险;金融市场的波动;整体经济状况或者房地产业的变化;房地产和城市规划法律的调整;美国、加利福尼亚州或者全球经济的衰退;与开展国际业务和全球扩张有关的风险;保险范围之外的损失;与被收购的物业有关的或者其它未知责任以及房地产税率的提高等。我们的成功还依赖于总体经济走向,包括利率、所得税法、政府监管、立法、人口总数变化以及我们在10-K表中作的截至2009年12月31日的季度报告中&风险因素&和其它标题项下阐述的其它问题。
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The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.
本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。
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And then, they, how to upgrade the technical capability of inverter welding power supply by bringing the dominance of digital control into play fully, and how to realize the soft-switching of power semiconductor devices in the full-load range of inverter welding power supply by making the digital control cooperation with power converter closely, are set forth.
在介绍数字化控制焊接逆变电源内涵和发展历程的基础上,阐述了如何充分发挥数字化控制的优势,全面提升焊接逆变电源的工艺性能,以及如何通过数字化控制和功率变换电路的紧密配合,实现焊接逆变电源的全负载范围功率器件软开关。
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They are going to set forth on a trip around the world next month.
下个月他们将起程作周游世界的旅行。
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Juda and the land of Israel, they were thy merchants with the best corn: they set forth balm, and honey, and oil, and rosin in thy fairs.
犹大和以色列地也和你通商,以米尼特谷、蜡、蜜、油和香料与你交易货物。
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A discussion is given on the possibility of the negative resistance component and its physical properties, set forth the relationship between the negative resistance component and negative impedance converter and applicatio
从变量约束关系出发分析了负阻元件存在的可能性及其物理性质,阐述了负阻元件与负阻抗变换器的关系及其应用。
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In the meantime, we set forth FDI's possible impacts on economy. The third、 fourth and fifth chapter are the keystones of this paper.
第三、第四以及第五章是文章的重点所在,第三章阐述了FDI对我国的国际收支各项产生的影响。
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Part I described the Pelagian and semi - Pelagian heresies which Augustine sought to refute; Part II expounded Augustine's interpretation of man's original state of innocence and his subsequent fall; and Part III set forth his doctrine of salvation through God's redeeming grace in Jesus Christ.
第一部分介绍了pelagian及半-p elagian的歪理邪说,其中奥古斯丁试图反驳;第二部分阐述了奥古斯丁的解释人的原始状态无罪推定和他随后下降;和第三部分提出了他的学说的救赎通过上帝的救赎恩典在耶稣基督。
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If the Borrow wishes to borrow an amount equal to the total Loan commitment hereunder, it shall, not later than 5:00 p.m. New York City on the fifth Banking Day next preceding the date it withes to designate for such borrowing, give the Agent notice, substantially in the form set forth in Exhibit C, of such date (the "Disinbursement Date"), which shall be a Banking Day prior to the Termination Date , and the account in New York City, to which the loans are to be credited.
如果借款人希望借入与全部贷款承诺相等的数额,则应在不迟于他愿意指定的上述借款日之前5个银行工作日纽约时间下午5时,基本上按照附录C的格式,向代理发出关于该日的通知,该日应为终止日之前的一个银行工作日,并告知其在纽约的账户,贷款的收入记入该账户。
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Traditional views of international law maintain the essentially bilateralist view set forth in the late Eighteenth Century by de Vattel's Le Droit des Gens ou Principes de la Loi Naturelle: states, as sovereigns, are bound and limited in their actions only by those rules to which they themselves have agreed to be bound and limited (explicitly in the case of treaties, explicitly or implicitly with regard to customary law).
国际法的传统观点仍停留在十八世纪末瓦特尔在 Le Droit des Gens ou Principes de la Loi Naturelle 中所提出的本质上为双边主义的观点,即主权国家的行动只会受那些它们已然同意的规则的束缚与限制(明确的形式是条约,至于习惯法则有明确或不明确之分)。
- 推荐网络例句
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With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.
随着死亡的吉他手Schuldiner接受主唱的职务,乐队在现实中树立了重要的影响。
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But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.
不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐,因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。
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Closes the eye, the deep breathing, all no longer are the dreams as if......
关闭眼睛,深呼吸,一切不再是梦想,犹如。。。。。。