查询词典 serialism

Instead of using isorhythmic techniques in one or two voices, or trading them among voices, some works came to feature a pervading isorhythmic texture which rivals the integral serialism of the 20th century in its systematic ordering of rhythmic and tonal elements.

它的运用不再在一个或者两个声音上或者之间使用等节奏技法，有些作品开始具有充斥着等同节奏型特征，这种节奏型在节奏的系统定序和调性原理上与20世纪的序列音乐匹敌。

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从&节奏细胞&的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

While Arnold Schoenberg scandalized music in the early 20th Century with the advent of serialism, in the1930s he magnified Brahms's intense G minor Piano Quartet onto the wide-screen of the symphony orchestra, projecting Brahms's original in vivid new colours.

二十世纪初期，荀伯克的序列音乐震惊乐界，三十年代，他将拥有布拉姆斯热情的G小调钢琴五重奏重新配成交响曲版本，令布拉姆斯的原作以活泼的新色彩展现。

He was music director of the Renaud-Barrault theater company 1946-56. Inspired by the works of A. Webern, he began to experiment with total serialism in 1951. He founded the new-music group Domaine Musical in 1954 and directed it until 1967. He was conductor of the New York Philharmonic 1971-78. He conducted Richard Wagner's Ring at Bayreuth in 1976 and the premiere of the completed version of A. Berg's Lulu in 1979. In 1974 he founded the French national experimental studio IRCAM.

受魏本作品的激励，1951年开始以完全的序列主义实验创作音乐。1954年创办新音乐团体「音乐天地」，并持续指挥至1967年。1971-1978年任纽约交响乐团指挥。1976年在拜罗伊特音乐节指挥华格纳的《尼贝龙的指环》，1979年初次公演贝尔格的歌剧《露露》完整版。1974年创建法国国家实验工作室IRCAM（音乐与音响协调研究学会）。

Movement towards serialism, extreme dissonance

阶体系发展的趋势，极端不和谐音的使用。

Stravinsky and Serialism.

&&贝多芬和贝格。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。