查询词典 semibreves

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.

接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

In Franco's system, the relationship between a breve and a semibteves was equivalent to that between a breve and a long: and , since for him modus was always perfect, the temous of beat was also inherently perfect and therefore contained three semibreves.

这种新的风格清晰地体现在科隆的佛朗哥的研究中，在弗朗哥体系中，全音符与二全音符的关系等同于二全音符与longa的关系并且总是绝对的，节拍也是固有的，因此包含了3个全音符。

By now, tactus was generally two semibreves per breve with three per breve used for special effects and climactic sections; this was a nearly exact reversal of the prevailing technique a century before.

直到现在，tactus技法都普遍用于每二全音符有2个全音符与每二全音符有3个全音符一起进行的为特殊效果和高潮段落的运用。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.

$ J/ E l8 p# _8 }/ r《读者》杂志官方论坛，读者文章阅读交流——读者出版集团期刊论坛接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.《读者》杂志官方论坛,读者文章阅读交流——读者出版集团期刊论坛1 f+ p;

接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。

Sometimes the context of the mode would require a group of only two semibreves, however, these two semibreves would always be one of normal length and one of double length, thereby taking the same space of time, and thus preserving the perfect of the tempus. This ternary division held for all note values.

有时候根据实际情况的需要一组仅有2个全音符，但是这种2个全音符的模式也总是标准长度中的一种并且是这个长度的两倍，因此有着相同的时长，其结果是即使保留节拍的一部分，这种三分法包含了所有的音符价值。

By now, tactus was generally two semibreves per breve with three per breve used for special effects and climactic sections; this was a nearly exact reversal of the prevailing technique a century before.

这是一种与一个世纪前主流技术完全相反的一种技法。

In contrast, the Ars Nova period introduced two important changes, the first was an even smaller subdivision of notes(semibreves, could now be devided into minim) the second was the development of "mensuration". By the time of Ars Nova, the perfect division of the tempus was not the only option as duple divisions became more accepted.

而相比之下，新艺术时期则提出了2个重要的改变，第一个改变是，一个音符更小时值的细分（全音符，现在可以被分成二分音符）；第二个改变是，测定方法的发展，在新艺术时期，音符的绝对划分并不是当时唯一的选择因为二分法越来越为人们所接受。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。