查询词典 self-love

Part two Part two Okay lets do this here again in front of all of your friends I need a little room but dont go Cant be too far youre the star of my show And you dont need a mike to move the crowd Dont need a spotlight you smile, They wanna see the love we sold out I bet when its over, they go wow They know what it is, what it is Hard to end up with a couple of kids When they say, and the winner is They gonna be calling our card for the love again Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two, part two The winners you this year,again A round of applause from all of them They try to memorise your lines I know you by heart, coz youre mine You dont need a crowd to do the show Dont even need the script coz you know That even when the lights go out The show must go on So I Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two Its like a replay love Cut off that he she say love Turn up that make me stay love Its all that i want Somebody show your love Somebody out there want your love They stay through all of part one I know what they want, what they want Give them what they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two What they want Show them how to love They want something new They want love part two They see action and lights They want that in their life They want love like us coz its new They want the love part two They want the love part two They want the love part two Baby,They want the love part two They want the love part two Love part two They want the love part two They want the love part two

第二部分第二部分这样好让这里的所有朋友面前再次我需要一个小房间但是dont去也不容过于youre我的一颗明星和你不需要一麦克风移动人群 dont需要聚光灯你微笑，他们希望看到我们的爱售罄我敢打赌，当它结束了，他们走哇他们知道它是什么，它是什么很难最终形成了两个孩子当他们说，获奖者是他们gonna是要求我们的爱再次卡给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分，第二部分优胜者你今年再次来自所有这些全面的掌声他们试图记住您的线路我知道你的心，我的堂妹youre 你不需要人群做节目 Dont甚至需要脚本堂妹你知道这甚至当灯熄灭该比赛必须继续进行因此，我给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分它像一个重放的爱切断她说，他爱打开了，使我留下的爱它的一切，我希望有人展示你的爱有人在那里要你的爱他们通过各种逗留第一部分我知道他们想要什么，他们想要的东西给他们他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分他们想要的东西告诉他们如何爱他们希望新的东西他们希望爱第二部分他们看到行动和灯光他们希望在他们的生活他们希望像我们这样的堂妹爱新他们希望爱第二部分他们希望爱第二部分他们希望爱第二部分婴儿，他们希望爱第二部分他们希望爱第二部分爱第二部分他们希望爱第二部分他们希望爱第二部分

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

I want to love you But how this is That I can love you If I do not see you I want to love you Very pure or almost Like the priests Who do not marry The clotrées sisters Who preserve For a good old man God who hides I want to love you Of course I dream some But how want You that it goes I want to me Mo well Quer of the proverb Who known as "far from Eyes, far from the heart " God that they is false That it is sour That they is express To frighten us I want to me endor well Mir each evening By blotissant me Against anybody With your body In my memory As a grandmamma Who cries her man I want to love you Even until believing In the possible ones Advantages To mix Our two stories Into perpetual Shift I want to force well All these chances Who r' fuse to play In our favour And then to gain The chance to see you Two small days Or two small hours I want to love you But how this is That I can love you If I am not there To wrap you Of my tenderness And to comfort you If that does not go Yes I want well To love you by far The very full heart Of your great vacuum To love you love And of sorrow To love you for nothing Wet eyes I want to love you But to be frank I am not solid If I do not see you I am like blind man Without white cane Ni dog-guide… And without your arm To cross This street That one calls The ocean To cross But to you Y' does not have a large Assez rainbow I want to love you Of course In any event Do I have the choice I am trapped I am lost I turn in round I love you already Even if I feel That I éreinte With you to seek Tended arms In this alarming Labyrinth Too much complicated And too twisted I will love you Even if all that It is without exit It is impossible And I will believe in it As others believe In the Baby Jesus And with the Bible I do not know yet How this is That I will love you If I do not see you But I will love you It is a promise Hear you That I say to you there?!!

我想这是爱你，但我能怎么爱你如果我不爱你我想看到你还是很单纯的，几乎没有人喜欢娶了神父clotrées姐妹保存了老好人上帝躲在我爱你我当然希望有梦想但是不用我说，你怎么想我想好树种的谚语谁谟称为"远离眼睛远离心脏"，他们是上帝，这是假酸溜溜地表示，他们是吓唬我们，我想每个晚上我可逆好空间站的blotissant我对付谁你记忆体作为grandmamma谁喊她文我想爱你直到可能的优势，相信我们的两个故事结构转变成永恒的力量，我想这也是所有那些住宅机会'导火线玩，然后争取对我们有利的机会看到你两个或者两个小天凌晨爱你，但我想这就是我如何能爱你如果我不存在包你温柔地安慰我说，你如果不走的话，我想好爱你的心满满远远贵真空悲哀的爱你爱你爱什么，我想爱你眼睛湿但坦白说，如果我不扎实，我看不到你我一样盲无镍白色手杖狗：：没有你们的引导手臂越过这条街，一个电话，但你越过大洋肽Y'没有大assez彩虹我爱你，当然希望无论如何我做我的选择，我被困我感到失去转向轮即使我爱你我觉得我已经与你éreinte寻求在这一惊人的武器往往迷宫太多、太复杂，我爱你，即使扭曲，这是没有全部撤离是不可能，但我相信别人相信耶稣和圣经的婴儿我还不知道这是怎么说我爱你如果我不爱你，但我会看到你是一个承诺，我对你说你听？！！

Pretty boy 歌手:m2m 专辑:shades of purple I lie awake at night See things in black and white I've only got you inside my mind You know you have made me blind VERSE 2 I lie awake and pray That you will look my way I have all this longing in my heart I knew it right from the start M2M CHORUS Oh my pretty pretty boy I love you Like I never ever loved no one before you Pretty pretty boy of mine Just tell me you love me too Oh my pretty pretty boy I need you Oh my pretty pretty boy I do Let me inside Make me stay right beside you VERSE 3 I used to write your name And sometime I think I hear you call Right from my bedroom wall VERSE 4 You stay a little while And touch me with your smile And what can I say to make you mine To reach out for you in time CHORUS BRIDGE Oh pretty boy Say you love me too CHORUS My Love歌词歌手:Westlife an empty street, an empty house, a hole inside my heart, i'm all alone and the rooms are getting smaller. i wonder how, i wonder why, i wonder where they are, the days we've had, the songs we've sang together. and oh my love, i'm holding on forever, reaching for a love that seems so far, so i say a little prayer, and hope my dreams will take me there, where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, my love. i try to read, i go to work, i'm laughing with my friends, but i can't stop to keep myself from thinking.. i wonder how.. i wonder why i wonder where they r the days we had, the songs we sang together and oh my love..... i m holding on forever, reachign for the love that seems so far..... so i say a little prayer and hope my dreams will take me there, where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, to hold u in my arms, to promise u my love, to tell u from my heart..... what i m thinking offfff reaching for the love that seems so far.. so i say a little prayer.... and hope my dreams will take me there... where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, my love.

pretty boy 偷偷看你的脸心情变成晴天我向着窗外默默想念希望你能听得见你的好你的坏全部我都想爱你明不明白说不出来心中对你的依赖 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来看别人手牵手我越看越寂寞我想要你说只对我说说你心中只有我你明明很爱我明明不想要走为什么不敢付出太多是不是怕真爱上我 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来 Oh my pretty pretty boy 说你也爱我 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来 my love 一条空街一间空房子一个伤口在我心里我完全陷入孤独，感觉房子越来越小我不明白怎么了我不明白为什么我不知道它们都去了哪儿那些我们共同在一起的日子和共同唱过的歌哦，我的爱我将永远坚持为一个看似很远的爱情而坚持不懈所以我默默做了一个祈祷希望我的梦把我带到那个地方那个有蓝天的地方，我再次见到你，我的爱人跨越大海穿越海岸找到我最喜欢的地方那个绿数成荫的地方，我再次见到你，我的爱人我努力读书我每日工作我和朋友们说笑但我不能让自己停止想念你我不明白怎么了我不明白为什么我不知道它们都去了哪儿那些我们共同在一起的日子和共同唱过的歌哦，我的爱我将永远坚持为一个看似很远的爱情而坚持不懈把你抱在怀里向你承诺我的爱发自内心的告诉你你是我想要的全部为一个看似很远的爱情而坚持不懈

Suddenly the sky thunder rumbled overhead of rain Who knows my heart Love is like a dream, who are deaf I really shouldn't she enchanted Love a person to love shouldn't I always double containing sacrifice That may not be still force yourself to go on The heart is frowsty more boring supports the cold heart You know I only love you Your attitude I cannot balance I love, I cannot help wanting to ask too deep I really can't match him there Gray sky see yesterday lamp What were you thinking Love vaguely You don't know how to say Live like the wind candles Love a person to love shouldn't I always double containing sacrifice That may not be still force yourself to go on The heart is frowsty more boring supports the cold heart You know I only love you Your attitude I cannot balance I love, I cannot help wanting to ask too deep I really can't match him there You know I only love you Your attitude I cannot balance If you love need two points I think I don't want to wait You know I only love you Your attitude I cannot balance I love, I cannot help wanting to ask too deep I really can't match him there You know I only love you Your attitude I cannot balance If you love need two points I think I don't want to wait

突然，天空雷声隆隆开销雨谁知道我的心爱是一场梦一样，谁是聋子我实在不应该，她陶醉爱一个人爱不应该我总是含有双重牺牲这可能不是还强迫自己继续下去心脏是frowsty更无聊支持冷酷的心你知道，我只是爱你你的态度我不能平衡我爱，我也忍不住想提出过深我真的无法比拟他在那里灰色的天空见昨日灯你是怎么想爱依稀你不知道如何说活得像蜡烛的风爱一个人爱不应该我总是含有双重牺牲这可能不是还强迫自己继续下去心脏是frowsty更无聊支持冷酷的心你知道，我只是爱你你的态度我不能平衡我爱，我也忍不住想问一问太深我真的无法比拟他在那里你知道，我只是爱你你的态度我不能平衡如果你爱的需要两点我想我不想等待你知道，我只是爱你你的态度我不能平衡我爱，我也忍不住想提出过深我真的无法比拟他在那里你知道，我只是爱你你的态度我不能平衡如果你爱的需要两点我想我不想等待

I'm still in love I'm telling you straight up Still in love I can't believe we could break up I'm still in love Can we get, can we get back to it, can we get, can we get back Cause I'm still in love, still in love Girl you got me going crazy, thinking bout you everyday The feelings that I have for you, baby they will never go away Girl I'm still in love, no matter what dem wan sey You got me so caught up, so baby just come my way I'm trying, I'm trying, But I'm lying, I'm lying Cause I'm crying, I'm crying, I'm dying Without you there's nobody, nobody, nobody That moves me like you do I'm still in love I'm telling you straight up Still in love I can't believe we could break up I'm still in love Can we get, can we get back to it, can we get, can we get back Cause I'm still in love, still in love I'm still in love I'm telling you straight up Still in love I can't believe we could break up I'm still in love Can we get, can we get back to it, can we get, can we get back Cause I'm still in love, still in love

我仍然爱我要告诉你的直线上升还在爱我不敢相信我们会分手我仍然爱我们能得到的，我们能回到它，我们能得到的，我们才能回来因为我还在爱情中，还在爱女孩，你让我疯狂，思考你每天一回我的感觉，宝贝，他们永远不会消失女孩，我仍然爱，无论什么湾你给了我这么赶了上来，所以宝宝就走自己的路我尝试，我尝试了，但我说谎，我撒谎因为我哭，我哭了，我快死了没有你，没有人，没有任何人我喜欢你做的动作我仍然爱我要告诉你的直线上升还在爱我不敢相信我们会分手我仍然爱我们能得到的，我们能回到它，我们能得到的，我们才能回来因为我还在爱情中，还在爱我仍然爱我要告诉你的直线上升还在爱我不敢相信我们会分手我仍然爱我们能得到的，我们能回到它，我们能得到的，我们才能回来因为我还在爱情中，还在爱

I'm still in love i'm telling you straight up still in love i can't believe we could break up i'm still in love can we get, can we get back to it, can we get, can we get back cause i'm still in love, still in love girl you got me going crazy, thinking bout you everyday the feelings that i have for you, baby they will never go away girl i'm still in love, no matter what dem wan sey you got me so caught up, so baby just come my way i'm trying, i'm trying, but i'm lying, i'm lying cause i'm crying, i'm crying, i'm dying without you there's nobody, nobody, nobody that moves me like you do i'm still in love i'm telling you straight up still in love i can't believe we could break up i'm still in love can we get, can we get back to it, can we get, can we get back cause i'm still in love, still in love i'm still in love i'm telling you straight up still in love i can't believe we could break up i'm still in love can we get, can we get back to it, can we get, can we get back cause i'm still in love, still in love

我是仍然在朝派爱注意不加冰块的仍然在朝派爱i不能相信我们是罐破碎向上的移动我是仍然在朝派爱罐我们到达罐我们回来向它罐我们到达罐我们回来原因我是仍然在朝派爱仍然在朝派爱女孩你得到自我发疯思考较量你每天每天感情那个i富人为你当作婴儿般对待他们意愿从不去在客方场地的比赛去在客方场地的比赛女孩我是仍然在朝派爱不管什么dem变苍白sey dem 变苍白sey你得到自我如此抓住向上的移动如此当作婴儿般对待仅仅来我的方式来我的方式我是请尝试我是请尝试但是我是撒谎我是撒谎原因我是高喊我是高喊我是死去外面你那里's没有人没有人没有人那个移动自我爱好你社交聚会我是仍然在朝派爱注意不加冰块的仍然在朝派爱i不能相信我们是罐破碎向上的移动我是仍然在朝派爱罐我们到达我们能重新回到它，我们能得到，我们能把原因送回去我仍然是 in love， still in love i'm still in love i'm telling you straight up still in love i can't believe we could break up i'm still in love can we get， can we get back to it， can we get， can we get back cause i'm still in love， still in love

In short, this explorative study for self-identity concept, theory and practice is for the purpose of (1) trying to unitarily understand self-identity concept, in turn to minutely examine the new development of self-identity theory, and to introduce self-identity theories and research methods in western psychology to domestic psychology in order to cause the interest of domestic psychologist to self-identity thesis; and (2) through the empirical study on self-identity of college student, revealing the meaning of self-identity to student development, and the personality characteristics of self-identity status of student, and the characteristics and influential factors of student self-identity development, and the relationship between student self-identity status and mental health condition in order to provide the measurement of empirical study and systematic study data for self-identity researches, in turn to provide basis of theory and method for setting up the theoretical model of Chinese students self-identity; and (3) making up the gaps in empirical researches on self-identity in domestic psychology, opening up a new research domain in colleges and universities student psychology, and enrich the theory on student development researches.

总之，本文对自我同一性概念、理论和实践进行探索性研究，旨在(1)尝试对自我同一性作整合统一的理解并在此基础上，详细考察自我同一性理论的新发展，试图将西方心理学自我同一性理论的发展引入国内心理学，以引起国内学者更多的关注；(2)通过对大学生自我同一性的研究，揭示自我同一性对大学生发展的含义、大学生自我同一性状态的人格特征、大学生自我同一性发展的特征和影响因素、大学生自我同一性状态与心理健康水平的关系，进而为自我同一性的研究提供实证研究的测量工具以及系统的实证资料，为建立中国大学生自我同一性的理论模型提供理论和方法上的基础；(3)弥补国内自我同一性实证研究的空白，开辟大学生心理学研究的新领域，丰富大学生发展研究的理论；(4)当代大学生自我同一性问题的研究既是青年心理学、教育心理学和学校心理学的重要课题，也能为大学生发展和大学教育实践提供心理学依据，特别是在强调创新教育和推进大学素质教育的今天具有重要的实践意义。

In order to draw a photorealistic surface, Bidirectional Texture Functions, a 6D texture function which extends Bidirectional Reflectance Distribution Function to include the self-shadowing, self-occlusion and inter-reflection effects, has been mentioned frequently in recent years. Its main drawback is its massive data size. To solve this, Spatial Bidirectional Reflectance Function techniques compress BTFs into reflectance model parameters. However, SBRDF cannot producethe self-shadowing and self-occlusion effects in real-world surface geometry. This work is aimed to this drawback. I find how self-shadowing and self-occlusion affect the surface by additional physical-based analysis. And I rely on two physical phenomena to divide self-shadowing and self-occlusion into two independent effects. First, self-shadowing is view independent. Second, self-occlusion is independent of lighting direction changes. After these analyses, I use SBRDF and additional self-shadowing and self-occlusion I found to render a photorealistic surface as non-compressed BTFs doing.

为了把物体表面呈现的更真实，六维函数BTFs ( Bidirectional Texture Functions)目前已经被使用的相当频繁，但BTFs的资料量实在太大而没办法直接使用，为了解决资料庞大的问题，传统的SBRDF以逼近光反射模型参数，来达到资料压缩的效果，但是SBRDF对於表面的凹凸所产生的阴影及遮蔽，不能达到逼真的呈现，为了改善这个问题，我们选择从物理方面，找出资料中阴影和遮蔽等属於表面几何的资料并去除，使参数更正确，同时利用两个物理现象去区分阴影及遮蔽为两个互不干涉资料，第一是阴影不会因视角不同而改变，第二是遮蔽不因光线方向不同而改变，经过这些分析，我可以利用SBRDF加上附加的阴影及遮蔽两种独立的效应，来达到彷佛跟未压缩过的BTFs一样的真实绘图。

Objective To study the effect of chitosan in the prevention of fibrous scar formation in the epidural space after laminectomy.

目的 观察选择性脊神经后根切除术椎板切除后硬膜外几种防瘢痕粘连物质的作用并探讨其机制。

On his way to the lift, he looked back to us or was it me his eyes pointing?

当他要进电梯时，他回头看我们（或者说是我，他的眼光？