查询词典 see to it that

I had found a perspective glass or two in one of theseamen's chests, which I saved out of our ship, but I had it notabout me; and this was so remote that I could not tell what to makeof it, though I looked at it till my eyes were not able to hold tolook any longer; whether it was a boat or not I do not know, but asI descended from the hill I could see no more of it, so I gave itover; only I resolved to go no more out without a perspective glassin my pocket.

因此，我毫不怀疑，那些旧帆布早已烂掉了。事实上，大部分也确实烂掉了。可是，从这些烂帆布中间，我还是找到了两块帆布，看上去还不错，于是就动手用来做船帆。因为没有针，缝制起来就十分费力费时。花了不少力气，才勉强做成一块三角形的东西，样子丑陋不堪。那船帆的样子像我们英国的三角帆；用的时候，帆杆底下装一根横木，船篷上再装一根横木，就像我们大船的救生艇上装的帆一样。

Now that tast , as commented in a special review on tast , has had us see the aureole of god through the general effect of deflection or rotation of space - time , would it lead us to see the true face of god or comprehend the mind of god

以上是解析时空理论第二章的内容，您已经看到我们把解析时空概念引入到了量子时空中，这是否是解析时空的全部内容？远远不是，这个时空故事或许仅仅是个开始。

But time will not allow me come back to the past time. It let me miss my direction on the coordinate axis of life. The original love ask me go ahead in the direction of straight .In that case.I will not meet the 0degree ice .And straight forward this road .I can see the raising sun.And will find out the beautiful view which others will never meet .If I turn my direction into the opposite one .I will just see the mirage, I trusted her. From childish time to grow up. I accepted many regards from different region and different persons.I shows a big smile all the time . I learnt thanks. Thanks for god let me live in such beautiful world. Thanks for the person who care of me; I leant sympathy .

但是时间不允许我再回到原点，它让我在人生的坐标上失去的方向，原本的爱一直指导我向正坐标走，它告诉我那样我不会遇到零度坚冰，一直走下去会看到初升的太阳，会看到很多别人的看不到的美景，它告诉我如果真得往恨的方向走，我看到的只是海市蜃楼，所以我听它的，从小到大，我接收到了来自同或者不同的地域的人的爱护，我一直咧开一张嘴笑着，我开始学会了感谢，感谢上仓让我生在这样一个世界，感谢我身边每一个人对我的关怀；我开始学会同情，同情一些孤儿老人和备受战争残害的人…。。

Butterfly is a stroke that it will help to look at head on. But generally you can see everything you need to see from the side.

虽然说从正面观看蝶泳对你们会有所帮助，但一般情况下，你想看的东西从侧面都能看到。

In order that sounder measures may be taken to secure these monasteries from damage, we will and decree that when vacancies occur through the death of the abbot in charge, they cannot be given in commendam to anyone by any agreement unless it seems right to us to decide otherwise, in accordance with the actual circumstances and with the advice of our brothers, so as to protect the authority of the apostolic see and to oppose the evil designs of those attacking it .

为了健全的措施可以采取，以确保这些寺院的损害，我们将和法令，当出现空缺的死亡住持负责，他们不能得到任何人在commendam的任何协议，除非它似乎我们的权利另有决定，根据实际情况和意见，我们的兄弟，以保障的权威使徒见，反对邪恶的设计，这些攻击它。

But since we shall never see, or know if we do see, that desirable creature -- dogmatism is banished,"Academy" is dead to the discussion, deader than even Tolstoy left it after his famous treatise "What is Art?"

因为我们看不到（即使见到也不会对其了然于胸）那个讨厌的家伙——教条主义——人们已经驱逐了它，所以学术权威对何为艺术的讨论漠然处之。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Now we can see ELFISH's rainbow towels and reflective banners in every zone of the audience. DongHae you don't need to make any feedback, It is just good enough that you can see we are here with you.

16：48 现在场里每个区都有我们家的彩虹毛巾跟小反光，李东海你不用回应，只要能看到我们一直都在，就好

Against that time, if ever that time come, When I shall see thee frown on my defects, When as thy love hath cast his utmost sum, Call'd to that audit by advised respects; Against that time when thou shalt strangely pass And scarcely greet me with that sun thine eye, When love, converted from the thing it was, Shall reasons find of settled gravity,-- Against that time do I ensconce me here Within the knowledge of mine own desert, And this my hand against myself uprear, To guard the lawful reasons on thy part: To leave poor me thou hast the strength of laws, Since why to love I can allege no cause.

为抵抗那一天，要是终有那一天，当我看见你对我的缺点蹙额，当你的爱已花完最后一文钱，被周详的顾虑催去清算账目；为抵抗那一天，当你像生客走过，不用那太阳--你眼睛--向我致候，当爱情，已改变了面目，要搜罗种种必须决绝的庄重的理由；为抵抗那一天我就躲在这里，在对自己的恰当评价内安身，并且高举我这只手当众宣誓，为你的种种合法的理由保证：抛弃可怜的我，你有法律保障，既然为什么爱，我无理由可讲。

We've experienced too many disasters, but it seems that we've experienced nothing. We've got too many things that are worth self-examining and denying, but we just pretend not to see because of selfishness and avarice, even if the thing is closely bound up to ourselves, we still want to find a proper reason to reduce it or even forget it because people only need a simple reason of happiness'.

我们经历过太多劫难，却似乎又什么也没有经历过；我们有太多值得反思和否定的事件，却因为自私与贪婪，对此从来假装视而不见，哪怕与自已息息相关，也要找个恰当理由淡化它甚至忘掉它，因为人们只需要一个简单的&幸福&理由。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。