查询词典 sections

This thesis is divided into five sections.

本文分为五个部分。

Sections 4, 5, and 6 describe the analysis framework.

部分4， 5，和6 描述分析框架。

The paper can be divided into three sections.

本文共分为三个大的部分。

There are in all 669 sections, 290 open and 379 closed.

在所有有669科， 290和379开放封闭。

In fact this is one of the hardest sections to write and keep short.

事实上，这一部分是最难的也是最少人能明白的。

This is probably one of the more important sections here and also one of the most over looked.

这一节可能是最重要也是最令人期待的一节。

The paper is concentrated on the offshore wide angle reflection survey using ocean bottom seismography, including its principle, the deployment of OBS, processing of recording data, interpretation of OBS profiles, and modeling of sections.

对OBS广角反射地震法的原理，海上测量方法，资料处理，时间剖面解释及地下地质构造计算机模拟方法作了阐述，对OBS广角反射地震勘探法的成功范例——苏伊士湾高蒸发岩发育区结晶基底勘探作一扼要介绍。

Drag selection handle to add more sections.

拖动选择手柄可添加更多饰段。

The 1195 self-centering plate design and precision honed pipe sections maximize installed performance.

在1195自定心板设计和精密磨练管段安装性能最大化。

That might explain why Luo is enchanted by specimen. He staged a scene of a museum that displays the pieces of his memories and mental pictures through the laying out and reconstituting the cross-sections of rocks. The procedures only exist in a momentary flash on the canvas. Though there are similarities between Luo's themes and those of Japanese photographer Sugimoto Hiroshi, Luo's objects are at greater ease than Hiroshi's. This is the reflection of Luo's sentiment, an attitude of self-complacent that elder Chinese literati had.

这也就不难解释罗荃木对于标本的偏好，并将场景直接地自博物陈列中撷取，这拼凑自艺术家记忆或相片的过程正如将摊平剖析过后再度构造出的山石，成为了只存在于画布中某个过去的瞬间；但有趣的是，这些标本都存在着一种自在，这份感觉是无法在杉本博司摄影中看到－这是艺术家自己对于外在世界情感的写照，超然幽淡的生活状态，并可呼应宋时以写生观察自然、寄情自然的文人思维。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。