查询词典 second-grade

In the second part, that the spectrum absorption characteristic of opharyngeal carcinoma measuredPAS technique is discussed.

第二部分论述用光声技术测量人鼻咽癌的光谱吸收特性。

In this part, the following two opinions are demonstrated, the first is that keeping abstentious physical demand is the inherent request of sustainable development, the second is that the important goal of sustainable development is all-around development of needs.

第四部分对建立可持续生活方式进行了理论分析和现实考察，并对影响当代中国生活方式的因素、在中国建立可持续生活方式应遵循的原则进行了初步探讨。

At this intelligence, in which he seemingly evinced little interest, Mr Bloom gazed abstractedly for the space of a half a second or so in the direction of a bucketdredger, rejoicing in the farfamed name of Eblana, moored alongside Customhouse quay and quite possibly out of repair, whereupon he observed evasively

25布卢姆先生脸上露出对此事漠不关心的神色，茫然地朝着那艘陈旧的挖泥船--它被取了艾布拉那这一雅号，看来已无法修理了--的方向望了半秒钟光景，于是就闪烁其词他说

Second, with the development of learning stages, the level of cognitive process is getting more complex, but the knowledge isn't getting abstracter.

随著学习阶段的发展，认知过程的层次渐趋复杂，但知识内容的抽象度并未明显增加。3。

It is for the works of the second period, those often considered progenitors of the absurdist theater, that Pirandello is remembered today.

正是由于工作的第二阶段，那些通常被视为祖的absurdist影院，这皮兰德罗是记住今天。

The second section points out that plotless plot and cyclic structure are also features of O\'Neill\'s plays,especially his late plays,which is very similar to the plays of the absurdist theatre in this aspect.

与荒诞派戏剧中的人(来源：dcABC论85文网www.abclunwen.com)物一样，奥尼尔在其剧作中塑造的也都是些失去个性、无足轻重的人物，他们不是被用来代表某一特定的社会群体就是被用作整个人类的象征。

The second one is about the absurdity of life.

其二：世界是荒谬的，人生是痛苦的。

Second, it describes absurdness of rectangle measuring window and creates improved circle window in place of rectangle one.

其次，指出传统矩形测量窗口的不科学性，提出了用圆形窗口替代矩形窗口的改进措施。

Don Quixote is a funny and sorrow story, a work that makes readers taste deeply sorrow when they are laughing at scenario of story. This text divides the meaning of Don Quixote into three layers. The first layer is taste layer, to analyse the comedy of absurdness and the tragedy of sublimity in Don Quixote. The second layer is history layer, to analyse that Don Quixote reflects the

本文把《堂吉诃德》的意蕴分为三个大层次，第一层是审美情韵层，主要分析了《堂吉诃德》荒诞的喜剧美和崇高的悲剧美；第二层是历史内容层，结合塞万提斯本人的经历和西班牙当时的历史，分五个层次进行阐析——塞万提斯本人的真实映射、西班牙社会的真实写照、摩尔人被驱逐的血泪史、西班牙海外殖民历史的曲折反映、反映了西班牙人文主义者与农民的社会关系等；第三层是哲理意味层，剖析了堂吉诃德的疯癫中显示的生命真实，从中看到知识分子"知其而不可为而为之"的人生态度，也映射出的塞万提斯的人文主义思想及其信仰危机和他心中的宗教理想，表现了作为文艺复兴后期代表的塞万提斯的进步的人文主义思想，蕴涵着作者心中无法磨灭的宗教理想，寄托了塞万提斯心中的爱憎和理想。

It has the basic characters of common enterprises, but it also has two particularities. The first one is that the commodity, money, is special. The second one is that the management itself is special. Bank is an enterprise whose liability ratio is very high. With business license and the level effect of capital abundance ratio, bank expands its asset by continuously increase liability.

它具有一般企业的基本特征，但又具有与一般企业不同的特殊性，一是由于其经营的商品——"货币"具有特殊性，二是银行的经营方式有特殊性，主要体现在银行是一个高负债的企业，银行凭着经营特许和资本充足率的杠杆效应，通过不断增加负债，带来资产高速扩张；同时也带来了相应的高风险。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。