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But there is little doubt that his own Kikuyu, who were in the driving seat from 1963 until 1978 under Kenyatta but then got pushed aside by Mr Moi, are back behind the wheel.

从1963年到1978年间肯尼亚塔执政期间，他自己的奇库尤部落代表就担任议会中的决策席，之后被莫伊先生解除其决策权力。而现在，奇库尤部落代表重又归为不会让人有任何的疑问。

S changed She don't wanna behave Ain't it good to be a brave girl tonight Tonight, it's alright A brave girl tonight So she met this man He was kinda rough He said, girl, whatcha lookin' for She said, I don't know I go with the flow He said, let's get on the floor He said, you look real cute with your low ride jeans And your pink little baby tee Let's get a room, girl Come and ride with me She wants a good time No need to rewind She needs to really really find what she wants She lands on both feet Won't take a back seat There's a brave new girl And she's coming out tonight She's gonna step outside Uncover her eyes Who knew she could feel so alive Her M.O.

奇摩改变她不想做人是不是好，是一个勇敢的女孩，今晚今晚，它的好吧一个勇敢的女孩，今晚因此，她会见了这名男子他kinda粗糙他说，女孩，她说，我不知道我去与流他说，让我们在地板上他说，你看看真正的可爱与您共度低牛仔裤和您的粉红色的小婴儿三通让我们得到一个房间，女童来饶有兴致地乘坐了我她想一个好时机无需倒带她需要真的真的找到她想她的土地都英尺不会拿后座有一个勇敢的新女孩和她的走出来，今晚她在哪里一步以外发现她的眼睛谁知道，她可以感觉到，所以活着她m.o。

She's gonna find that special kiss She don't want no sleep She don't want no high Oh, like peaches 'n' cream She's gonna wish on stars and touch the sky Ah, you know what I mean She wants a good time No need to rewind She needs to really really find what she wants She lands on both feet Won't take a back seat There's a brave new girl And she's comin' out tonight She's gonna step outside Uncover her eyes Who knew she could feel so alive Her M.O.

她在哪里找到特别吻她不想没有睡眠她不希望不高哦，像桃，''霜她的希望在哪里对星级和触摸天空啊，你知道我的意思她想一个好时机无需倒带她需要真的真的找到她想她的土地都英尺不会拿后座有一个勇敢的新女孩和她的comin '今晚她在哪里一步以外发现她的眼睛谁知道，她可以感觉到，所以活着她m.o。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。