查询词典 seas

This essay focuses on the discussion of landscape representation in Robert Louis Stevenson's three travel writings: An Inland Voyage (1878), Travels with a Donkey in the Cevennes (1879), and In the South Seas (1896). Three questions are analyzed in the landscape representation of the three travel writings: first, how the traveller's cultural discourses are embodied in the travel writings; second, how the travelling self interacts with the Other; and thirdly, how the traveller constructs his self.

中文摘要/本论文主要讨论史蒂文生三部旅行书写——《内河航行记》（An Inland voyage， 1878）、《赛凡斯山偕驴同行》（Travels with a Donkey in the Cevennes， 1879）、与《南太平洋记行》（In the South Seas， 1896），以这三部旅行书写中的地景再现来讨论旅行文本中的地景描绘如何呈现旅行者既有的文化论述、旅行者与他者的互动、以及旅行者的自我建构。

There are in Africa none of those great inlets, such as the Baltic and Adriatic seas in Europe, the Mediterranean and Euxine seas in both Europe and Asia, and the gulphs of Arabia, Persia, India, Bengal, and Siam, in Asia, to carry maritime commerce into the interior parts of that great continent: and the great rivers of Africa are at too great a distance from one another to give occasion to any considerable inland navigation.

在欧洲，有波罗的海与亚得里亚海；在欧亚两大陆间，有地中海与黑海；在亚洲，有阿拉伯海峡，波斯湾，印度湾，孟加拉湾和暹罗湾。这些海湾把海上贸易延伸到这些大陆的内地。然而，非洲却没有这样的海湾，而非洲的大河又相距太远，因此不能引起大规模的内地航行。

The "freedom of the seas" has given mariners legal rights to roam the high seas - a boundary that usually occurs 200 nautical miles from shore - at will.

海洋的"自由"给海员的合法权益漫游公海-边界，通常发生的海岸200海里的-。

"The freedom of the high seas has always been accompanied by attendant responsibilities in the Law of the Sea Convention," said Jeff Ardron, director of the high seas programme for the Marine Conservation Biology Institute.

他说："公海自由一直受到在海洋法公约伴随而来的责任，"杰夫说Ardron，在为海洋保护生物学研究所的方案公海主任。

International conventions and legal documents on fisheries can be made into two categories, i.e.,"hard law" and "soft law". From the content of these legal documents, we can draw the conclusion that the era of freedom of fishing at the high seas is over, high seas fishing activities are under more and more strict control and monitoring.

本章分两类介绍了主要的国际渔业法律公约和文件，从这些文件的主要内容和规定看，公海捕鱼自由时代已经结束，公海捕鱼活动受到越来越严格的限制和监控。

At 225,000 gross tonnes, Oasis of the Seas, one of two identical ships recently built for Royal Caribbean cruises, is 70,000 tonnes more and 21 metres longer than the previous record holder, Freedom of the Seas.

这艘近期为皇家加勒比游轮公司建造的同型姊妹舰之一的"海洋绿洲号"，重达22.5万长吨，这比此前的纪录保持者"海洋自由号"重出七万吨，长出二十一米。

The woofer used in this system is the SEAS CA18RNX .

系统中使用的是低音喇叭是SEAS CA18RNX。

For example, our tweeters are custom made for us by SEAS of Norway.

举个例子，我们的高音都是在丹麦 SEAS 特别定制的。

Second, wetland landscape pattern dynamic change of Kenli County Take TM as the information source, according to studies the region wetland ecosystem present situation characteristic, wetland is divided into 10 kinds: irrigation paddy field, pit pond water surface, cultivation water surface, artificial ditch, reservoir water surface, salt field, rivers water surface, reed, shallow seas and tidelands, beach. The wetland landscape area is remarkable dropt from 1987 to 2004.In 1987 the wetland area occupied 14.10% of Kenli county, but only was 12.33% in 2004, it reduced 6155.12 hm2 in 17 years and average reduced 362.07 hm2 every year, the reduction scope of shallow seas and tidelands wetland is biggest 3894.78 hm2. The shallow seas and tidelands and reed are frequent transformation with other type.

2查清了研究区湿地景观格局动态变化规律以TM影像为信息源，根据研究区域湿地生态系统现状特征，把垦利县湿地分为10类；湿地景观面积在研究时段内呈显著下降趋势，1987年湿地面积占整个研究区总面积的14.10%，但到2004年只占12.33%，17年共减少6155.12 hm2，平均每年减少362.07 hm2，其中滩涂湿地面积减少幅度最大3894.78 hm2；从各湿地类型之间的转换来看，各种湿地景观之间、湿地和非湿地之间相互转化和逆转并存，滩涂和苇地与其他地类转换频繁；研究区湿地景观斑块数量增多，景观多样性指数1987年为1.7643，2004年下降到1.7105，均匀度指数由1987年的0.6873上升到2004年的0.6923。

Pretty boy 歌手:m2m 专辑:shades of purple I lie awake at night See things in black and white I've only got you inside my mind You know you have made me blind VERSE 2 I lie awake and pray That you will look my way I have all this longing in my heart I knew it right from the start M2M CHORUS Oh my pretty pretty boy I love you Like I never ever loved no one before you Pretty pretty boy of mine Just tell me you love me too Oh my pretty pretty boy I need you Oh my pretty pretty boy I do Let me inside Make me stay right beside you VERSE 3 I used to write your name And sometime I think I hear you call Right from my bedroom wall VERSE 4 You stay a little while And touch me with your smile And what can I say to make you mine To reach out for you in time CHORUS BRIDGE Oh pretty boy Say you love me too CHORUS My Love歌词歌手:Westlife an empty street, an empty house, a hole inside my heart, i'm all alone and the rooms are getting smaller. i wonder how, i wonder why, i wonder where they are, the days we've had, the songs we've sang together. and oh my love, i'm holding on forever, reaching for a love that seems so far, so i say a little prayer, and hope my dreams will take me there, where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, my love. i try to read, i go to work, i'm laughing with my friends, but i can't stop to keep myself from thinking.. i wonder how.. i wonder why i wonder where they r the days we had, the songs we sang together and oh my love..... i m holding on forever, reachign for the love that seems so far..... so i say a little prayer and hope my dreams will take me there, where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, to hold u in my arms, to promise u my love, to tell u from my heart..... what i m thinking offfff reaching for the love that seems so far.. so i say a little prayer.... and hope my dreams will take me there... where the skies are blue to see you once again, my love, over seas from coast to coast, to find the place i love the most, where the fields are green to see you once again, my love.

pretty boy 偷偷看你的脸心情变成晴天我向着窗外默默想念希望你能听得见你的好你的坏全部我都想爱你明不明白说不出来心中对你的依赖 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来看别人手牵手我越看越寂寞我想要你说只对我说说你心中只有我你明明很爱我明明不想要走为什么不敢付出太多是不是怕真爱上我 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来 Oh my pretty pretty boy 说你也爱我 Oh my pretty pretty boy， I love you 因为窈窕妹妹不会假装爱 Pretty pretty boy of mine 对你说声嗨 Oh my pretty pretty boy， I need you， oh my 窈窕妹妹只想爱说你不走，要你别走，请留下来 my love 一条空街一间空房子一个伤口在我心里我完全陷入孤独，感觉房子越来越小我不明白怎么了我不明白为什么我不知道它们都去了哪儿那些我们共同在一起的日子和共同唱过的歌哦，我的爱我将永远坚持为一个看似很远的爱情而坚持不懈所以我默默做了一个祈祷希望我的梦把我带到那个地方那个有蓝天的地方，我再次见到你，我的爱人跨越大海穿越海岸找到我最喜欢的地方那个绿数成荫的地方，我再次见到你，我的爱人我努力读书我每日工作我和朋友们说笑但我不能让自己停止想念你我不明白怎么了我不明白为什么我不知道它们都去了哪儿那些我们共同在一起的日子和共同唱过的歌哦，我的爱我将永远坚持为一个看似很远的爱情而坚持不懈把你抱在怀里向你承诺我的爱发自内心的告诉你你是我想要的全部为一个看似很远的爱情而坚持不懈

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。