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sculptures相关的网络例句

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与 sculptures 相关的网络例句 [注:此内容来源于网络,仅供参考]

Painting which is the mainstream of the western art is extremely representational in the aspect of the space concept. But relieves combine the paintings'complanation with sculptures'extensity .so we decide to research the process of the evolvement and the interaction between paintings and sculptures. We expect to discuss the space and art expression in the western art and relieve ,so I can have a further comprehension about the space of optical art. The comprehension can not only help us understand the traditional western paintings and relieves better, but also make us comprehend the space concept of modern art better, to set the artistic creations of contemporary paintings and relieves into action.

油画,作为西方绘画的主流形式,在空间形态的表现上极富代表性,而浮雕兼具绘画的平面性与雕塑的实体空间性,因此,我选择研究油画与浮雕在空间上的演变过程及其相互影响,以期可以从一个侧面来探讨西方绘画与浮雕中的空间观和艺术形态表现,从而对视觉艺术的"空间"有更深一个层次的了解,这不仅有利于我们理解传统的西方油画和浮雕,也能使我们更好地理解现代艺术的空间观念,进而更好的推动当代的油画和浮雕创作。

Because of the depersonalization of the sculptures, or the abstractness of their compositions, the symbolic meaning may extend to all living beings, even including close links between non-material entities (the fusion of Chinese and western cultures as embodied by the sculptures, for instance).

由于雕塑造型的非人格化亦即其构成的抽象性,作品的象征对象可以漫延扩展到所有的生命,它们甚至还包括非物质性对象之间的密切联系,譬如这些作品本身所体现的中西两种文化元素之间的交融与结合。

The paper"s conclusion is that the need and recognition of agriculture from a new socialism country are precondition of the appearance of the sculptures; the State"s attitude of how to increase the agriculture yield greatly affects the proposition of the sculptures; while the same international circumstance and political background unified the problem of nationalization of sculpture and the emphasize of agriculture foison from the state, they all having a great deal to do with the nice hope of the new state that it yearned for becoming more mightier and more independent.

通过考察,本文的结论是,一个社会主义新国家对农业的需求与重视是农展馆雕塑出现与产生的前提,国家对于提高农业产量方法与途径的认识直接关系到国家对农展馆雕塑的命题,而相同的国际环境和政治背景则使雕塑的"民族化"问题与国家对农业丰收的强调统一起来,它们都与一个新国家渴望迅速走向独立、富强的美好愿望有着密切联系。

There is a profound cultural accumulation in Chinese people's understanding of the relationship of craftsmanship and nature, form and spirit, skillfulness and clumsiness in wooden material. Therefore, although Fu Xinmin's contemporary sculptures have taken in the concept and method of western contemporary sculptures creation, the Chinese culture root in his works is still so strong and distinct.

中国人对木质材料的人工与自然的关系,形与神的关系,巧与拙的关系,文与质的关系,都有着深厚的文化积淀,所以,尽管傅新民在现代雕塑的创作中也吸收了西方现代雕塑的创作理念和方式,但是,他的作品中的中国文化的根性仍然是那样强烈,那样鲜明。

My influences and inspirers in this series of metal sculptures for instance ranges from graphic symbols, to Cycladic art and to the modern sculptures of Brancusi , Botero , Rodin , Giacometti , Moore , Campo , Arsipenko , and Tatlin among others.

我的影响,在inspirers这为从图形符号的范围,例如金属雕刻系列,以基克拉迪艺术的布朗库西,博特罗,罗丹,贾科梅蒂,穆尔,坎普,Arsipenko 和塔特林的现代雕塑等。

ecological environment view on chinese traditional sculptures is somehow edificatory to the programming, design and making of public landscape sculptures nowadays.

内容摘要:中国传统雕塑的环境观,对当今公共景观雕塑的规划、设计、制作等,应当起到一定的启迪作用。

The prehistorical sculpture-a woman touching herself on her breasts and belly shows that our prohistorical ancestors' idea of sculpture was closely associated with the instinctive human nature;The encient Egyption human sculptures have hardly ever changed,and remained the same for almost 3000 years,which reflects that the encient people believed their belief would last as long as forever,and the distinctive taste of their works;The Buddist sculptures are the tool for the religion to express it's idea. While,the encient Geece artist were seeking the hamoney and balance of human movement,which can be found easily in their works.

从史前女体雕刻的姿势多为抚腹或抱胸可以看出原始人雕塑的观念直接与生命的本能联系在一起;古埃及漫长的三千年历史中人像雕刻的姿势都没有明显变化,反映了当时人们坚持自己的信仰永恒的态度,及其艺术法则的独特风格;佛教造像把人物姿势做为传达教义的解说词;古希腊的人物雕塑的姿势体现了他们对和谐。

Cross-referencing the sculptures and the architecture is interesting and informative only up to a point, however, for Meier's sculptures stand apart and stand on their own.

对比建筑和雕塑是非常有趣的事情,启发了我们的思维,然而,这对于我们认识迈耶的雕塑毫无疑义,建筑和雕塑仅仅是他远离自我和回归自我的过程。

Replete with a new series of female nudes in sculptures, video and photographs, an autobiographical display of memorabilia, sculptures made of compressed trainers and shuttlecocks and even Weng Fen's own brand of black and white wallpaper patterned with rows of miniature repeated female athletes, this new body of work is both spectacular and entertaining.

在这个作品里,翁奋不仅在雕塑、视频和摄影表现中充满了一系列全新的女性裸体形象,同时它还是一次自传体形式的大事记,不但结合了被压缩的羽毛球的雕塑以及他本人和他的家庭用过的旧运动器材,甚至还融入了翁奋标志性的带有一排排微缩的反复出现的女运动员形象的黑白色墙纸,这个作品的全新主体不仅蔚为壮观,而且赏心悦目。

Although working in a variety of media, Gilbert and George referred to all their work as sculpture. Between 1970 and 1974 they also made drawings (referred to as Charcoal on Paper Sculptures) and paintings to give a more tangible form. to their identity as 'living sculptures'.

虽然他们的作品包括了各种媒介,但是吉尔伯特与乔治仍然把自己所有的作品都称作雕塑。1970至1974年间,他们也创作了木炭画(被称作&纸上雕塑的木炭画&)和油画,突出表现了他们&活体雕塑&的身份。

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