查询词典 science fiction

There was a lot of new fiction developed for Enslavers that we thought was really cool, but as we were developing this trilogy with Christie we knew we wanted to bring Ulrezaj back, which was kind of a cool idea, but we felt that going to 7 was better for the fiction in general.

但我们觉得把人数增加到7对于小说来说通常是更好的选择。

In addition, he had written many monographs, literary criticisms, screenplays and many introductions, forewords to books of fiction and non-fiction.

同时他也写出了很多专题著作、文学评论、电影剧本以及若干小说和非小说作品的介绍和前言。

Traditional or not, Graves and Hodge were not fuddy-duddy connoisseurs of the second rate; they could see what went on in the world and that the detective story of their time didn't; and they were aware that writers who have the vision and the ability to produce real fiction do not produce unreal fiction.

不管是不是老派的，格雷夫斯和霍奇决不是古板守旧的第二流作家鉴赏家；他们能够看到世界的潮流，而且看到他们时代的侦探小说所不能看到的；他们知道有创见和有能力生产真实小说的作家是不会生产不真实的作品的。

Traditional or not, Graves and Hodge were not fuddy-duddy connoisseurs of the second rate; they could see what went on in the world and that the detective story of their time didn't; and they were aware that writers who have the vision and the ability to produce real fiction do not produce unreal fiction.

哈梅特。不管是不是老派的，格雷夫斯和霍奇决不是古板守旧的第二流作家鉴赏家；他们能够看到世界的潮流，而且看到他们时代的侦探小说所不能看到的；他们知道有创见和有能力生产真实小说的作家是不会生产不真实的作品的。

This paper traces back the development of the meaning of the word "polyphony" from a music term to a fiction concept. It analyses and compares the main influences and differences on the polyphonic fiction theories and writings of Bakhtin, Genette, and Kundera.

本文回顾了&复调&一词从音乐术语向小说观念的借用及流变过程，分析并比较了巴赫金、热奈特及昆德拉在&复调小说&理论与创作上的承继轨迹及主要分歧。

Part two: Main body, expounds the development of the new period fiction"s introduction from, reference to and fusion with western modernistic fiction, of the breakthrough of the original aesthetic norms and of conducting the "modernity" of the new research of fictional style. The development is as follows: beginning from exploring the artistic forms and skills, it self-examines the history, searches for the meaning of life, and calls for the realization of certain "personality", i.e. spiritual freedom; then, adopts the spirits of modernistic literature, searches for and sublates our national traditional culture; cares for the modern people"s specific mental states and makes inquiries for the meaning of life; then, revolutionizes the textual narration, reveals the doubt about the man"s subject exposed in the theme of works, describes directly the problems of the man"s subject itself, inquires the reality and possibility of the subject"s being, and uncovers the complexity of the modernistic central proposition: man"s anxiety and his essence.

本论部分，论述新时期中国文坛对西方现代主义借鉴、吸纳、融合，突破原有的审美规范，进行小说文体新实验的发展历程——即从艺术形式、艺术技巧的探索开始起步，反思历史、探索&人&的意义；在对民族传统文化的寻找与扬弃中，重建民族的&文化&主体，以走向现代世界；关注现代人的精神状况，揭示社会的贫乏、专横、庸俗、虚伪和窒息的一面，寻求生命的意义与价值；通过文本的叙述革命，揭示作品对人这一主体的怀疑，在小说中直接描写&人&本身所存在的问题，以及人自身本质的复杂性；对城市化、世俗化生活的窥望与期冀，对其作品中多元化的欲望进行透视，揭示当今社会中人的现代主义的虚无与后现代式的焦虑，指出其书写的局限与精神提升；论析女性作家&个人化&躯体写作的意义、特色以及女性作家个人化写作的精神困境。

I explore two different subgenres of Super Girl fan fiction: the heterosexual romance based on the image and character of Li Yuchun and the same-sex Girl Love fiction modeled on the contestants of 2006 season of Super Girl.

本章讨论了两种不同类型的超女粉丝小说：一个是百度&小葱的图书馆&吧发表的以李宇春为原型的玉米原创小说，另一个是百度&绯色超女&吧发表的以06超女为原型的超女同人文。

Truth is stranger than fiction; fiction is obliged to stick to possibility, truth is not.

事实之所以奇于小说，是因为小说不得不坚持其可能性，而事实则不然。

Truth is stranger than fiction ; fiction s is obliged to stick to possibilities, truth isn't.

事实之所以奇于小说，是因为小说不得不坚持其可能性，而事实则不然。

Truth is stranger than fiction, fiction is obliged to stick to possibility, truth

事实之所以奇于小说，是因为小说不得不坚持其可能性，而事实则不然。

A carrier gas such as nitrogen is directed through line 20 and valve 22 to connect with line 26 and mix with the gas sample.

如氮气之类的载体通过管线20和阀22引入，与管线26相通，与气体样品混合。

But for the most part, knaves and parasites had the command of his fortune

然而支配他的家产的大多是恶棍和寄生虫。