查询词典 say out

And when they were now departed out of the city, and had gone forward a little way; Joseph sendingfor the steward of his house, said: Arise, and pursue after the men: and when thou hast overtaken them, say to them: Why have you returned evil for good?

他们出了城，还不很远，若瑟就对他的管家说：「你起身去追赶那些人，追上他们，就对他们说：你们为什么以恶报善？

We can say this; we live in interesting times and you better hunker down and get out of the way.

我们可以这样说，我们生活在一个有趣的时代，你更好的亨克下来，走出一条出路。

I'll hurl you out of the company if you dare say the secret!

如果你敢把这个秘密说出去，我就会把你逐出公司。

Hurst were going out. I dare say I shall soon see them here.

也许她们马上就会上我这儿来看我。

Hutchinson:All right, I say we push it out.

我们把他推出去。

Go KFC, she points a mycophenolate grass ice cream, put the table, I told her do not see how there is no spoon, not spoon, she said, when I did not pay attention to her remark, and later I found the spoon on the pick into the ice cream cup spoon, she would not see, and say that I am the ice cream弄了个her hole started to lose my temper, to boom out a cup of ice cream thrown on the ground, and also take their own on the ground crying.

比如说上次去吃KFC，她点了个草霉冰淇淋，放桌上的时候，我跟她说没有怎么没看到调羹，她说不要调羹，当时我没注意她的这句话，后来我找到调羹了，就随手把调羹插到冰淇淋杯里，她看到了就不肯了，说我把她的冰淇淋弄了个洞，开始发脾气，把一杯冰淇淋咚一声扔地上了，自己还坐在地上哭。

It turns out that when you say something – for instance,"He's a selfish, mean jerk" or "Her husband is cheating on her because she's an icicle in bed"– your listener often attributes those qualities to you.

它会在当你说些什么--例如，"他很自私，脾气古怪"或是"她的老公一直在骗她"等等的时候发生--你的听众通常会将这些"品质"套用在你身上。

Indeed, Mr. Darcy, it is very ungenerous in you to mention all that you knew to my disadvantage in Hertfordshire -- and, give me leave to say, very impolitic too -- for it is provoking me to retaliate, and such things may come out, as will shock your relations to hear.

真的，达西先生，你把我在哈福德郡的一些倒霉的事儿都一股脑儿说了出来，你这是不厚道的──而且，请允许我冒昧说一句，你这也是不聪明的──因为你这样做，会引起我的报复心，我也会说出一些事来，叫你的亲戚们听了吓一跳。

I wish you had the courage to come out in the open and say what you really think.

我希望你有勇气表明自己的观点，说出真正想说的话。

I arrive at this Guangzhou, I personally once experienced personally, why here of foreign duty worker's member be which Yao of many, they is of is what, why since then go to here, for the sake of a common of target, which be money, because there is no way, they have no way, they also don't think to oneself is which appearance, every day give person part-time job, but they are also canning not figure out what good way, because they want to oneself of the sons and daughters be responsible for, send they go to school, bring up they grow up an adult, arch they eat arch them to wear, be used as parents what this is a son is really for world of the parents feel an in the mind displeased, uncomfortable, I sawed much more in my own body of affair, although I see not and deeply the winds and clouds of world change Huan, but I really saw understand some thing, be little I know how to make allowance for parents of mood, but I don't miss them everyday for the sake of we but is not in the home every day, every day at outside, at outside give person part-time job, myself be an indocile kid, perhaps I is really be unlike their kid, I every day in the mind words I don't know to be like who say, this kind of in the mind force be the in mind difficult way pleasurable?

我来到这广州我就亲身体验过，为什么这里的外来务工人员就是哪么的多，他们为的是什么，为什么而来到这里，为了一个共同的目标，哪就是钱，因为没有办法，他们没有办法啊，他们也不想对自己是哪样子的，天天给人打工，可是他们在也想不出什么好法子，因为他们要对自己的子女负责，要送他们上学，要抚养他们长大成人，要拱他们吃拱他们穿，做为父母我这做儿子的真是为天下的父母感到心里不愉快啊，不舒服啊，我在我自己的身上看到了许许多多的事情，我虽然看不透世界的风云变幻，可是我真的看懂了一些东西，只少我懂得如何去体谅父母的心情，可是我不想他们每天都为了我们却天天不在家里，天天在外面，在外面给人打工，我自己就是一个不听话的孩子，也许我真是不像他们的孩子，我天天心里话我都不知道像谁说，这种心里逼在心里难道好受吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。