查询词典 sank

For years it was believed that many of these fish nomadically wandered the ocean, munching on the organic debris that sank from shallower waters.

经过了这么多年，我们已经确信许多生活在深海的鱼游荡在大洋中，咀嚼着从浅水处沉淀下来的有机残片。

Bowdlerised of the sex scenes that caused gasps in the west but that are central to this tale of sadomasochism micro-personal and macro-historical, the movie sank like a stone.

该版本删除了令西方叹为观止的性爱场景，但这些镜头对这个有关性虐待的微观人性和宏观历史的故事至关重要，没有这些镜头，该片如同石头般僵硬。

Bowdlerised of the sex scenes that caused gasps in the west but that are central to this tale of sadomasochism micro-personal and macro-historical, the movie sank like a stone. Resurrection still needs work in China.

该版本删除了令西方叹为观止的性爱场景，但这些镜头对这个有关性虐待的微观人性和宏观历史的故事至关重要，没有这些镜头，该片如同石头般僵硬。

His foot sank slighty into the soft ground.

他的脚稍微陷入松软的地面。

He sank down onto the gritty tunnel floor, weeping with helpless, strengthless anger, a barely beating heart of life in a universe of black stone.

他无力地坐到砂砾的隧道地板上，带着无助、无力的愤怒哭泣，在这个黑色石头构成的世界里，只有微弱的心跳声展示着生命的力量。

In a moment the floats swang again and then sank abruptly, Just at that moment I lifted my fishing rod.

在一个时刻swang的花车，然后再突然沉没，就在那一刻我举起钓竿。

In a moment the floats swang again and then sank abruptly, Just at that moment I lifted my fishing rod.

正在此时，我举起了钓芊。

In a moment the floats swang again and then sank abruptly, Just at that moment I lifted my fishing rod.

一会儿，浮子又动了，然后忽然下沉。

In a moment the floats swang again and then sank abruptly, Just at that moment I lifted my fishing rod.

一会儿，浮子又动了，接着突然下沉。

But as she sank: the stern, which settled on the bottom almost 1,800ft. from the bow, had swiveled 180 on its way down.

但正如她的沉没：船尾，从底部数起几乎距离船艏1800英尺，已旋转180导致了它的下沉。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。