查询词典 sang

Her first major appearances were in London singing Isolde and Brunhilde. She sang four seasons at the Royal Opera, Covent Garden, and then appeared in a fabled production of Purcell's Dido and Aeneas at the Mermaid Theater. She returned to the Metropolitan Opera in 1950 and during her final seasons there sang Brunhilde, Isolde, Fidelio, and the title role in Gluck's Alceste, the role of her farewell. In 1949 and 1950, she appeared in Fidelio at the Salzburg Festival, her only appearances there.

一个人要经历漫长达20年的失意而不放弃自己的事业是一件了不起的事情，当时，为了迎合观众的口味弗拉斯达德主要演唱轻歌剧，这类歌剧根本就不符合她的气质和音色，但是，她依然不肯息影舞台，不过，在那段日子里弗拉斯达德并没有刻意学过瓦格纳歌剧，她本人对瓦格纳的兴趣也很不稳定，日后能成为杰出的瓦格纳女高音连弗拉斯达德自己也有些吃惊。

In 2007, Master Sang was appointed as Ambassador at Large for the Territory of Guam. Having previously assisted Guam with Feng Shui, Governor Felix Camacho has presented this honor to Master Sang for his recent and on-going work with strengthening relations between China and Guam.

由于曾大师不断在风水方面辅助关岛的发展，特别是为了嘉奖其一直致力于加强中国和关岛地区关系的突出表现，2007年，费力克斯卡马乔总督任命曾大师为美国关岛地区特使。

Sang Sang's pain, the wound had crusted, I have forgotten after all, right?

生生的疼后，伤口早已结痂，我终究还是遗忘了吧？

Well, I know that you're in love with him 'cause I saw you dancing in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pickup truck But I knew I was out of luck The day the music died I started singing Now, for ten years we've been on our own And moss grows fat on a rolling stone But that's not how it used to be When the jester sang for the king and queen In a coat he borrowed from James Dean And a voice that came from you and me Oh and while the king was looking down The jester stole his thorny crown The courtroom was adjourned No verdict was returned And while Lenin read a book on Marx The quartet practiced in the park And we sang dirges in the dark The day the music died We were singing Helter skelter in a summer swelter The birds flew off with a fallout shelter Eight miles high and falling fast Landed foul on the grass The players tried for a forward pass With the jester on the sidelines in a cast Now the half-time air was sweet perfume While sergeants played a marching tune We all got up to dance Oh, but we never got the chance 'Cause the players tried to take the field The marching band refused to yield Do you recall what was revealed The day the music died?

我知道奶爱上了他因为我看到你们在体育馆里跳舞你们踢掉鞋子老天，我深深感受到节奏与蓝调那时的我是个寂寞的年轻人别着一朵粉红色的康乃馨，有一辆小货车但我明白自己并不走运在音乐死亡的那一天我开始唱着。。。。。。如今十年了，我们全靠自己熬过来了滚动的石头上长满了青苔但，它原来不是这个样子的当弄臣为国王与皇后歌唱穿着向詹姆斯狄恩借来的外套用来自你我的声音当国王低头弄臣偷走了荆棘桂冠法庭当时休会没有任何判决宣判当蓝尼读着马克思主义的书四重奏在公园里排练我们在黑暗中唱着挽歌在音乐死去的那天我们唱着。。。。。。在酷暑中手忙脚乱鸟群飞过辐射尘防护罩高度为八英哩，急速下降错误的降落在草地上球员尝试把球向前传靠着边线上弄臣的帮忙在中场休息时间，空中充满着香味当士官们奏起了进行曲我们都起身准备跳舞但我们始终没有机会因为球员们占据了球场军乐队拒绝让步你还记得当时透露了什麽讯息吗？

What she sang was a little bit difference with what Hai Xi Xi sang yesterday, the undulate of melody was little, end sound was close to tetrachord and hexachord.

她今天唱的和海喜喜昨天唱的又有所不同。旋律起伏较小，尾部结束音向上作纯四度和大六度滑近。

Baritone Stephen Varcoe sang Wie bist du meine Konigin by Johannes Brahms, accompanied by Graham Johnson on the piano, and guitarist Martin Best performed and sang his composition of Ariel's Songs from The Tempest.

男中音斯蒂芬·瓦科演唱了约翰内斯·勃拉姆斯的《你是我的女王》，格雷厄姆·约翰逊为其钢琴伴奏，吉他手马丁·贝斯特也演唱了自己谱曲的《暴风雨》中的《精灵之歌》。

He sang for Spanish civilians. And he sang for the Loyalist forces fighting for the Spanish republic.

他为西班牙的平民演唱，他为那些为西班牙共和国而战的忠诚的部队而演唱。

Beautiful female slaves, dressed in silk and gold, stepped forward and sang before the prince and his royal parents: one sang better than all the others, and the prince clapped his hands and smiled at her.

现在她来到森林中的一块粘糊糊的空地了。一些又大又肥的水蛇在翻动着，露出它们淡黄色的、奇丑的蛇腹。在这块地中央，有一幢死人的白骨砌成的房子。

At the request of their guests the young people sang the quartette the "Spring," with which every one was delighted; then Nikolay sang a song he had lately learnt. How sweet in the moon's kindly ray, In fancy to thyself to say, That earth holds still one dear to thee! Whose thoughts, whose dreams are all of thee!

年轻人应客人之请唱了一首人人喜欢的四人合唱曲《泉水》之后尼古拉还唱了一首已经背熟的歌曲：在令人欣悦的晚上，在皎洁月色映照下，你想象这该是多么幸福：有个什么人在这尘世上，她心中暗自把你思念！

As the rhythm and blues star tells it, when they first met, Justin sang him an Usher song -- and sang it better.

随着节奏和蓝调明星告诉它，当他们第一次见面，他一唱贾斯汀亚瑟之歌-唱的更好。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。