查询词典 rum-dum

Mojito: 1.5ozs rum,.5oz of lime juice, 2tsp sugar or sugar substitute, crushed mint poured over ice.

莫及托：1.5盎司朗姆酒，0.5盎司酸橙汁， 2茶匙糖或甜味剂，薄荷粉加冰。

The "triangular trade" as it was known, whereby slave-ships left European ports for west Africa with rum, guns, textiles and other goods to exchange for slaves, and then transported them across the Atlantic to sell to plantation-owners, and then returned with sugar and coffee, also fuelled the first great wave of economic globalisation.

当时奴隶贸易被称为&三角贸易&，奴隶船载满朗姆酒、枪支和纺织品等货物离开欧洲港口到达西非换取奴隶，接下来经由大西洋把奴隶卖给种植园主，然后再把蔗糖和咖啡运回来，同时也推动了第一次经济全球化的浪潮。

Drink and the devil had done for the rest - Yo-ho-ho, and a bottle of rum!

篝火旁所剩无几的海盗又唱起我听腻了的那个调子

Drink and the devil had done for the rest - Yo-ho-ho, and a bottle of rum!

酗酒和魔鬼使其余的人都丧了命--哟--嗬--嗬，再来他郎姆酒一大瓶！

Drink and the devil had done for the rest-- Yo-ho-ho, and a bottle of rum!

酗酒和恶魔使其余的人都丧了命——哟——嗬——嗬，再来他郎姆酒一大瓶！

Drink and the devil had done for the rest - Yo-ho-ho, and a bottle of rum!

管他魔鬼有什么花招，喝呀——哟嗬嗬，一瓶朗姆酒！

Often I have heard the house shaking with 'Yo-ho-ho, and a bottle of rum

我常常听到他们齐声高唱&哟嗬嗬，一瓶朗姆酒&，声音大得连房子都震动起来了

Fifteen men on the dead mans chest - Yo-ho-ho, and a bottle of rum!

十五个汉子扒上了死人胸--哟--嗬--嗬，再来郎姆酒一大瓶！

Fifteen men on the dead man's chest - Yo-ho-ho, and a bottle of rum!

十五个汉子扒上了死人胸--哟--嗬--嗬，再来郎姆酒一大瓶！

Often I have heard the house shaking with 'Yo-ho-ho, and a bottle of rum;' all the neighbours joining in for dear life, with the fear of death upon them, and each singing louder than the other, to avoid remark.

一会儿是腿被齐膝砍断，一会儿是齐臀部；一会儿他又是个什么都没有，只有一条长在身体中央的腿的奇形怪状的家伙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。