查询词典 ruins

What's more, the songs for children are: I Am Eager to Get, A Girl in Beijing, I Am Seventeen Years Old, which focus on the children's life and mood, sincerely and cordially; the songs singings for history and its characters are: the Romantic History of Three Kingdoms, Wen Yi-to; the musical works which reflect social reality are: the Fired Paradise, the Times of Feelings; some works which praise beautiful natural landscapes and culture relics are: Tashi Island Paranoia, Guge Kingdom's Ruins.

有为了少年儿童所写的歌曲：如《我多么想》、《北京小妞》、《我十七岁》；在歌曲中充满真挚与亲切，突出了孩子童稚般的情趣和意境。有歌颂历史以及历史人物的影视音乐：如《三国演义》、《闻一多》；有反映社会现象的音乐作品：如《失火的天堂》、《岁月有情》；有赞美美丽自然风光和人文古迹的创作：如《扎西岛狂想》、《古格王国废墟》。李一丁一直在音乐外在表演形式和深层内涵中不断追求进步。

Scarcely, however, had he left the banqueting hall when the roof fell in with a loud crash, burying Scopas and all his guests beneath the ruins.

至于利马窦来华的本心是传播基督教，而为了取得中国君臣的重视，不得不一再表演他的&西国记法&来赢得注意，这就和汉时的大秦幻人没有什么两样了。

Homes under the ruins; schoolbags without owners; and many who have lost their loved ones

废墟下的家园，失去主人的小书包，还有那么多那么多痛失亲人的人们。

It was larger than the largest of the palaces or ruins I knew, and the facade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain.

它的特征和我迄今为止见到的任何建筑都不一样，比我知道的最大的宫殿和废墟还要大，它的正面具有东方情调：表面呈淡绿色，像中国瓷器上的那种蓝绿色并且富有光泽。

It was larger than the largest of the palaces or ruins I knew, and the facade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain.

我决心继续探索下去，可天色越来越暗，我兜了个累人的大圈子才到了这里，于是决定把这探险工作推迟到第二天，我回到了欢迎我、安抚我的小威娜身边。

With Tsingtao's land batteries obviously in ruins, siege artillery fire shifted to the redoubts and barbed wire covering them on 2 November.

青岛的陆防炮台明显地在崩溃，攻城炮的炮火在11月2日转为炮击堡垒和覆盖它们的有刺铁丝网。

Rome is one of most beautiful cities in the world, it is full of great monuments, ruins from them the Roman Empire, plazas with amazing fountains and of course churches and cathedral.

罗马是一个最美丽的城市在世界上，它是充满了伟大的纪念碑，遗址由他们的罗马帝国，具有惊人的喷泉广场，当然教堂和大教堂。

Facing all those questions is a fragile new political elite: dissidents, oddballs, turncoat communists and university professors, blinking at the task of building justice and prosperity on the ruins of communism.

面临这些问题的是一个脆弱的新政治精英群体：曾经的异见人士与狂人、改变身份的前共产党人以及大学教授们。

In an interesting conversation with police personnel at Obang, metres from the ruins of a police post destroyed in the first days of People's War, and now to be shifted to Bagmara, we were told by the police in-charge: We have come back with the consent of the Maoists.

然而当我们走进这些地方，我们已经很难区分历史与现实。

The paint of Mijiko , an beyond horizon road under grey clouds at once,becomes clear sky and a road with an end.At the same time, in the cartoons of Yao,Mijiko has changed from crying to smile. All of this stands for hope.In the rain ,on the motor, Asi braces hardly of Atie;in the tube, the worm lignt shines on them, it is wormth. In front of ruins, lost Kepen has thin sorrow but the memory will go with him for life.

美智子的画曾经是乌云密布下一望无际的道路，最后是明朗的可见尽头的大道，姚的心情漫画中的美智子，从哭泣到微笑，这些都象征着希望；风雨中，机车上，阿思抱紧阿铁，隧道里，那昏黄的灯光照着他们，画面是如此温暖；废墟前，若有所失的修平有着淡淡的感伤，那段青涩的回忆一定会伴随一生的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。