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romantic fiction相关的网络例句

查询词典 romantic fiction

与 romantic fiction 相关的网络例句 [注:此内容来源于网络,仅供参考]

Most women are bored with, and cynical about, the well-trodden path of romantic fiction. They do not like happy endings and would rather read a thriller or crime novel.

大多数的女性读者早已厌倦了写法老套的言情小说,她们不再喜欢言情小说的圆满结局,而更情愿看一本恐怖或者犯罪小说。

Most women are bored with, and cynical about, the well-trodden path of romantic fiction.They do not like happy endings and would rather read a thriller or crime novel.

倦了写法老套的言情小说,她们不再喜欢言情小说的圆满结局,而更情愿看一本恐怖或犯罪小说。

Romantic fiction that predominated in the late eighteenth century.

我们都知道,这种小说在18世纪晚期非常流行。

With long-term argument of authenticity, historical romantic fiction is hard to find its due location between literature and history.

中文摘要历史演义小说长期以来受限於「虚实」的争议,难以在文学与历史之间找到适合的定位。

Gothic novel, a type of romantic fiction that predominated in the late eighteenth century, its principal elements are violence, horror, and the supernatural.

哥特式小说也是浪漫主义运动的一部分,它盛行于浪漫主义前期的18世纪末。这种小说的主要题材是暴力,恐怖及对超自然力的描写。

The color deep rain chandlery, leads you to enter the romantic palace, pursues purely the romantic place.

彩泓雨蜡烛店,带你走进浪漫的殿堂,是找寻纯粹浪漫的地方。

Franz Schubert, living in Vienna in late Classical and early Romantic periods ,is the founders of the Romantic Music of the nineteenth century .

弗朗兹·舒伯特(Franz Schubert,1797-1828)生活在古典主义和浪漫主义交接时期的维也纳,是十九世纪浪漫乐派的奠基人之一。

Giuseppe Verdi(1813-1901)is one of the greatest opera composer of Romantic period and created numerous works in his whole life.In addition of changing previous patriotic topic and history topic to love story and romantic topic from《La Traviata》.Verdi use many new creative skills,for example recalled melody and promoted the importance of the orchestra. Therefore 《La Traviata》is an important turning point for Verdi.

威尔第(Giuseppe Verdi,1813-1901)是浪漫时期歌剧的代表作曲家之一,一生创作了无数作品,自「茶花女」开始,威尔第一改其以往惯用的爱国、历史题材,转而采用爱情故事或浪漫情节来创作;另外在「茶花女」此一作品中,威尔第运用了许多崭新的创作手法,例如回忆性旋律,并且加强了管弦乐团在歌剧中的重要性,因此「茶花女」对威尔第而言,是一个创作上极重要的的转捩点。

The batik dress: The Miaos in Guizhou use handwrought tie-dye and batik to make standing collars and buttoms that are combinated with traditional dresses and prevail styles, full of mysterious romantic national breath and romantic feeling of foreign countries.

蜡染服饰:贵州苗族用流传几千年的密法手工扎染、染制成,立领、扣的传统服装跟现代的流行款式相结合,充满了神秘浪漫的民族气息和异域风情。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962)and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯(Richard Strauss,1864-1949)正是欧洲人文发展空前灿烂的年代,无论在哲学思想、文学、美术以及音乐方面,都有辉煌的成就。在他音乐学习历程中,结合了古典时期及浪漫时期两种音乐风格,发展出独特的作曲风格。本论文分成五章:第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨;第二章则从对理查史特劳斯生平的详实记载中,了解他创作作品的时代背景和心情;第三章则就浪漫时期艺术歌曲作家舒伯特(Franz Schubert1797-1828)、舒曼(Robert Schumann1810-1856)、布拉姆斯(Johannes Brahms1833-1897)、沃尔夫(Hugo Wolf1860-1903)及马勒(Gustav Mahler1860-1911)等,以诗人、旋律、伴奏型态及曲式和声,稍加整理并说明,以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整,藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析,则探讨此部作品诗人赫塞(Hermann Hesse 1877 - 1962)及艾辛朵夫(Joseph von Eichendorff﹐1788-1857)的生平和作品特色,以及诗的结构与格式,和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法,创作出一组宁静感人又深刻的终曲。

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