查询词典 rock-boring

Rock Around The Clock One, two, three o'clock, four o'clock, rock Five, six, seven o'clock, eight o'clock, rock Nine, ten, eleven o'clock, twelve o'clock, rock We're gonna rock around the clock tonight Put your glad rags on and join me, hon We'll have some fun when the clock strikes one We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the clock strikes two, three and four If the band slows down we'll yell for more We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the chimes ring five, six and seven We'll be right in seventh heaven We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When it's eight, nine, ten, eleven too I'll be goin' strong and so will you We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight When the clock strikes twelve, we'll cool off then Start a rockin' round the clock again We're gonna rock around the clock tonight We're gonna rock, rock, rock,'til broad daylight We're gonna rock, gonna rock, around the clock tonight

罗克 Around 钟一，二，三点钟，四点钟，岩石五，六，七点钟，八点钟，岩石九，十，十一点钟，十二点钟，岩石我们正去向昼夜不停今晚的岩石穿上你的最好的衣服和加入我，亲爱的我们将获得乐趣中的一些当钟用击打我们正去今晚昼夜不停摇动的的时候，我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当钟响了二，三和四下，如果乐队让生活松弛些的时候，我们将为我们正去今晚昼夜不停摇动的更多对叫嚷我们是去岩石，岩石，岩石，鼻音化符号大白天我们正去去的岩石向昼夜不停今晚的岩石当排钟正确在第七天堂中按五，我们将是的六和七叫的时候，我们正去向昼夜不停今晚的岩石我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当它也是八，九，十，十一的时候，我将强有力地是 goin 和那样你希望我们是去昼夜不停今晚的岩石我们正去岩石，岩石，岩石，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石当钟给予十二我们将使冷下来的时候，那时再次以开始一 rockin' 昼夜不停我们是去昼夜不停今晚的岩石我们正去岩石，岩石，岩石'，鼻音化符号大白天我们正去向去昼夜不停今晚的岩石的岩石

This article that focuses on the systematic and in-depth research in the current primal problem about abnormal burst pressure reservoir depress burst pressure has procured following main fruits:1 It forms the method which could obtain massive vertical static state mechanics parameters.2 In a foundation of acquisition of rock mechanics parameters,apply bent lamella that as mechanical model along with characteristic of actual geologic characteristics to analysis curvature for anticlinal strcture, get homologous tectonic stress value throug relation between the curvature and stress and different principal curvature in anticlinal structure,consequently set up laminational stress model for anticline reservoir. The block lamination for existed fracturing date has formed method of setting up mechanical model of lamination terrestrial stress by abtaining the block tectonic stress coefficients which are got by complex utilization test, laboratory test and fracturing date playback.3 Analysesing the main reason which lead to high burst pressure by considering the characteristic of reservoir geology,reservoir,and rock mechanics and reservoir damage,etc.Establishing burst pressure quantitative prediction model which provide gist for depressing construction risk and optimizing construction craft under the condition of open hole completion ,gun-perforated completion and damaged reservoir.4 Provding theoretical basis for interpreting acidification pretreatment which could depress busrt pressure by finding the relation between the influencing factors and rock machanics parameters and analysing the factors that have effect on rock mechanics parameters. Expounding the mechanism of reaction of mixed monomineral and acid from the angle of microcosmic element, evaluating quantitatively acid sensilility of different kinds of mineral effectively, and determing the first-order reaction dynamical equation of each mineral.5 Revealing rock mechanics property chage as a result of acid flooding in different condition by sandstone traumata experiment in different temperatures which combined with rock mechanics triaxial stress experiment.6 Associating damage mechanics with sandstone acidizing, established sandstone damage mechanics model in the foundation of the recognition on the rock mechanics parametric variation which is caused by acid-rock reaction in both macroscopic view and microscopic view ,also demonstrated those processes and quantitative estimated the acid busrt pressure to direct the site operation.

本文针对目前异常破裂压力储层降低破裂压力的主要问题展开较为系统和深入的研究，取得了以下主要成果：1形成了利用测井资料，结合室内岩芯测试结果，获取静动岩石力学参数的相关性特征，从而获得纵向上大量静态力学参数的方法。2在获取了岩石力学参数的此基础上，利用弯曲薄板作为力学模型，结合区块实际地质特征对背斜构造进行曲率分析，通过曲率与应力的关系，利用背斜构造不同部位的主曲率求得相应的构造应力值，从而建立起背斜储层的分层应力模型；对已有压裂资料的区块分层，形成了综合利用测试、室内实验、压裂资料反演获得该区块构造应力系数，建立起分层地应力的力学模型的方法。3综合考虑储层地质、油藏、岩石力学特性和储层伤害等因素，分析造成高破裂压力的主要原因，综合利用岩石力学、弹性力学等知识，建立了裸眼完井、射孔完井条件下以及储层受到伤害后的储层破裂压力定量预测模型，为降低施工风险和优化施工工艺提供了依据。4完成了物性、岩性影响岩石力学参数的因素分析，找出了各影响因素和岩石力学参数之间的关系，为从机理上解释酸化预处理降低破裂压力提供了理论基础；从微观元素的角度阐述了单矿物与酸反应的机理；并在此基础上，有效评价了各种矿物的酸敏感性，定量确定了岩石中各矿物的一级反应动力学方程。5完成了不同温度下的酸液类型、酸液浓度、注酸量等一系列砂岩损伤实验，结合岩石力学三轴应力实验，系统揭示了在不同条件下注酸而引起的岩石力学性质变化。6将损伤力学与砂岩酸化相结合，在宏观、微观两个方面认识酸岩反应引起岩石力学参数变化基础上，建立了砂岩损伤力学模型，并对其进行验证，在此基础上定量计算酸化后的破裂压力，有效指导现场施工

Analysis of the characteristics of soft rock roadway, combined with practical application, designed to spray a new anchor shell supporting structure and proposed mechanism of interaction with the rock that anchors the shell surrounding rock and shotcrete support system as an entity, anchor-body system and the deep rock formation deep rock control system, housing system and the formation of shallow shallow rock rock control system, through the bolt will be deep and shallow rock together, sprayed on the rock-body system to play the role of three-dimensional constraints, bolting technology, including high water, quick-setting grouting material between two groups, roof anchoring resin full-length high-strength bolts and small-diameter prestressed anchor to strengthen support for the conservation and help the two longer anchoring resin bolting.

分析软岩巷道的特点，结合实际应用，设计了锚壳喷新型支护结构，并提出了与围岩相互作用机理，认为围岩与锚壳喷支护体系作为统一体，锚体系统与深部围岩形成深部围岩控制系统，壳体系统与浅部围岩形成浅部围岩控制系统，通过锚杆将深、浅部围岩共同作用，喷体系统对围岩起到三维约束作用，锚杆支护技术，包括高水速凝材料注浆加固两帮、顶板采用树脂全长锚固高强度锚杆和小孔径预应力锚索加强支护及两帮树脂加长锚固锚杆支护。

Category Music Video - Rock, Pop Music Videos, Pop/Rock, Rock, Concert, Guitarists, Hard Rock, Heavy Metal, Live Performances, Music Video, Rock And Roll, Rock Bands, Rock Concerts, Rock Legends, Rock Musicians Studio Sony Music Distribution Orig Year 2005 G3, a guitar supergroup that features top-tier shredders Steve Vai, Joe Satriani, and John Petrucci, is a guitar-lover's dream come true.

3位至强吉他手： Joe Satriani， Steve Vai及John Petrucci，组成最新G3，于日本东京举行音乐会。现场实况于2005年10月25日推出DVD：《Live In Tokyo》。各自及合力演奏十一首摇滚曲目。在十一首摇滚表现了他们都在忍受，从生命的一端到另一端。每天的得失汇总起来不比摄取的卡路里少多少。

At first it analyzes the bedding rock slope"s bedded rock and its incontinuity face, and studies the stress, strain, stability"s condition of the bedding rock slope, fully considering the cohesive force of rock layer and incontinuity face.Geologic mechanics models of two types of bedding rock slope are set up, the instability coefficient of bedding rock slope under different mechanical parameters is computed, and the conclusion that the stability of bedding rock slope is relation to rock layerer, cohesive force of incontinuity face, inner friction angle and rock layer obliquity has been gotten.

本文首先对顺层边坡的层状岩体及其中的层理面和不连续面进行了分析，对其应力应变进行了研究，得出了顺层边坡的稳定性不仅与岩体中岩石的强度有关，还与岩体中层理面及不连续面的内聚力、内摩擦角及其倾角有关；论文建立了层理面和节理面的地质力学模型，讨论了其力学参数变化对边坡稳定性的影响，并在此基础上将层理面和节理面归纳为顺层边坡稳定性的结构面影响因素，同时讨论了影响顺层边坡稳定性的其他因素，从而得出顺层边坡稳定性的评价预测指标。

Yes you can I got, you got, we got eve rybody I got the gift, gonna stick it in the go al It's time to move your body Babylon back in business Can I get a witness, every girl, every m an Houston can you hear me, Ground control can you feel me Need permission to land I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ, Cos you're keep me up all night Singing in the classes, music for your m asses Give no head, no backstage passes Have a proper giggle, I'll be quite poli te And when I rock the mike, I rock the mik e You got no love then you're with the wro ng man It's time to move your body If you can't get a girl, but your best f riend can It's time to move your body I don't wanna be sleazy, baby just tease me Got no family plans Houston can you hear me, Ground control can you feel me Need permission to land I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ Cos you're keep me up all night I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ Cos you're keep me up all night Pimpin' ain't easy Most of them fleece me, every night Pimpin' ain't easy but if you're selling, it's alright COME ON I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ Cos you're keep me up all night I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ Cos you're keep me up all night I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ Cos you're keep me up all night I don't wanna rock DJ But you're making me feel so nice When's it gonna stop DJ Cos you're keep me up all night

我 ，你，我们得到前夕 rybody 我得到了礼物，要去坚持在去阿拉巴马州现在是时候将你的身体巴比伦回到业务我能得到证人，每一个女孩，每米 1 休斯顿你能听到我的话，地面控制你能感觉到我需要许可的土地我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ ，余弦你把我所有的夜晚歌唱班，音乐为您的米评估也没有头，没有后台通行证有适当的笑声，我会很加里波里碲当我的摇滚麦克，我摇滚的mik é你有没有爱，那么你正在与wro 吴文现在是时候将你的身体如果你不能让一个女孩，但你最好f 友可以现在是时候将你的身体我不想被低俗，婴儿只是戏弄缅因州他没有家庭计划休斯顿你能听到我的话，地面控制你能感觉到我需要许可的土地我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ 余弦你把我所有的夜晚我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ 余弦你把我所有的夜晚 Pimpin '是不容易他们大多数摇粒绒箱，每天晚上 Pimpin '是不容易但如果你是销售，这是正常的来吧我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ 余弦你把我所有的夜晚我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ 余弦你把我所有的夜晚我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ 余弦你把我所有的夜晚我不想岩石的DJ 但是你让我觉得非常好当的是要去阻止的DJ 余弦你把我所有的夜晚

Major recording credits includes playing throughout the accompanying CDs to Jon Leibman's books "Rock Bass", and "Blues Bass", published by Hal Leonard.

主要的成就还包括在琼恩雷伯曼的所著的&Rock Bass&和&Blues Bass&两本书的配套 CD 里全程配乐，这两本书由海·李奥纳发行公司发行

But Timbers started work on "Bloody Bloody" before the Off Broadway premiere of "Spring Awakening." Why did he and his theater peers choose to work with indie rock?

但木开始工作，对&血腥血腥&之前小康百老汇首演的&春觉醒&，他为什么要和他的戏剧同行选择工作与Indie Rock风格？

When i learn to enjoy the loneness, i don't have the Rock anymore, i don't listen to the volkslied because afraid of loneness.

我学着咀嚼着这份寂寞，不再有Rock，也不想再听volkslied，因为害怕孤独（那是不是什么歌手的名字？

The artists were in India to participate in the Romanov Red Rock 'N India music festival, which was held in the capital and Bangalore last weekend.

上周末， BSB 刚参加了在印度首都举办的 Romanov Red Rock 'N India音乐节，并且在班加罗尔举办了演唱会。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。