查询词典 rigid space

Aiming at the light track traffic project in Tianjin crossing over the Tianjin-Tanggu Highway , because of the lower space, the difficult crossing condition, and overcoming the long steel rail force caused by no attemperator on the seamless railway, the project adopts a 4-span prestressed concrete continuous rigid-frame bridge with span arrangement (42+62+62+42)m.

针对天津轻轨交通项目跨越津塘公路工点低净空、跨越条件困难，以及为克服桥上不能设置无缝线路温度伸缩调节器所带来的长钢轨作用力问题，研究采用了42m＋62m＋62m＋42m四跨预应力混凝土连续刚构桥。

During the calculation of the finite element method, the beam element is extended and three types of truss element is induct into the beam element.lt makes the framework and the consecutive beam uniform.lt avoids the waste of the EMS memory space that the general rigid array is kept by the method of the constringent one-degree storage.

在有限元计算中对梁元进行了扩充，将三类桁架单元引入到梁元中。实现了框架和排架以及连续梁单元刚度矩阵的统一。同时对总刚阵存储中利用了一维压缩存储的方法，减少了许多空间。

In addition, molecular orientation behaviors induced by shearing, electric field and magnetic field were investigated. The space group of the monomers A3EO7 and A9EO7 were determined as P2〓2〓2 and P112/m by means of electron diffraction and X-ray diffraction. Liquid crystalline properties of the monomer and the polymer were studied using DSC, variable X-ray diffraction, TEM and polarized optical microscope. Both monomers exhibit monotropic liquid crystalline behavior, and they also give a metastable phase on the cooling process. The polymer PA9EO7 shows enantiotropic liquid crystalline properties. Thus the rigid polymer backbone is not a fatal defect that completely distorts the packing arrangement of the mesogenic moiety in the side chain liquid crystalline polyacetylene.

结合电子衍射倾转方法和粉末X射线衍射技术，确定了两个液晶小分子A3EO7和A9EO7的晶胞参数和空间群，采用Cerius〓模拟软件，运用分子模拟的方法给出了小分子在晶胞中的排列方式；利用DSC、变温X射线衍射技术和透射电子显微镜研究了小分子和聚合物的液晶态，单体A3EO7和A9EO7表现出单向液晶性质，并且在降温过程中都表现出一个亚稳液晶相或亚稳结晶相，聚合物PA9EO7具有双向液晶性；采用偏光显微镜和X射线平板照相技术，研究了剪切和电场对聚合物分子取向的影响，在不同的液晶态，剪切作用对聚合物PA9EO7具有不同的诱导取向结果，直流电场可以诱导聚合物联苯液晶基元沿施加电场方向取向。

This paper addresses the problem of real-time position and orientation estimation of networked mobile robots in two-dimensional Euclidean space with simultaneous tracking of a rigid unknown object based on exteroceptive sensory information extracted from distributed vision systems.

以知觉的数据从分配的视觉系统吸取了的 exteroceptive 为基础的硬未知的物体和同时追踪的二维欧几里得几何的空间的这一个纸住址即时位置的问题和被网络的移动机械手的定方位判断。

Its real-time performance of 3D space capabilities, the operating environment involved in man and computer and bring the " personal experience " feeling, bring a change in the past interestless, rigid and passive conditions between man and computer , and make human explorate and study the micro - macro world greatly facilitated.

其实时的三维空间表现能力、人机交互的操作环境以及给人带来的&身临其境&的感觉，一改过去人与计算机之间枯燥、生硬和被动的状况，为人类探索和研究宏观世界与微观世界提供了极大的便利。

Of course, when arriving, want really so rigid requirement, settlement way also is met of a lot of, very simple, the company that has major for certain will do this thing, we want nodical intermediary fee only, this is inevitable, because of the part with the essential network that the individual stands, still a kind of method buys abroad space and buy a domain name in abroad directly, put on record to be saved repeatedly...

当然，到时真要这么硬性要求，解决的办法也会很多的，很简单的，肯定有专业的公司来办这事，我们只要交点中介费，这是必然的，因为个人站的网络必不可少的成分，还有一种方法购买国外空间和直接在国外买域名，连备案都省了。。。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Refers to a variety of plastic materials (such as plaster, resin, clay, etc.) or can be carved, Keke rigid material (such as wood, stone, metal, jade pieces, agate, aluminum, glass, steel, sandstone, copper, etc.) to create a have a certain space, visual, tactile art image, to reflect the social life, expressing the artist's aesthetic experience, aesthetic emotion, aesthetic ideal art.

指用各种可塑材料或可雕、可刻的硬质材料（如木材、石头、金属、玉块、玛瑙、铝、玻璃钢、砂岩、铜等），创造出具有一定空间的可视、可触的艺术形象，借以反映社会生活、表达艺术家的审美感受、审美情感、审美理想的艺术。

Speakers import modules with a combination of : titanium membrane Treble, and with fiberglass trumpet, better high frequency extension stronger sense of space; Bass modules using imported pulp Senate carbon fiber, rigid speaker cone greatly strengthened, the effective bandwidth within a more flat frequency response and bass modules using aluminum frame and aluminum wire voice coil. Shaker skeleton of the United States military material, light weight, high efficiency, so that the audio sound pressure increased significantly. more males, bass magnetic circuit using high efficiency of the cooling system to ensure that the speakers have very good heat dissipation, reduce distortion, effectively reduce the power to the compression.

跟进口喇叭单元的结合：采用钛膜高音，配以玻璃钢号角，使高频得到更好的延伸，空间感更强；低音单元采用进口纸浆参碳纤维，纸盆刚性大大加强，在有效的频宽内有更平坦的频率回应，低音单元采用铝盆架和铝扁线音圈，音圈骨架为美国军事物料制造，品质轻，效率高，使音频的声压大幅度提高，更具爆发力，低音磁路采用高效率的冷却系统，保证了扬声器有很好的散热，减少失真，有效降低功率的压缩给。

The results show that space finite analysis results are close to test ones, bottom chords suffer axial force and large in-plane bending, and the max stress is nearby each middle internode. The max stress of node crossbeams occurs in No.2 bottom flange, and that of internode crossbeams happens in ones lying in the middle of every internode. The concrete slab is in tension at the longitudinal direction, and also suffers bent at vertical loads. The degree of completely-composite model taking part in the combined actions is about 55%, while that of semi-composite model is 42%-43%. The combination of concrete slab and bottom chord increases the degree of floor system taking part in the combined actions, lightens the burden of bottom chord, and reduces out-of-plane bending of node crossbeams especially the ones near bridgehead. Stress and displacement of main truss can be evaluated by a equivalent plane rigid frame in preliminary design, and effective stiffness of bottom chords are composed of original ones and concrete slab, and the concentrated load from deck can be translated into uniform load.

研究结果表明：空间有限元分析结果与试验结果较吻合；下弦杆受到轴向拉力和较大的面内弯矩作用，各节间最大应力出现在节间中点附近；节点横梁最大应力发生在横梁2的下翼缘，节间横梁最大应力发生在位于端节间中部的小横梁上；混凝土板顺桥向整体受拉，并在竖向集中荷载作用下产生弯曲变形；全结合模型大部分节间内的桥面板参与主桁共同作用的程度为55%左右，半结合模型桥面板的参与程度为42%~43%；桥面板与下弦杆结合能够增加桥面板的参与程度，减轻下弦杆荷载，减少节点横梁尤其是靠近桥头横梁的面外弯曲；对桥梁进行初步设计时，主桁杆件的位移与内力可按照1个等效的平面刚架计算，下弦杆的等效刚度由原下弦杆截面和混凝土桥面板截面组合而成，桥面荷载可转化为均布荷载施加。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。