查询词典 rigid space

This paper addresses the problem of real-time position and orientation estimation of networked mobile robots in two-dimensional Euclidean space with simultaneous tracking of a rigid unknown object based on exteroceptive sensory information extracted from distributed vision systems.

以知觉的数据从分配的视觉系统吸取了的 exteroceptive 为基础的硬未知的物体和同时追踪的二维欧几里得几何的空间的这一个纸住址即时位置的问题和被网络的移动机械手的定方位判断。

Its real-time performance of 3D space capabilities, the operating environment involved in man and computer and bring the " personal experience " feeling, bring a change in the past interestless, rigid and passive conditions between man and computer , and make human explorate and study the micro - macro world greatly facilitated.

其实时的三维空间表现能力、人机交互的操作环境以及给人带来的&身临其境&的感觉，一改过去人与计算机之间枯燥、生硬和被动的状况，为人类探索和研究宏观世界与微观世界提供了极大的便利。

Of course, when arriving, want really so rigid requirement, settlement way also is met of a lot of, very simple, the company that has major for certain will do this thing, we want nodical intermediary fee only, this is inevitable, because of the part with the essential network that the individual stands, still a kind of method buys abroad space and buy a domain name in abroad directly, put on record to be saved repeatedly...

当然，到时真要这么硬性要求，解决的办法也会很多的，很简单的，肯定有专业的公司来办这事，我们只要交点中介费，这是必然的，因为个人站的网络必不可少的成分，还有一种方法购买国外空间和直接在国外买域名，连备案都省了。。。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Refers to a variety of plastic materials (such as plaster, resin, clay, etc.) or can be carved, Keke rigid material (such as wood, stone, metal, jade pieces, agate, aluminum, glass, steel, sandstone, copper, etc.) to create a have a certain space, visual, tactile art image, to reflect the social life, expressing the artist's aesthetic experience, aesthetic emotion, aesthetic ideal art.

指用各种可塑材料或可雕、可刻的硬质材料（如木材、石头、金属、玉块、玛瑙、铝、玻璃钢、砂岩、铜等），创造出具有一定空间的可视、可触的艺术形象，借以反映社会生活、表达艺术家的审美感受、审美情感、审美理想的艺术。

Speakers import modules with a combination of : titanium membrane Treble, and with fiberglass trumpet, better high frequency extension stronger sense of space; Bass modules using imported pulp Senate carbon fiber, rigid speaker cone greatly strengthened, the effective bandwidth within a more flat frequency response and bass modules using aluminum frame and aluminum wire voice coil. Shaker skeleton of the United States military material, light weight, high efficiency, so that the audio sound pressure increased significantly. more males, bass magnetic circuit using high efficiency of the cooling system to ensure that the speakers have very good heat dissipation, reduce distortion, effectively reduce the power to the compression.

跟进口喇叭单元的结合：采用钛膜高音，配以玻璃钢号角，使高频得到更好的延伸，空间感更强；低音单元采用进口纸浆参碳纤维，纸盆刚性大大加强，在有效的频宽内有更平坦的频率回应，低音单元采用铝盆架和铝扁线音圈，音圈骨架为美国军事物料制造，品质轻，效率高，使音频的声压大幅度提高，更具爆发力，低音磁路采用高效率的冷却系统，保证了扬声器有很好的散热，减少失真，有效降低功率的压缩给。

The results show that space finite analysis results are close to test ones, bottom chords suffer axial force and large in-plane bending, and the max stress is nearby each middle internode. The max stress of node crossbeams occurs in No.2 bottom flange, and that of internode crossbeams happens in ones lying in the middle of every internode. The concrete slab is in tension at the longitudinal direction, and also suffers bent at vertical loads. The degree of completely-composite model taking part in the combined actions is about 55%, while that of semi-composite model is 42%-43%. The combination of concrete slab and bottom chord increases the degree of floor system taking part in the combined actions, lightens the burden of bottom chord, and reduces out-of-plane bending of node crossbeams especially the ones near bridgehead. Stress and displacement of main truss can be evaluated by a equivalent plane rigid frame in preliminary design, and effective stiffness of bottom chords are composed of original ones and concrete slab, and the concentrated load from deck can be translated into uniform load.

研究结果表明：空间有限元分析结果与试验结果较吻合；下弦杆受到轴向拉力和较大的面内弯矩作用，各节间最大应力出现在节间中点附近；节点横梁最大应力发生在横梁2的下翼缘，节间横梁最大应力发生在位于端节间中部的小横梁上；混凝土板顺桥向整体受拉，并在竖向集中荷载作用下产生弯曲变形；全结合模型大部分节间内的桥面板参与主桁共同作用的程度为55%左右，半结合模型桥面板的参与程度为42%~43%；桥面板与下弦杆结合能够增加桥面板的参与程度，减轻下弦杆荷载，减少节点横梁尤其是靠近桥头横梁的面外弯曲；对桥梁进行初步设计时，主桁杆件的位移与内力可按照1个等效的平面刚架计算，下弦杆的等效刚度由原下弦杆截面和混凝土桥面板截面组合而成，桥面荷载可转化为均布荷载施加。

To overcome the potential space problem, the double flexible rapier was developed. The rapiers in this case are no longer rigid bars but flexible tapes.

为了克服潜在的占地问题，挠性双剑杆织机被研制出来，剑杆不再是刚性的棒，而是柔性的带子。

The high order linear space state model has 25 state variables, including six degrees of freedom of rigid fuselage, flap motion of main and tail rotor, non uniform dynamic inflow at rotor plane.

以某型直升机为例，对线性模型与非线性模型的时域动态响应，及 2 5状态高阶线性模型和传统 6自由度 9状态模型的特征值进行了比较，验证了建模方法的可靠性和精度

This is my last OpenGL for a project to use the "three-dimensional vector space / point" and related functions, they can use a definition of space vector / points, for the vector translation, zooming and rotation, the use of correlation function can also achieve two vector by the fork, get a Vectors absolute length of a vector unit, received a 3:00 decision vector perpendicular to the plane, a space to be the distance between two points, two vector to be the plot points, to be the angle between two vectors, such as operating for the use of user-friendly, each function is detailed Notes, it is particularly important if the calculation vector plot points, fork also took note, we hope to have useful.

这是我过去进行一个OpenGL项目时使用到的"三维空间向量/点"类及相关函数，使用它们可以定义一个空间向量/点，实现向量的平移，缩放和旋转等，使用相关函数还可以实现两向量的叉乘，得到一个向量的绝对长度，将一个向量单位化，得到一个三点决定的平面的垂直向量，得到空间中两点的距离，得到两向量的点积，得到两向量的夹角等操作，为方便用户的使用，每个函数都有详细的注释，特别重要的向量计算如点积，叉乘还有相关说明，希望对大家有所用处。

You can do some assertiveness training.

你可以进行一些自信训练。

We were well on the path to making a rear-wheel-drive global platform," says Mays."

我们正致力于建立一个后轮驱动的平台，"Mays这样说道。"