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One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的"收购"的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

I'm taking a moment just imaginin' that I'm dancin' with you I'm your pole and all you're wearing is your shoes You got soul, you know what to do to turn me on until I write a song about you And you have your own engaging style And you've got the knack to vivify And you make my slacks a little tight, you may unfasten them if you like That's if you crash and spend the night But you don't fold, you don't fade You've got everything you need, especially me Sister you've got it all You make the call to make my day In your message say my name Your talk is all the talk, sister you've got it all Curl your upper lip up and let me look around Ride your tongue along your bottom lip and bite down And bend your back and ask those hips if I can touch Because they're the perfect jumping off point of getting closer to your Butterfly Well you float on by Oh kiss me with your eyelashes tonight Or Eskimo your nose real close to mine And let's mood the lights and finally make it right But you don't fold, you don't fade, you've got everything you need Especially me Sister you've got it all You make the call to make my day In you message say my name Your talk is all the talk sister you've got it all You've got it all, you've got it all, you've got it all (2x) Doll I need to see you pull your knee socks up Let me feel you up side, down slide, in slide, out slide, over here Climb in my mouth now child Butterfly, well you landed on my mind Dammit you landed on my ear and then you crawled inside Now I see you perfectly behind closed eyes I wanna fly with you and I don't wanna lie to you Cause I, cause I can't recall a better days I'm coming to shine on the occasion You're an open minded lady You've got it all And I never forget a face If I'm making my own I have my days Let's face the fact here, it's you that's got it all You know that fortune favors the brave Well let me get paid while I make you breakfast The rest is up to you, you make the call You make the call to make my day In your message say my name Your talk is all the talk, sister you've got it all Cause I can't recall a better day I'm coming to shine on the occasion You're a sophisticated lady, oh you've got it all You've got it all, you've got it all, you've got it all (3x) You've got it all, you've got it all….

我是在一窝窝成像一刻'，我是丹霉素'你我是你的杆位和所有你穿你的鞋你有灵魂，你知道该怎么做，我就打开直到我写一首歌曲和你有自己的风格进行和你一把刷子为维维风云你打我的裤子有点紧，你可以解开他们，如果你喜欢这是如果你发生碰撞过夜但是，你不能折叠，你不褪色你有你需要的一切，尤其是我妹妹你有这一切您拨打电话让我的一天在您的邮件说我的名字你说是大家都在谈论，姐姐你有这一切你的上唇卷曲起来，让我环顾四周凑凑热闹你的下嘴唇咬自己的舌头，下和弯曲你的背部和臀部的要求，如果我可以触摸因为他们的完美跳的越来越近点的轻便铁路蝴蝶站那么你就浮动噢亲吻你今晚我的睫毛你的鼻子或爱斯基摩人真正接近我让心情的灯光，终于使正确但是，你不能折叠，你不褪色，你有你需要的一切尤其是我妹妹你有这一切您拨打电话让我的一天在你的信息说我的名字你说是大家都在谈论你妹妹了这一切你有这一切，你有这一切，你有这一切（2倍）娃娃我要看到你拉你的膝盖袜子了让我觉得你边上，向下滑动，在幻灯片，幻灯片出在这里，在我的嘴里攀登现在的孩子蝴蝶，以及你降落在我的脑海就叫你落在我的耳朵，然后里面爬现在我看到完全不公开你的眼睛我想和你飞，我不想骗你原因一，原因我不记得一个更好的日子我来照留念你是一个开放的态度夫人你有这一切我永远不会忘记的面孔如果我做我自己我有我的天让我们面对事实，在这里，是你的了一切你知道财富的勇敢的主张那么让我得到报酬，而我让你早餐接下来就看你，你拨打电话您拨打电话让我的一天在您的邮件说我的名字你说是大家都在谈论，姐姐你有这一切原因我不记得一个更好的一天我来照留念你是一个复杂的夫人，哦，你有这一切你有这一切，你有这一切，你有这一切（3倍）你有这一切，你有这一切。。。。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的&收购&的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

The boundary being in progress first to the concept subleasing to fixes the main body of a book , compares with to renting right ceding to waiting for the close concept to carry out analysis again , lists and then the comparison carrying out concrete analysis in every country to the legislation pattern and legislation reason subleasing behavior, and to the advantages and disadvantages that lower be unlike legislation pattern be subleased to stipulates; After the secondary , the main body of a book emphasizing the character having analysed a leasehold, have set forth the effect and law consequence subleasing a contract under agreement subleases to and subleases to presumptuously situation respectively , have assumed and parallel comparatively detailed analysis , have discussed problem such as often arousing some problem of dispute in subleasing process , how to handling if the building is subleased to if time of middle lessee enjoy the right of preemption and the lessor , the dispute that the lessee and time of lessee produce because of the fitting up responds to and; Final, the main body of a book have pointed out nowadays"s defect and deficiency about the legal system aspect subleasing to , have set forth and the advantage adopting the liberalism legislation pattern, the conclusion, joins the tendentiousness reaching the liberalism pattern ultimately according with a contract of lease of property function effect more having submitted the suggestion and tentative plan stipulating a few"s to perfect current laws.

本文首先对转租的概念进行界定，再与租赁权让与等相近概念进行分析比较，然后列举各国对转租行为的立法模式及立法理由，并对不同立法模式下的转租规定的利弊进行具体分析比较；其次，本文在着重分析了租赁权的性质后，分别阐述了在同意转租和擅自转租情况下转租合同的效力及法律后果，并作了比较详细的比较分析，并探讨了在转租过程中经常引起争议的一些问题，如房屋转租中次承租人是否享有优先购买权及出租人、承租人与次承租人因装修产生的纠纷应如何处理等问题；最后，本文指出了现今关于转租的法律制度方面的缺陷和不足，并阐述了采取自由主义立法模式的优势，最终得出自由主义模式更符合租赁合同的功能作用的倾向性结论，并提出了对完善现行法律规定一些的建议和设想。

Neat! The right knob on the Kenwood acts as a joy stick, with left/right jogs acting to change tracks, and up changing the playlist.

整洁！ 正确的瘤在Kenwood 作为喜悦棍子，用left/right 凹凸部行动改变轨道，和上升改变播放表。

MAX1999EEI Pinout: 8- to 32-bit and 16- to 32-bit word packing options Programmable wait state options: 2 to 31 CCLK Digital audio interface includes six serial ports, two pre- cision clock generators, an input data port, three programmable timers and a signal routing unit Serial ports provide: Six dual data line serial ports that operate at up to 50 Mbits/s for a 200 MHz core on each data line each has a clock, frame sync, and two data lines that can be configured as either a receiver or transmitter pair Left-justified sample pair and I2S support, programmable direction for up to 24 simultaneous receive or transmit channels using two I2S compatible stereo devices per serial port TDM support for telecommunications interfaces including 128 TDM channel support for telephony interfaces such as H.100/H.110 Up to 12 TDM stream support, each with 128 channels per frame Companding selection on a per channel basis in TDM mode Input data port provides an additional input path to the DSP core configurable as either eight channels of I2S or serial data or as seven channels plus a single 20-bit wide syn- chronous parallel data acquisition port Supports receive audio channel data in I2S, left-justified sample pair, or right-justified mode Signal routing unit provides configurable and flexible connections between all DAI components, six serial ports, an input data port, two precision clock generators, three timers, 10 interrupts, six flag inputs, six flag outputs, and 20 SRU I/O pins Serial peripheral interface Master or slave serial boot through SPI Full-duplex operation Master-slave mode multimaster support Open drain outputs Programmable baud rates, clock polarities, and phases 3 Muxed Flag/IRQ lines 1 Muxed Flag/Timer expired line ROM based security features: JTAG access to memory permitted with a 64-bit key Protected memory regions that can be assigned to limit access under program control to sensitive code PLL has a wide variety of software and hardware multi- plier/divider ratios JTAG background telemetry for enhanced emulation features IEEE 1149.1 JTAG standard test access port and on-chip emulation Dual voltage: 3.3 V I/O, 1.2 V core Available in 136-ball BGA and 144-lead LQFP packages Lead free packages are also available

MAX1999EEI引脚说明： 8 - 32位和16 - 32位字包装选择可编程等待状态的选择：2至31个CCLK数字音频接口包括6个串行端口，两个前643时钟发生器，输入数据端口， 3可编程定时器和一个信号路由单元串行端口提供：六双串口数据线，在高达50 Mbps的操作/为200兆赫的每个数据行每个人都有一个时钟，帧同步的核心秒，和两个数据可以作为任何一个接收器或发射器对左对齐和I2S配对样本的支持下，最多可同时接收或传送24个频道，每使用两个系列的I2S兼容立体声设备配置可编程方向线；港口的TDM通信接口，包括支持128个电话接口的TDM的渠道，如H.100/H.110支持多达12个的TDM流的支持下，每帧128个频道每个压缩扩展每通道的基础上选择在TDM模式输入数据端口提供了一个额外的输入路径的DSP核心配置为I2S或串行数据或7加一个20位宽的SYN -异步的并行数据采集接口通道或8通道；支持接收通道I2S音频数据，左对齐样本对，或右对齐模式信号路由单元组件之间提供所有戴配置和灵活的连接，6个串行端口，一个输入数据端口，两个精密时钟发生器，3个定时器，10个中断，六旗投入，产出6个旗，20曼谷南南区域股的I / O管脚串行外设接口的硕士或奴隶通过SPI串行启动全双工运作主从模式多主机支持开漏输出可编程波特率，时钟极性和第三期合并调制旗/ IRQ线路1合并调制旗/定时器过期线光盘的防伪特征：JTAG的访问与64位受保护的关键允许内存内存可分配给程序访问控制的限制下对敏感地区有一个代码锁相环/遥测分比率为背景的JTAG仿真功能增强的IEEE 1149.1 JTAG标准测试访问端口的软件和硬件多钳各种各样和片上仿真双电压：3.3六/输出，可在1.2 V核心136球BGA封装和144引脚LQFP封装无铅封装，也可

TDA4864 Pinout: 8- to 32-bit and 16- to 32-bit word packing options Programmable wait state options: 2 to 31 CCLK Digital audio interface includes six serial ports, two pre- cision clock generators, an input data port, three programmable timers and a signal routing unit Serial ports provide: Six dual data line serial ports that operate at up to 50 Mbits/s for a 200 MHz core on each data line each has a clock, frame sync, and two data lines that can be configured as either a receiver or transmitter pair Left-justified sample pair and I2S support, programmable direction for up to 24 simultaneous receive or transmit channels using two I2S compatible stereo devices per serial port TDM support for telecommunications interfaces including 128 TDM channel support for telephony interfaces such as H.100/H.110 Up to 12 TDM stream support, each with 128 channels per frame Companding selection on a per channel basis in TDM mode Input data port provides an additional input path to the DSP core configurable as either eight channels of I2S or serial data or as seven channels plus a single 20-bit wide syn- chronous parallel data acquisition port Supports receive audio channel data in I2S, left-justified sample pair, or right-justified mode Signal routing unit provides configurable and flexible connections between all DAI components, six serial ports, an input data port, two precision clock generators, three timers, 10 interrupts, six flag inputs, six flag outputs, and 20 SRU I/O pins Serial peripheral interface Master or slave serial boot through SPI Full-duplex operation Master-slave mode multimaster support Open drain outputs Programmable baud rates, clock polarities, and phases 3 Muxed Flag/IRQ lines 1 Muxed Flag/Timer expired line ROM based security features: JTAG access to memory permitted with a 64-bit key Protected memory regions that can be assigned to limit access under program control to sensitive code PLL has a wide variety of software and hardware multi- plier/divider ratios JTAG background telemetry for enhanced emulation features IEEE 1149.1 JTAG standard test access port and on-chip emulation Dual voltage: 3.3 V I/O, 1.2 V core Available in 136-ball BGA and 144-lead LQFP packages Lead free packages are also available

TDA4864引脚说明： 8 - 32位和16 - 32位字包装选择可编程等待状态的选择：2至31个CCLK数字音频接口包括6个串行端口，两个前643时钟发生器，输入数据端口， 3可编程定时器和一个信号路由单元串行端口提供：六双串口数据线，在高达50 Mbps的操作/为200兆赫的每个数据行每个人都有一个时钟，帧同步的核心秒，和两个数据可以作为任何一个接收器或发射器对左对齐和I2S样本对支持，最多可同时接收或传送24个频道，每使用两个系列的I2S兼容立体声设备配置可编程方向线；港口的TDM通信接口，包括支持128个电话接口的TDM的渠道，如H.100/H.110支持多达12个的TDM流的支持下，每帧128个频道每个压缩扩展每通道的基础上选择在TDM模式输入数据端口提供了一个额外的输入路径的DSP核心配置为I2S或串行数据或7加一个20位宽的SYN -异步的并行数据采集接口通道或8通道；支持接收通道I2S音频数据，左对齐样本对，或右对齐模式信号路由单元组件之间提供所有戴配置和灵活的连接，6个串行端口，一个输入数据端口，两个精密时钟发生器，3个定时器，10个中断，六旗投入，产出6个旗，20曼谷南南区域股的I / O管脚串行外设接口的硕士或奴隶通过SPI串行启动全双工运作主从模式多主机支持开漏输出可编程波特率，时钟极性和第三期合并调制旗/ IRQ线路1合并调制旗/定时器过期线光盘的防伪特征：JTAG的访问与64位受保护的关键允许内存内存可分配给程序访问控制的限制下对敏感地区有一个代码锁相环/分比率背景遥测的JTAG仿真功能增强的IEEE 1149.1 JTAG标准测试访问端口软件和硬件多钳各种各样和片上仿真双电压：3.3六/输出，可在1.2 V核心136球BGA封装和144引脚LQFP封装无铅封装，也可

But first you need a map Go to the main entrance and wait till the lady drops the map in the bin, pick it up and read it Go back outside and pickup a spade hidden behind some grass Use the spade to dig a hole where the map says is a tunnel You will now enter the sewer line Pick up the rope under water in the bottom left corner Swing the rope to join it to the hook on the roof (you may need to do this a few time) You now will enter the male bathroom Grab the wire cutters on the shelf Use the wire cutters to cut the power to the lights and the alarm You will now crawl through the air conditioning and enter the vault room Pick up the paper weight on the computer desk Now throw the paper weight at the right time to knock the guard down Grab the mobile phone from the guards pocket Use the mobile phone and you will put it up against the computer Now press scan and it will give you a unique number Use this unique number to enter the vault You now have all the money you want!

但首先，你需要一个地图去到正门等到夫人滴地图，在雨夜，挑了，并宣读了它回去外面和皮卡实话实背后隐藏的一些基层使用铁锹挖一个洞，那里的地图说，是一个隧道您现在可以进入下水道线拿起绳子下的水在左下角摆动绳索加入到钩子在屋顶上（你可能需要做的，这几个时间）你现在将进入男浴室抓斗钢丝刀具货架用丝刀，以切断电源，以灯光和警报你现在爬透过空调系统和进入金库室拿起文件重对电脑桌现在把纸的重量，在适当的时候就敲打该警惕抢到手机，从警卫口袋使用移动电话，你会把这个问题，对付电脑现在新闻扫描，它会给你一个独特的号码利用这一独有的编号进入跳马你现在所有的钱，你想要！

It jolted her up like everything, of course; but I was over the shoal water now, so I went right along, her eyes a-blazing higher and higher all the time, and told her every blame thing, from where we first struck that young fool going up to the steamboat, clear through to where she flung herself on to the king's breast at the front door and he kissed her sixteen or seventeen times -- and then up she jumps, with her face afire like sunset, and says

不消说，这些话对她的震撼是无以复加的。不过我呢，仿佛鱼游过了浅滩，我便继续说下去。我一边说，她眼睛里发出的光越来越亮。我继续把这些为非作歹的事，一五一十告诉了她，从我们第一次遇到那个搭轮的年轻傻瓜讲起，一直讲到她怎样在大门口投进国王的怀抱，他吻了她不下十六七回――这时她跳将起来，满脸通红，仿佛烧得象落山的太阳。

Hey yo jim man why don't ya, you don't you kick some of that you know you know how you do it man it's a trip people don't even believe were together right now but tell your story you know the one i like say it for me riders on the storm riders on the storm into this house we're born (into this house we're born) into this world we're thrown (into this world we're thrown) like a dog without a bone an actor out on loan riders on the storm there's a killer on the road his brain is squirmin' like a toad take a long holiday let your children play if ya give this man a ride sweet family will die killer on the road, yeah goin' off of this off of that with the lizard king bumpin' in the back how bout that driftin', liftin', swiftin', coastin', testaroastin' but the wheels won't stop 200 on the highway fresh up off the block he's a rider, na he's a killer dresses in all black but his hat says stealla pedal to the metal i gotta go hard drive by and say hello hey fredwreck you my mello now let me here what i sound like acapella wow ride dip swish now bring it back just like this like a dog with out his bone unlike a g with out his chrome it's hard to imagine the homey dog in a jag and he's checkin' for the checkered flag comin' in first never in last cause my car to fast i neva eva run out of gas cause i just to clean i do it upper class so fasten your seat belts its so hot it will even make heat melt so get a bowl and roll and ride slip through the slip and slide like a dog without a bone an actor out on loan riders on the storm there's a killer on the road his brain is squirmin' like a toad take a long holiday let your children play if ya give this man a ride sweet family will die killer on the road, yeah need for speed i'm trying to take the lead hold on little homey before you run into the trees i've seen thinks that i would have never saw before hey yo jim let'em in, let'em in open up my back tire smokin' the whole street and now the police wanna flash there lights and chase the dogg all night but i won't pull over nor give up cause i just don't give a fuck yeah from the side boy where we was born and raised straight up to ride boy continuously, we get to an expeditiously keep the light on east side on snoop dogg and the doors and yeah we bout to ride on riders on the storm riders on the storm into this house we're born into this world we're thrown were thrown

嘿摇摇弯轨机人为什么不唉，你不你踢一些那你知道你知道如何你这样做人这是一次旅行人们甚至不相信是在一起此时但告诉你的故事你知道那个我像为我说它骑士在暴风雨上骑士在暴风雨上入这房子我们是出生入这世界我们是扔像个狗没有一根骨头一个演员那儿有一个杀手在路上他的大脑是squirmin'像个癞蛤蟆采取一个长的假期让你的孩子们玩如果唉给这人一个乘甜家将死凶手在路上，是呀去'离开对于这离开关于那和蜥蜴国王 bumpin'在后面如何拳击比赛那 driftin'，liftin'，swiftin'，coastin'，testaroastin'但是这个车轮不会停止两百在公路上新鲜向上远离块他的一个骑士，娜他的一个杀手衣服在纯黑但他的帽子说stealla 踩踏板金属我有去难驶过和问好嘿fredwreck 你我的梅洛现在让我这里什么我听起来像acapella 哇骑现在倾斜豪华带来它回来只是这样像个狗与出来像个狗没有一根骨头一演员借出的骑士在暴风雨上那儿有一个杀手在路上他的大脑是squirmin'像个癞蛤蟆采取一个长的假期让你的孩子们玩如果唉给这人一个乘甜家将死凶手在路上，是呀需要速度我是试图着先鞭继续小像家一样在你未碰撞树木我已经看到想那我从来不锯在以前嘿摇摇弯轨机让'em 在，让'em 在开发我的后面疲劳smokin'一街一巷那么警察要闪光那儿灯光和追逐道格整夜但我不会拦截也不放弃造成我只是不给一个性交是呀自边男孩我们在那里出生和提升直直至骑男孩骑士在暴风雨上骑士在暴风雨上入这房子我们是出生入这世界我们是扔我的翻译不太标准别见怪

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。