查询词典 rhythm

In China, people prefer to study the meaning of lyrics, while in the western countries most of people are only interested in the tempos and rhythm.

中国人喜欢研究歌词的深意；而在西方，大多数的人仅仅对拍子和节奏感兴趣。

The aim is not to "design as we go", and to dwell on responsibilities too much, but to get into the test-driven rhythm as soon as possible to check our assumptions.

其目的，而不是&设计，我们走&，并就责任打算说得太多，但进入测试驱动的节奏，尽快来检查我们的假设。

Zhu De-Qun's classmate, Wu Quan-Zhong, described him in a poem with the lines"The thick strings loudly thrummed like the pattering rain; the fine strings softly tinkled in a murmuring strain."It describes the rhythm of the lines in Zu De-Qun' s works and the interlacing of dots and lines.

朱德群的同窗吴冠中就曾用「大弦嘈嘈似急雨，小弦切切似私语」的诗句，形容朱德群作品中，因线条律动产生的节奏感，以及点线交错与窜动，结合画面光影明暗，形成如音符般时急时缓、高低起伏的旋律。

That was what the rhythm of their feet said, that was what her suddenly bumping heart thudded out with each beat.

这便是他们的脚步声的节奏所说的那句话，这便是思嘉那颗突突急跳的心一下子捶击的声音。

There is a gracefulness in every gesture; even the hand movements, the elegant turns of the fingers and wrists are transfixing. Grand sweeping movements, leaps and rolling falls express the battles perfectly. It is the subtle variations in rhythm, the punctuation of fluidity by sharp, short gestures, enhanced by percussion, that give stylized movements a mesmerizing expressivity and individuality.

即使是手的动作、手指的转动、手腕的转穿动作，每个手势都有其优雅之处；壮丽的扫堂、跳跃、翻滚，完美的表达了战争的过程；透过打击乐器细微的节奏变化、提升音调的变化、简短的手势，促使整体风格具有魔力般的表达及独特性。

In music terminology, Vamps are recurrent themes, usually chords or series of chords played continually to establish rhythm.

在音乐术语中，VAMPS一词指的是由一系列和弦连续起来建立的，通常反复出现的旋律或主题。

The traditional research pass wades the point of departure when we researches language problem in the modern new poetry is usually the static-state linguistics, i.e., it explains the rhythm, rhyme and choice of vocabulary from the opposite static layer of the phrase, such as the pure phrase logic and the grammar layer and so on. Though this kind of angle of view of does major contribution in studying language of the modern new poetry, it also brings the irregularity of analysis equally, because its abstract and regular analytic method can't correspond with the modern new poetry whose expression of character is freedom and immediate, and thus obstructs us to have further cognition of the language of the modern new poetry.

传统的关涉现代新诗语言问题的研究的出发点往往是静态语言学，也就是从单纯的语词逻辑、语法层次等相对恒定的语言层面来阐释现代新诗的音韵、节奏乃至词汇选择，这种语言视角尽管为现代新诗的语言研究做出了重要贡献，但同样也带来诸多分析上的弊端，它的这种定型的归纳和抽象的规则化分析方法无法更好地切入到以自由和随即为表述特征的现代新诗语言，也就在一定程度上阻碍了人们对现代新诗语言的进一步认知。

The nationalist era female literary wunderkind Eileen Chang thought that if one wanted to reach an understanding of the culture of costume in ancient China not even the most leisured person in the most laid-back nation would be able to find the rules that governed it from a hundred similar patterns that never once repeat themselves, but through the ancient styles and taste that these clothes possess, appreciative Chinese persons of culture could, like her, imagine the ancients wandering in groves of bamboo, could touch their foreheads to embroidered brocades and be amidst walls hung with fine silks and satins. Compared to the straight cuts of Western dress, the cut and style of Han costume better suits the softer, willowier and plump forms of an Asian race. its lines have rhythm and vitality and a floating beauty.

在民国奇女子张爱玲的眼里，要领略古中国的衣服的文化，世界上最清闲国家里最闲的人也不一定能从一百种相仿而不犯重的图案找到规则，但通过那些服装的古意，有知性的中国文人可以和她一样，想到古人在竹竿与竹竿之间走过，把额角贴在织金的花绣上，两边是拦着绫罗绸缎的墙……与西式立体裁减制作的西装相比，汉服剪裁和造型手段适合黄种人相对线条柔和圆润的体型，呈现出总体线条气韵生动、流畅飘逸的造型美感。

For instance,in home interiors, the repetition of similar chair s and other articles would achieve rhythm.

例如，在室内，相同的椅子或其他物品的重复能获得韵律。

For instance,in home interiors, the repetition of similar chairs and other articles would achieve rhythm.

例如，在室内，相同的椅子或其他物品的重复能获得韵律。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。