查询词典 rest-house

This is a particularly young spy because his dad is lifting him up so he can get his chin onto the chin rest here .

这是个非常年轻的间谍，在爸爸将他举起来后他才能将下巴搁在下巴架上。

And secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin .

其次，她的高度正好把下巴顶在爱丽丝的肩膀上，而这是个叫人很不舒服的尖下巴。

I rest my chin on my hand, arching my neck a little.

我手托着下巴，脖子往上扬了扬。

White chin and throat, the rest of the lower body are brown.

颏和喉白色，下体其余部分均为棕*。

Technician: Put your hands like this and your shoulders forward, rest your chin here.

化验员：两手放成这样，双肩前展，下巴搁在这儿。

The device also has a side which is cut-out so that the device is contoured to fit under the person's chin and rest on his or her neck and clavicle.

该装置还有一个切出的侧面，其轮廓可与人的下巴下面配合及安放在人的颈部和锁骨上。

Alice did not much like keeping so close to her: first, because the Duchess was VERY ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin.

爱丽丝很不喜欢保持如此接近她：第一，因为公爵夫人十分难看；第二，因为她是完全正确的高度休息在爱丽丝的肩膀，她的下巴，这是一个很不舒服的尖下巴。

A place for a violinist to rest the chin .

小提琴演奏者垫衬下巴的地方。

And then there is a chin rest I am going to put my chin on and I'm going to be staring into quite a large concave perspective thing but within this a whole lade of cameras are going to scan my face so here we go.

接下来的过程中我将要把下巴搁在下巴架上，然后凝视一个相当大的凹面远景。在凝视的过程中会有很多相机扫描我的面部。我们开始下一步吧。

The anatomy, on the faces especially, is fairly off (most noteably the positioning of the jaw and chin in relation to the rest of the face).

解剖，就面临特别是，是相当小康（最显着的定位颚和下巴，在与其余面对）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。