查询词典 representation notation

In the sense-representation of external things, the quality of space in which we intuite them is the merely subjective side of my representation of them (by which what the things are in themselves as objects is left quite open), and it is on account of that reference that the object in being intuited in space is also thought merely as phenomenon.

在我们感知外物的表象时，我们在这个空间中（也就是我们得以直观外物的空间）所获得的感受是全然主观的（而物体的真相在此则维持一个非常开放的状态），也就是因为这样主观的指涉，被我们在空间中所直观的客体才会被认为只不过是一种「现象」。

Activities of users at terminals and most application programs should remain unaffected when the internal representation of data is changed and even when some aspects of the external representation are changed.

活动用户终端和应用程序应不受影响，当大部分国内代表性数据的变化，即使在某些方面有代表性的外部变化。

Relative to the traditional way of predetermining basis functions, basis functions generated by learning algorithms are adapted to image characteristics and hence more efficient in image representation. Basis function-based image representation is currently a frontier research in the field of image processing, involving multiple disciplines such as statistics, geometry, visual physiology etc.

图像信息的描述能力很大程度上取决于基函数的选择，相比传统的预先设定的基函数，通过学习算法获得与图像特性相匹配的基函数能够实现对图像信息更有效的描述。

Words are not themselves a reality but only representation of it, and the King's English, like the Anglo-French of the Normans, is a class representation of reality.

单词本身并不是现实，只不过是用以表达现实的一种形式而已；像日尔曼人的盎格鲁法语一样，标准英语也是一个阶级用来表达现实的一种形式。 King's English不能直译为&国王英语&，它是指标准英语，相当于汉语中的&普通话&。

Words are not themselves a reality but only representation of it, and the King's , like the Anglo-French of the Normans, is a class representation of reality.

单词本身并不是客观物体，只不过是代表客观体而已；像日尔曼人的盎格鲁法语一样，标准英语也是一种代表客观体的语言。（ King's English 不能直译为&国王英语&，它是指标准英语，相当于汉语中的&普通话&。

So much time was spent working with the model in terms of graphical representation as well as flight model enhancements, that it's probably the best game representation of this Russian beast to date.

大量的时间花费在模型图像细节和飞行模式强化上，这应该是游戏界里这只俄国猛兽的最佳写照。

Through symbolic representation and picture representation, this study attempts to research the hundredths decimal conception of the elementary school students.

摘要 本研究目的在於透过符号表徵与图像表徵双向转译来探讨国小四年级学童的二位小数概念。

Basic symbols;Coatings;Definition;Definitions;Dimensions;Drawing specifications;Drawings;Engineering drawings;Finishes;Geometric;Geometrical product specification;GPS;Graphic representation;Graphic symbols;Inscriptions in a drawing;Letterings;Machining;Machining tolerances;Marks;Product specifications;Production processes;Products documentation;Ratings;Reference length;Reference lines;Representation of characters;Roughness;Roughness value;Specification;Statement;Surface properties;Surface roughness;Surface texture;Surface treatment;Surface-roughness measurement;Surfaces;Symbols;Technical drawing;Treatment;Wear-quantity

中文标题产品几何量技术规范。技术产品文件中表面结构的表示方式中文主题词图形表示；参考长度；尺寸；加工公差；表面性质；产品规范；覆层；制图规范；精整；表面粗糙度；粗糙度；表面粗糙度测定；表面结构；磨损量；图纸标题；表面处理；技术制图；几何的；基准线；图形符号；符号；标记；加工工艺；文字书写；产品文件；定义；表面；粗糙度值；工程图；额定值；产品几何量技术规范；GPS；叙述；处理；图纸；机械加工；字符表示；基础符号；规范验收

In order to analysis the facets of madness shown in Mark's pictures and deal with their yet to be explored images of conflicted madwomen, the writer tries to interpret the representation of two different types of madwoman in Ward 81 by applying the concept of "boundary" and drawing on French scholar Foucault's discourse on the history of insanity, feminism scholar Elaine Showalter's ideas about madness and gender, as well as the views about the photographic representation of outsiders in contemporary art criticism. One type is the humble and disadvantaged madwoman confined in a medical institution. The other type is the neglected, menacing madwoman.

为了更全面地关注玛蔻影像中的疯癫理路，进而处理其中尚未被挖掘的矛盾疯女人样貌，笔者尝试援引「界线」的概念，辅以法国学者米歇尔傅柯的疯癫历史论述、女性主义学者伊莱恩˙修华特对疯狂与性别的主张，以及当代艺术评论对摄影再现边缘族群的观点，来诠释《81号病房》内两种截然不同的疯女人再现：其一是备受医疗机制的严密禁锢，既卑微又弱势的疯癫女子；其二则是部分被忽略的、具威胁性的疯女人形象。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映，一般带有明确的时空概念，严密的情节，常用的叙事角度为全知视角，人物塑造上以外部描写为主；现代主义小说多表现人物内在心理的变化，关注人的意识及潜意识，神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法；后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则，但其作品强调后工业社会的荒诞性、游戏性及表征危机，有意识地混淆了高雅文学与通俗文学的界限，拼贴画、戏仿在后现代作品中应用广泛。

Mpered VS atrocious and pitiless,young ladys(proud,free VS down trodden,discriminated),young men(natural,tameless,strong,puerility and lifeful VS humble,loneliness, lack of vitality and apathy)and old men(goodnees,good-tempered VS recreance,loneliness and wretched).

第二章比较沈、萧小说中的"人"--乡下人的不同，从母亲(善良、慈祥、勤劳、宽容与残暴、冷漠无情)、青年女子(自然、自尊与压抑、歧视)、中老年男子(善良、纯朴与懦弱、孤寂、猥琐)和年轻男子(雄强、本真、野性、自然、充满生机和生命活力与卑微、孤独、没有生命活力和冷漠)四类人物形象进行比较。

Because the attenuation coefficient has been very close to 1, an information attackwill have a long-enduring influence.

衰减率已经很接近1，市场一旦受到外部冲击将会对市场波动产生持续性的影响。