查询词典 regular style

Other characters making regular appearances are Grampa Simpson, Homer's cranky father with his fantastically unbelievable tales of yesteryear and inclination to fall asleep at any given moment; Homer's college friend Barney Gumble, the still single, overweight, beer swilling, constantly burping barfly; Mo, the caustic, self-loathing bar-owner with the secret soft heart; Monty Burns, Homer's boss and the ancient, evil owner of the nuclear power plant; Chief Wiggum, Springfield's junk-food and donut-munching incompetent arm of the law; Apu Nahasapeemapetalon, the oft-held-up manager of the local 'Kwik-e-Mart' store; Krusty the Klown, popular with the kids but offstage a jaded, cynical hack with a long history of overindulgence, gambling and substance abuse; Kent Brockman, the spoiled, self-important TV news anchorman; Troy Mclure, the ageing Hollywood star with the faltering career and bizarre sexual fetish; Rainer Wolfcastle, the Scwarzenegger style action movie hero with the Germanic accent and ultra-right wing views; the list goes on and on

其他经常亮相的角色还有：荷马的古怪父亲——祖父辛普森，他常常会讲一些让人云里雾里、难以置信的陈年故事，而且随时随地都会睡着；至今仍然单身的荷马大学时的朋友——巴尼·甘博，他体重超常，饮酒无度，是一个经常打着饱嗝的酒鬼；酒吧老板——莫，他刻薄且自我憎恨，但却有一颗不为人所知的柔软心肠；荷马的上司——蒙提·彭斯，他是核电厂"老掉牙"的邪恶老板。斯普林菲尔德的警长——威格，他执法不力，还总是使劲儿嚼着垃圾食品和油炸面包圈；经常遭受抢劫的当地便利店的经理——那哈萨彼马彼塔隆；深受孩子们欢迎的小丑克拉斯提，但私下里他却是毫无激情、愤世嫉俗的碌碌无为之人，长期以来放纵无度、赌博并吸毒；被宠坏了的电视新闻主播——肯特·布鲁克曼，他总是那么自命不凡；风华已逝的好莱坞明星——特洛伊·麦克鲁，他的事业摇摇欲坠并有怪异的性癖好；施瓦辛格式的动作电影英雄——瑞纳·沃尔夫卡斯提，他操着一口德国口音，持极右翼观点。角色可真是数也数不清啊

Italian secular music of this time ( what little surviving liturgical music there is, is similar to the French except for somewhat different notation) feature what was has been called the cantilena style, with a florid top voice supported by two (or even one; a fair amount of Italian Trecento music is for only two voices) that are more regular and slower moving.

该时期具有特征的意大利世俗音乐（仅存的宗教音乐除了在记谱法上稍有不同，其他的都与法国的类似）被称为cantalian风格，这种风格有着由两个声部（或者甚至只有一个声部，相当多的意大利Trecento音乐只有2个声部）支撑着的一个华丽的高声部，这些支撑声部的旋律进行更均匀和慢速。

At any one time you may not promote identical items in more than ten （10） listings （whether Dutch or Regular auction style） on our site.

在我们网站任何时间你都不得在10个以上的清单中（不管是单独的或常规的拍卖）提供同一的目录。

Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.

非常重要的一点：你无需改成单包来演奏爵士，同时你也只需要继续按照古典音乐的演奏训练即可，并不妨碍你演奏爵士。

The main body of a book set off from the clothing design angle , be tied in wedlock each other by starting to pertinent theoretical analysis , linking the clothing design basal principle with, marketplace , put into practice by cooperating with project of the local TV station, thereby, sum up out a set of the new law that TV variety show anchorperson clothes and ornaments designs , form a set of new method that clothes and ornaments designs to this type thereby:(1) establishes anchorperson clothes and ornaments style , establishes anchorperson clothes and ornaments expressing priority;(2) union anchorperson oneself qualities characteristic , image characteristic , entirety design;(3) sets off from to accepting numerous angles , studies mentality, is had the design being aimed at by numerous appreciation of the beauty;(4) is in anchorperson clothes and ornaments colour being going , seek in the unification change to come to consider style and hue from entire stage indeed at the regular time;(5) heddle skill entertainment anchor-man clothes and ornaments detail designs that priority chooses high-quality material on clothing collar headquarter , shoulder , bosom, emphasize that the meticulous handicraft is right away especially important;(6) when has being anchorperson more in one program, clothes and ornaments designs that emphasizing that the series feels more.

本文从服装设计的角度出发，通过对相关的理论分析入手，结合服装设计的基本原理，与市场相结合，通过与地方电视台的项目合作实践，从而总结出一套电视综艺节目主持人服饰设计的新规律，从而形成对此类型服饰设计的一套新方法：(1)确立主持人服饰风格，确立主持人服饰表达重点；(2)结合主持人自身气质特点、形象特点，整体设计；(3)从受众的角度出发，研究受众的审美心理，有针对的设计；(4)在主持人服饰颜色的确定时，要从整个舞台的风格和色调来考虑，在统一中求变化；(5)综艺娱乐节目主持人服饰的细节设计重点在服装的领部、肩部、胸部上，选取高品质的素材、强调精细的工艺就尤为重要；(6)在一台节目有多个主持人时，服饰设计更强调系列感。

This study conducts sampling among the golden customers and regular customers of the sample website and incorporates their opinions in product design. It discovers significant discrepancy between golden customers and regular customers in terms of their on product shape/style and material requirement.

本研究在样本网站的黄金顾客与一般顾客中进行抽样，并将其意见导入产品设计中，发现黄金顾客与一般顾客对於产品造形风格与材质要求上，都具有显著差异。

Duty: Supply related technology support at company, Assist under, According to company product, Serve and market feature, Develops in view of community customer's handwork train course and relative to material wrap; At company straight camp shoppe, Entity shop, Alliance shop or as company name with all sorts of school, Children's Palace, All sorts of sells cooperate wait for style, Develops regular or not regular handwork course training.

职责：在公司提供相关技术支持、协助下，根据公司产品、服务和市场特点，研发针对群体顾客的手工培训课程及相关材料包；在公司直营专柜、实体店、加盟店或以公司名义与各种学校、少年宫、各种卖场合作等方式，开展定期或不定期手工课程培训。

His painting is strictly a simple transformation within academic style, applying in a large background some pure monochromic color in graffiti-style, his painting is much more profound than regular cartoon painting.

人物形象不是逃离现实世界，而是重返自我心灵深处，充满一种无声的诉说。

Flowering shoots mostly clustered, with solitary l flowers at top, sessile and enclosed basally by clustered upper leaves; calyx tube tinged purple, obconical, 10-12mm long, lobes of the same shape as upper leaves; corolla long-bell-shaped, 5-6cm long, 2.5cm across, lobes ovate, plaits regular or slightly oblique, praemorse at rim ; stamens borne in lower part of corolla tube, regular ,filaments blue, awl-shaped ,united at base and surrounding ovary , anthers yellow, narrow—oblong, ovary narrow-ellipsoid, style linear, stigma 2-fid, lobes linear ,recurved.

花枝多丛生，花单生枝顶，基部包围在上部叶丛中，无花梗；花萼筒带紫色，倒锥形，长10~12mm ，裂片与上部叶同形；花冠长钟形，长5~6cm ，径约2.5cm ，裂片卵圆形，褶整齐或微偏斜，边缘啮蚀状；雄蕊着生于冠筒下部，整齐，花丝蓝色，钻形，基部联合包围子房，花药黄色，狭矩圆形，花柱线形，柱头2裂，裂片反卷，线形。

Folk song has special charm of using "lay-folk poem" language. This paper discusses the characteristics of folk song's language from stylistic perspective in three parts. The first part discusses the concept of folk songs, the context type and its style belonging, confining the researching, analyzing the producing context of folk songs and introducing its style belonging simply. The second part analyzes the characteristics of 'lay-folk poem' language by using a number of examples, which includes the aspects of orallisition of its vocabulary application, the concision and deviation of its grammar, its regular rhetoric technique, the foil word and rhyme. The third part emphasizes the folk songs' function that different from other styles in emotion expressing, aesthetic views and practical aspects.

本文从语体角度分三个部分来探讨民歌语言的特色：第一部分阐述了民歌的定义、民歌语体的语境类型及语体归属，对本文的研究范围做出了界定，对民歌语体语言的生成语境做了分析，对民歌的语体归属做了简单的说明；第二部分从词汇运用的口语化、生活化，语法的简洁性与偏离性，常用的修辞手法，衬词及押韵五个方面来分析民歌语体的&平民诗歌&的特征，通过大量例证突出了民歌语言的特点；第三部分从表情、审美、实用三个方面对民歌的功能作了阐述，突出民歌语体有别于其它语体的特征。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。