查询词典 red in the face

With a towel hanging before her shoulders, a fifteen-year-old girl in red T-shirt shows her confidence with a peaceful smile. The calm face is seldom seen in the same aged teenagers in hardworking scene. Though her parents were also working in the brickfield, she took the responsibility for watching her younger brothers and sisters."Life is not easy for her. She cannot enjoy her summer vacation by playing. What she has done is just for reducing the burden of the family."

帖子一共附带15张照片，照片上一位十五六岁的女孩穿着红色短袖上衣，颈上挂着一条毛巾，脸上有着同龄孩子少有的沉着淡定，当然也有在生活重担下难得的微笑，她的父母同样忙着在砖场劳作，在砖厂拉板车的过程中，小女孩还得时不时盯着在一旁玩耍需要照料的弟妹，"生活不容易，小小年纪的她不能尽情享受暑假，必须打工减轻父母的负担。"

He rolled his flashing, coal-black eyes, showing the bloodshot whites, and waved a sheathed sword, which he held in a bare hand as red as his face.

他那对煤炭一般乌黑的眼珠在发炎的眼白中闪闪发光，骨碌碌地乱转，他那和脸膛一股通红的裸露的小手握着一柄未出鞘的马刀，不时地挥动着。

My green and red face was immortalized in the school photo that year so I will never fet.

我的脸青一块，红一块，永远记录在那年学校的合影上，所以我一辈子都忘不了。

On the face of it he seemed to dawdle and gape, a tall, awkward, red-haired boy in dust caked clothes.

外表看上去，他是一个穿着满是灰尘的衣服、游手好闲、打着呵欠、个子高高的、动作笨拙的、有着满头红发的男孩。

BIG RED GORY GAPING SOCKETS IN THE CENTER OF HIS FACE.

只有两个巨大的血淋淋的空洞留在他面孔的中央。

The face is red and moon-shaped and there is often male-pattern hairiness, or sometimes baldness, in women.

面对是红色，并且月球- shaped 和有往往是男性型毛羽，或有时秃发，在妇女。

When she awakes, on the sickbed that has been in a hospital, man red eye socket is defended in her beside, her tear came down at that time, stretch one's hand the face that touchs him, abruptly, her heart deadlocked lived, this momently iciness compares the darkness when fainting actually more let her heart Jing -- her sword arm actually essential cannot move!

当她醒来时，已经在医院的病床上，男人正红着眼圈守在她身旁，她的眼泪当时就下来了，伸手摸他的脸，猛然，她的心僵住了，这一刻的冰冷竟然比晕倒时的黑暗更让她心惊——她的右臂竟然根本无法动弹！

The Residence team, clad in red clothing and face paint, excitedly formed a ring and broke into synchronized jumping jacks.

住宿部联队，穿着红色衣服，涂着红色油彩，环绕成一个兴奋的大圈圈，闯入了整齐跳跃着的伙计们之中。

Uh Uh, uh, huh Yo, yo Drop your glasses, shake your asses Face screwed up like you having hot flashes Which one, pick one, this one, classic Red from blonde, yeah bitch Im drastic Why this, why that, lips stop askin Listen to me baby, relax and start passin Expressway, hair back, weavin through the traffic This one strong should be labeled as a hazard Some of yall niggas hot, sike Im gassin Clowns I spot em and I cant stop laughin Easy come, easy go, E-V gon be lastin Jealousy, let it go, results could be tragic Some of yall aint writin well, too concerned with fashion None of you aint gizell, cat walk and imagine Alotta yall Hollywood, drama, passed it Cut bitch, camera off, real shit, blast it And if I had to give you up Its only been a year Now I got my foot through the door And I aint goin nowhere It took awhile to get me in And Im gonna take my time Dont fight that good shit in your ear Now let me blow ya mind They wanna bank up, crank up, makes me dizzy Shank up, haters wanna come after me You aint a ganster, prankster, too much to eat Snakes in my path wanna smile up at me Now while you grittin your teeth Frustration baby you gotta breathe Take alot more that you to get rid of me You see I do what they cant do, I just do me Aint no stress when it comes to stage, get what you see Meet me in the lab, pen and pad, dont believe Huh, sixteens mine, create my own lines Love for my wordplay thats hard to find Sophomore, I aint scared, one of a kind All I do is contemplate ways to make your fans mine Eyes bloodshot, stressin, chills up your spine Huh, sick to your stomach wishin I wrote your lines And if I had to give you up Its only been a year Now I got my foot through the door And I aint goin nowhere It took awhile to get me in And Im gonna take my time Dont fight that good shit in your ear Now let me blow ya mind Let your bones crack Your back pop, I cant stop Excitement, glock shots from your stash box Fuck it, thugged out, I respect the cash route Locked down, blastin, sets while I mash out Yeah nigga, mash out, D-R-E Back track, think back, E-V-E Do you like that, you got to I know you Had you in a trance first glance from the floor too Dont believe Ill show you, take you with me Turn you on, pension gone, give you relief Put your trust in a bomb when you listen to me Dancin much, get it all?

Uh Uh ， uh，哼！ Yo， yo 降低你的眼镜，摇动你的驴脸振作起来像你有热的闪光哪一个，精选一，这一个，古典作品红色的从金发碧眼的女人，是的母狗 Im 激烈的为什么这，为什么那，唇停止 askin 听我的话宝贝，放松而且开始 passin 高速道路，头发背面，透过交通的 weavin 这一个强壮的应该被贴标签为危险一些 yall niggas 热的， sike Im gassin 我弄脏 em 的小丑和我讲黑话停止 laughin 易得易失，电子 V gon 是 lastin 妒忌，让它去，结果可能是悲惨的一些 yall aint writin 很好地，太关心的由于流行你没有一个 aint gizell，猫走而且想像 Alotta yall 好莱坞，戏剧，通过了它削减母狗，照相机走开，真正的粪，摧残它而且如果我必须放弃你它的唯一是一年现在我使我的脚通过门而且我无处的 aint goin 它一会儿拿让我获得录取而且 Im 去从容不迫 Dont 在你的耳朵中对抗好粪现在让我吹 ya 思想他们想要存入银行在，上面曲柄提高，使我晕眩胫向上，憎恨者想要跟随我你 aint ganster，玩皮的人，太很多的吃在我的路径的蛇想要仰头对我笑现在当你的时候 grittin 你的牙齿挫折纵容你必须呼吸带 alot 更多你免除我你见到我做他们所讲黑话的做，我仅仅做我 Aint 没有压迫力当它来举行的时候，拿你见到的在实验室，钢笔和填补中遇到我， dont 相信哼！，十六我的，产生我自己的线为我的文字的争论爱那难者找二年级学生，我 aint 惊吓，一类型全部我做是注视方法使你的狂热者成为我的眼睛充血的， stressin，寒冷在你的背骨上面哼！，你的胃 wishin 的病人我写了你的台词而且如果我必须放弃你它的唯一是一年现在我使我的脚通过门而且我无处的 aint goin 它一会儿拿让我获得录取而且 Im 去从容不迫 Dont 在你的耳朵中对抗好粪现在让我吹 ya 思想让你的骨头裂缝你的背部取出，我讲黑话停止刺激， glock 注射从你的藏起来盒子性交它，宗教性暗杀团员出，我尊敬现金路径锁了下来， blastin ，组当我调情出的时候是的 nigga，调情出， D-R-E 支持轨道，向后地想，电子 V-E 做你相似的，你到达我认识你也在来自地板的梦幻之境第一一瞥中有了你 Dont 相信生病的表演你，和我带你把你打开，发给退休金离去，给你减轻当你听我的话时候，把你的信赖放入一个炸弹 Dancin 很多，拿它全部？

Some findings include The face of Jesus in the Sand, Flying Car in Australia, Amazing Iceberg Formation, Amazing 'Red' Dune Formation at Saudi Arabia Desert, Kodak Theatre, Lost Indonesian civilisation of Tambora, Birds in Flight and etc.

一些研究结果，包括面对耶稣在沙子里，飞行汽车在澳大利亚，形成惊人的冰山一角，惊人的'红'沙丘形成在沙特阿拉伯的沙漠，柯达剧院，失去了印尼坦博拉文明，鸟在飞行中和等。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。